Posted on 12/10/2012 6:04:54 PM PST by Mrs. Don-o
The new film “The Hobbit: An Unexpected Journey” (opening Dec. 14) has got action and adventure galore, just like “The Lord of the Rings” trilogy that preceded it. But the director and actors who worked on the movie are well aware of the deeper themes that lie at the heart of the work of J.R.R. Tolkien (1892-1973), who authored all the original books, published between 1937 and 1955.
At a recent press conference about the film in New York City, Richard Armitage, who portrays the Dwarf warrior Thorin Oakenshield, said, “One of the things I find when I look into that book [The Hobbit] is a sense of Tolkien’s Catholicism, his Christianity – not necessarily in a denominational way, but in terms of his chivalric view of the world, his nobility which is expressed through kindness and mercy. It’s present in most of his characters and I find that inspiring.”
Tolkien did in fact acknowledge taking that approach in his stories. In a letter, he once wrote, “The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision. That is why I have not put in, or have cut out, practically all references to anything like ‘religion’, to cults or practices, in the imaginary world. For the religious element is absorbed into the story and the symbolism.”
For instance, the ideal of mercy is evident in one scene between Bilbo Baggins, the titular hero, and Gollum, a threatening creature that he meets when he falls into an underground cave. Director Peter Jackson, who also helmed “The Lord of the Rings” trilogy, noted that creating this moment onscreen was a particular pleasure. Though “The Hobbit” occurs chronologically before “The Lord of the Rings,” the fact that they were shooting this prequel years after the other films allowed him to place special attention on this moment.
He said, “There was a scene in ‘The Lord of the Rings: The Fellowship of the Ring’ where they’re in the mines of Moria, and there’s a quiet moment where Gandalf is talking to Frodo about the events of ‘The Hobbit.’ He says that the pity of Bilbo rules the fate of all: meaning that Bilbo had a chance to kill Gollum but he didn’t. And the fact that he didn’t has now created the story for ‘The Lord of the Rings.’ So it was very interesting to shoot that scene and show the moment where Bilbo stays his hand – and also the reason why he doesn’t kill Gollum when he’s got the opportunity: because Gandalf insisted that ‘true courage is not about knowing when to take a life, but when to spare one.’”
The theme of courage also resonated with Martin Freeman, who plays Bilbo. Bilbo is used to a quiet, comfortable life, so going on an adventure in which he could be killed isn’t something he ever foresaw doing. But because the purpose of the journey is to return a group of Dwarves to their former home which has been overtaken by the dragon Smaug, he sees a greater purpose to it all.
Freeman noted that “The Hobbit” is a tale about a small guy who ended up being a hero. But it’s not that he wasn’t scared; he acted despite being scared. “That’s bravery encapsulated,” said Freeman.
Sir Ian McKellen, who returns as the wizard Gandalf, has a similar view of what Tolkien – and by extension, everyone who has worked on these films – is trying to convey through their storytelling. He finds it especially profound because Tolkien had endured World War I before “The Hobbit” was published, and World War II by the time “The Lord of the Rings” was complete.
McKellen explained, “The message I think that resonates in the books and films is – Yes, the world is organized by people who are extremely powerful and are concerned with the preservation of Middle Earth, but they are entirely dependent on the little guy. And [it's impressive] that [Tolkien], who’s been through two World Wars, accepts that: that it’s not the great people we build statues to through whom the world is changed – it’s the ordinary people who measure up in the moment.”
Our homeschool association has had a “Hobbit Reading Club” going since June. We’ve read the book - usually each chapter several times - done character analysis, plot charts, arts-and-crafts, and discussed mythology, theology, and how difficult it is for people who are cranks about the text to sit through movies made my non-cranks.
We’re all going to see the movie Saturday afternoon. I will stifle my cries of “That’s not in the text!” for the sake of the team ;-).
Ping for those articles. Thx!
I miss homeschooling :o(
Tolkien,I think, is one of the Permanent Good Ones.
Our oldest is in his second year at Christendom. Our middle is a senior in high school but she is taking classes at the local community college. Our youngest is a sophomore in high school. We've been homeschooling for 15 years now. I can't even imagine life after homeschooling but its right around the corner for us too.
I miss homeschooling :o(
I will be 65 when Kathleen finishes high school, other things being equal.
The Hobbit Club has been lots of fun, even though the logistics got crazy once the science teams started in September.
And I always thought that the song was about a junkie looking for her dealer so she could get her next fix:
There's a lady who's sure all that glitters is gold
And she's buying a stairway to heaven.
When she gets there she knows, if the stores are all closed
With a word she can get what she came for.
...Your head is humming and it won't go, in case you don't know,
The piper's calling you to join him,
Dear lady, can you hear the wind blow, and did you know
Your stairway lies on the whispering wind.
McKellum's Gandalf-fight with the Balrog was (in my mind) the best symbolic portrayal of Christ fighting demons, descending into the pit (of earth, hell), dying, coming back resurrected and transfigured, that I have ever seen. He comes back --- at the turn of the age --- so radiant that Aragorn, Gimli, and Legolas bow and kneel in homage.
So our old atheist can appreciate --- in a shadowy way ---- the nobility of priestly and Christly realities.
Let's pray for him.
Our youngest son did a full course on “Lord of the Rings” as a ‘Literature course’ in his Senior year. He read the full trilogy, it tied in vocabulary, and even had some lessons on comparative literature. It was called “Literary Lessons from Lord of the Rings”, and he really enjoyed it.
I’d have a great time with that. Our group ranges in age from 6 to 14 (not counting the nerdy moms; we are in our 40s). Term papers are too much to ask, but they didn’t have any problem getting into characters and descriptions. I drew battlefield maps for the last couple of chapters, just like in the National Battlefield Parks guidebook!
Because they are so different
Thanks for that post, beautiful graphics.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.