Posted on 06/10/2009 3:45:58 PM PDT by NYer
During the persecution of Christians during the reign of Marcus Aurelius, the Roman prefect Rusticus was frustrated by the serene equanimity of the Christian convert Justin, a Platonic philosopher. The Romans considered Christianity a supserstitio parva (perverse superstition) and classified its morality as immodica (immoderate) for, among other things, refusing to abort the unborn and "expose" the newly born. Bereft of rational arguments against Christians, Nero blamed them for burning Rome, as some would blame the Jews for the bubonic plague. The demagogic policy, updated by Lenin and made a political craft in our day, was to "never let a crisis go unused."
I cite the case of a man gone off the edge who committed murder in Kansas in the name of the sacredness of life. Impatient with rational voices, he said: "These men are all talk. What we need is action -- action!" He was rightly called a "misguided fanatic," but some deluded people made things worse by actually praising the murderer. On the other hand, opportunists exploited the crisis to discredit all of their opponents.
The Kansas killing to which I refer was the Pottawatomie Massacre. Abraham Lincoln justly applied the term "misguided fanatic" to the perpetrator, and those who praised the maverick killer as "Christ-like" included Ralph Waldo Emerson and Henry David Thoreau. The demagogues were Southern slaveholders who seized the chance to tar all abolitionists as fanatics. The "inventor of American terrorism" was John Brown, whose body "lies a-mouldering in the grave." A more prudent abolitionist, Julia Ward Howe, transposed the lyrics of the old song into a hymn of the true Christ, who in His own definitive justice is trampling out the vintage where the grapes of wrath are stored.
The sane diction of authentic confessors of faith, as opposed to traitors against reason, was very like what Justin patiently told Rusticus: "We hope to suffer torment for the sake of our Lord Jesus Christ, and so be saved. For this will bring us salvation and confidence as we stand before the more terrible and universal judgment-seat of our Lord and Savior."
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I’m not sure I agree, perhaps more with the way things are presented here than anything else.
Quite oddly, this is not completely accurate.
The John Brown originally referenced in the lyrics was not necessarily the John Brown of Harper's Ferry. Several of the authorship stories reference other John Browns.
In any case, the lyrics are (were) not old at all, but were definitely of the Civil War era.
The tune was probably at least several decades old by the WBTS.
“Every great cause attracts its sociopaths who cloak their pathology in the mantle of righteousness.”
This man’s writing is very very good. I am non-catholic, not a cheerleader at all - but this essay closely took my breath away. Thank you for posting it!
I do not understand this reference though;
“but the Botticellis at the bottom of the Arno river are mute testimony that if the greatest treason is “to do the right thing for the wrong reason,”...
I like history - but don’t know what he means here.
Help a little?
thanks!
spank
The Confraternity of the Sacred Heart marks the beginning of the Year for Priests with a novena of Masses culminating in a Solemn Pontifical Mass for the Feast of the Sacred Heart in the extraordinary form of the Roman Rite. Bishop Fernando Areas Rifan, Apostolic Administrator of the Apostolic Administration of St. John Vianney, will pontificate. The day after the Mass, there will be a day-long Conference Renewing Devotion to the Sacred Heart."[at Church of Our Saviour] Among other distinguished speakers, Fr. George Rutler will present a talk on St. John Vianney and the Sacred Heart. In the evening after the Conference, Bishop Rifan will be the keynote speaker at a Dinner in his honor.For more details, follow the links above.
I believe this refers to the reaction to Savonarola’s preaching in which many Florentines disposed of pictures (including Botticelli’s) which were deemed immoral. Botticelli himself is said to have burned some of his more risque paintings in one of Savonarol’s bonfires.
Thank you ma’am.
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