Posted on 10/21/2001 11:59:39 AM PDT by jkc054
FACT It is known that al Qaeda uses embedded images to transmit orders to operatives in the field. [1] The picture above appears to be an example of this. Other extremely important instances of this will follow.
FACT The FBI has identified Ahmed Alghamdi as one of the hijackers who crashed into the South Tower of the World Trade Center. See FBI photo below:
Ahmed Alghamdi is one of the men identified as a hijacker aboard United Airlines flight #175 that crashed into the South tower of the World Trade Center on September 11, 2001
FACT The name Ahmed Alghamdi presently appears on an Internet site that is purported to have been established by a Bahraini pilot. [2] (Click here if the web site in question is not available.)
ADDENDUM: The name of Ahmed Alghamdi has been removed from the above site. But you can click here to see the original entry.
FACT On the same web page where Ahmed Alghamdi posted a message about his adoration for a woman named Fairuz, one finds the names of other individuals, some of which list their web sites. Two such individuals are artists with a significant numbers of posted paintings and drawings. One of those individuals is "Muzaffar Wandawi," a man who identifies himself as an Iraqi living in Amsterdam. He lists the following three sites as his personal web sites.
Personal Web Site 1 http://people.a2000.nl/mwandawi Personal Web Site 2 http://huizen.dds.nl/~wandm/ Personal Web Site 3 http://www.xs4all.nl/~nbk/wandawi
FACT Among Muzaffar Wandawi's pictures are "Vacation" pictures [quotes in original representation] that were reportedly taken in London, Paris, California, Iraq, Tunisia, Jordan, Lebanon and Turkey. [3]
FACT Muzaffar Wandawi's web site contains the picture shown below, entitled "Downfall." Observations: The picture shows two heavily smoking towers in the bottom left-hand corner. Between the two towers there is an object that appears to be a representation of the American flag. To the right of this a man is present on a horse. Notably, the man appears to be dressed in the manner of an airline pilot with his coat off. The man's hair is trimmed in the manner of an airline pilot. And just to the right of the two smoking towers, one see a depiction of the Pentagon -- with people standing on the steps. This picture has existed since at least 1998.
"Downfall" A critical picture that tells much
Picture by Iraqi artist whose name appeared on the same web page as Ahmed Alghamdi, a man who is reported to be one of the 19 hijackers involved in the September 11 terror attacks on the World Trade center. In the bottom left, one can see two towers that appear to be astride of an American flag. The man on the horse is dressed in the manner of an airlines pilot, with appropriate haircut. Just to the right of the two smoking towers, one sees a clear depiction of the Pentagon -- with people standing on the steps.
"Downfall" picture after filtering and enlargement.
Note the Pentagon, White House, and note that what superficially appeared as a burning chimney can actually be seen to be a towering building that is burning near its top.
QUICK SUMMARY OF THE ARTWORK: The yellow plant shown above is key; it appears in many places in Muzaffar Wandawi's art and represents sickness. This has led to the following series of interpretations.
"Arrival"
Interpretation: This painting is titled "Arrival." The Arabian horse symbolizes the arrival of the 19 or so highjackers involved in the September 11 hijacking. The yellow plants are already present. These are biological weapons.
"The Climbing Horse"
Interpretation: Preparation is made for the September 11 terrorist action. The Arabian horse climbs the mountain. But a yellow plant (associated with a biological attack) is on the mountain. The fact that the "major" attack is to be biological is foremost in the mind of the Arabian warriors. They understand that the September 11 attack is just a prelude to a more deadly operation.
"Downfall"
Interpretation: The Warriors attack the World Trade Center and the Pentagon. But the Arabian warriors -- symbolized by the Arabian horse -- have their attention firmly fixed on the planned biological attack. This is supposed to be the beginning of America's "Downfall."
Signal is Given to Launch Preparation for Biological Attack at Preplanned Time
Interpretation: The yellow mask-like character symbolizes biological attack. Message represents signal to attack on previously specified date, possibly in the latter part of October, maybe in the Halloween time period.
"Violation"
Interpretation: Biological materials (symbolized by the yellow rag) begin to be spread across America. As this happens, America begins to resemble a wasteland. America is "Violated" by the use of biological weapons.
Interpretation: The biological attack grows to gargantuan proportions.
S.O.S
Interpretation: America is defeated and destroyed by the biological attack. Millions lies in their coffins -- with nails holding them together.
Interpretation: Some sort of peace is represented to come to a destroyed America.
CONCLUSIONS
1) Muzaffar Wandawi was involved in the attacks on the World Trade centers, and it appears he uses his drawings and paintings to encode orders to terrorists, including al Qaeda.
2) Biological weapons are in place -- within the US -- for use on a massive scale.
3) Orders probably have been given to initiate the biological action in accord with previous plans.
Dr. Robert W. Koontz
Experimental Nuclear Physicist
Former National Security Agency Instructor
Guess you've never heard of deterrence? This is Saddam's insurance policy.
Consider this- this is about depleteing and over taxing our system WHILE OBSERVING our response. Anthrax is not the "big deal", but a prelude to MUCH bigger things.
CaR: If this is Saddam's deterrence, then the federal government would have been preparing for germ defenses long ago (despite WJC) and we'd be much ahead of the game. This is not to say that he doesn't have bio-weapons. But that fact isn't causing us to shake in our cowboy boots.
Twaddle.
Even if this is done, it wouldn't be done in any way that could be "interpreted" by us.
Even the books on codes in the children's section of the library make it clear that "signals" can and should be done in ways that are unconnected from their meaning.
For example, the meaning of the signal "The squirrel is on the fencepost" wouldn't have ANYTHING to do with squirrels, fenceposts, positioning, farms, fences, agriculture, rodents, etc. It would mean "attack at dawn", or "meet your contact at the bus station", or whatever. Other signals would have other pre-arranged meanings.
Not only would "interpretable" signals be dangerous in case the enemy "figured them out", but they'd be stupid on the grounds that your own agents might misinterpret their meaning and fail to follow the orders you were trying to send them.
No, the only kind of coded "signal" that makes sense (i.e., are worth using) are ones that are prearranged, and whose meaning has nothing to do with their symbolic content.
And for messages that you couldn't plan for in advance by assigning them a particular signal, there's always classic encryption.
Please expand on that thought, so we can see if it holds together when spelled out.
The link for one of the hijackers links, alleges its one of his homepages, the artist of these coded pics:
Following is info...wouldn't hurt for Freepers to check out all links from the Coded homepage and connect the dots?
The Summary of my CVThe Contents of This Site
Name : Muzaffar Wandawi
Birth date : 5 April 1967
Art status : Selftaught painter
Education background : A graduate of "Translation Dept./ English - Arabic" - College of Arts - AL Mustansiriya University - in Baghdad - 1990
A graduate of a professional training course of "Web Engineer" organized by "Computerij Onderwijs" in Amsterdam - 1998
Languages : English, Arabic,Turkish, Dutch & (a little)French
Profession : Web designer - Residence : Amsterdam - NL Exhibitions in NL :
1995 :- Wall paintings - Amersfoort
1995 :- Institute of Social studies - The Hague
1995 :- High School of Arts - Utrecht
1996 :- Town Hall - Leeuwarden
This homepage repersents my art works, both of traditional ( paintings) & that of digital (webdesign). The paintings are exhibited through a virtual "Gallery" where you can see the paintings as thumbnails linked into more detailed sizes of their own, besides every "Hall" in this "Gallery"exhibits the paintings in accordance with their themes, dates & techniques... while the "Gallery" itself represents my attempts to reproduce"3D" effects by "Photoshop"!
"Posters" includes some examples of digital posters I made by "Photoshop" & other graphic softwares for print work. They are also thumbnails to be clicked to get bigger & more detailed sizes.
"Webdesign" repesents real examples of "clip & digital arts" through different shapes of website's "Interactive Interfaces", animations made by "Flash" & other animation programs besides some varaitions of webdesign through a gallery of "Demo-sites" which combine graphic design, animations & interfaces all together !
"Webfolio" offers other choices to visit some other sites I made, both of personal & bussiness sites .
"Fun"includes some selections of scanned photos taken during the vacations to different places. They are represented in two ways ; The first is kind of slideshow made by a Dynamic HTML wizzard with interactive buttons of "Play" & "Pause" etc.. , while the second page presents these photos through clickable thumbnails . in addition to many amazing links gathered in a menu balk .
I hope you enjoy visiting this homepage which is made to represent my art as much as to follow & master the techniques of web engineering & design.
"Guestbook" is ready to receive your comments, critics & reactions ... So please sign my guestbook or just e-mail .. and thank you..
Many of the coded pictures , if not all, are in his gallery and halls, in Hall # 3, is one entitled "Scream" it has blood streaming down a wall, this is a violent artist! If you try to right click, you get a warning, it is not safe & do you wish to continue?!
OH NO...!!!
A LiberTaliban poppy flower growing out of the gray blight of statist Western imperialism?
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