Posted on 12/10/2021 10:24:33 AM PST by Kaslin
The BBC and wokeness killed the much-loved sci-fi TV series. The writer who last revived ‘Doctor Who’ is likely the only one who can save it now.
“Doctor Who” is dead. Ratings haven’t been this low since the moribund 1980s. Fan interest is zilch, with little engagement on social media. The show just finished its 13th series, and the few who watched could only yawn. The doctor is on life support thanks to the BBC’s incessant diversity mandates, executive producer Chris Chibnall retcons, and the lazy pomposity of the first female doctor, Jodie Whittaker.
But there is hope. A familiar stranger bearing the initials R.T.D. has arisen in the distance, and his company, Bad Wolf, are just the heroes that might make “Doctor Who” go through another successful regeneration.
For those unaware, “Doctor Who” is the almost 60-year-old British sci-fi-adventure TV series, which revolves around the time-traveling alien, The Doctor, and his companions’ adventures. What makes the show different is that every few years a new actor plays the titular character. The show’s first run (1963 to 1989) petered out after its popularity waned and the BBC felt it unprofitable.
It would then take almost 20 years until writer Russell T. Davies, creator of “Queer as Folk” of all people, revived the series in 2005, featuring a weathered Christopher Eccleston as the doctor. A year later, David Tennant took up the role, and the show for the next decade became the most popular program in the United Kingdom and beloved around the globe.
However, in 2017, the BBC got tired of executive producer Steven Moffat, despite his critically successful run with the 12th iteration of the doctor, played by Peter Capaldi. While popular, his series never saw the kind of attention it received while Tennant was in the role. The BBC, infatuated with the cop-drama “Broadchurch,” gave its creator Chris Chibnall complete creative control of the series. Chibnall agreed on the condition that Broadchurch actress Whittaker become the first female doctor.
Fan reaction to the announcement was mixed. Some dared question aloud if the characteristically masculine doctor should ever become a lady. The media, however, were apoplectic.
At the news of the casting, the news media swarmed like starving piranhas against the Doctor Who-loving plebs. With hundreds of social justice-themed headlines falling anywhere from the effusive (USA Today’s “Why it matters that a woman is the new ‘Doctor Who’”) to braggadocio (Salon: Sexist ‘Doctor Who’ haters don’t just deserve our scorn, they need it”). Even the dictionary company Merriam-Webster got in on the action.
The BBC, now firmly under the control of their all-powerful diversity and inclusions group, like much in the nerd world lately, was firmly on board to replace its fan base with a younger, more progressive demographic.
Chibnall’s tenure with “Doctor Who” is a travesty. Objectively, ratings-wise this “Who” is a stinker. Except for the pilot episode – due to booming novelty views – the ratings are in the toilet. The series consistently secures some of the worst-rated and unwatched episodes of all time. Some get fewer views then re-runs of “The Antiques Roadshow.”
Stylistically, woke “Who” is a shadow of its former self; most of the old writers from the previous series got replaced with first-time diversity hires. The result is that there are no engaging episodes to speak of, no characters to hold onto, and never any stakes to make a viewer give a damn.
Chibnall’s show is consistently awful. An uninspiring and generic production, yet an indignant one, with snide digs towards men in almost every episode. Storylines abound where the heroes are good, diverse people, and the villains are homophobic white males, usually coded as Christian. Christmas specials are out. But there’s a Donald Trump stand-in, a man having a baby, and plenty of lectures about privilege and the historical evils of British colonialism and capitalism.
Whittaker’s impotent portrayal of the doctor is like a handful of Ambien. No surprise she bragged about not having seen the show prior to taking on the role nor since. During series 12, the BBC was forced to apologize, when at the conclusion of an episode about mental illness, Whittaker brushed off the confession of her companion’s cancer diagnosis by responding that she was “too socially awkward” to deal with it.
The death nail came in the series 12 finale, “The Timeless Children.” In it, we learn that the doctor was never a Timelord, the time-traveling, regenerating species from which he belongs. Instead, the doctor was never a humble timelord, but a sort of infinite progenitor space-messiah.
“Doctor Who” is built upon the charisma and connection the audience makes with the show’s eponymous hero. Before Whittaker, the doctor has been played by 13 different actors, each remarkable in their acting ability and depth. However, those legends were white men. So, in Timeless Children, we learn that those doctors were not the originals, nor important. Instead, the doctor was a black woman all along, deprived of her true identity by an abusive patriarchy.
With one swift strike, almost 60 years of continuity, profits, and fan affection shriveled up to nothing.
Now no one is watching; Chibnall and Whittaker are both out. “Doctor Who” is broke and in danger of another cancellation. Until recently, if you asked me how “Who” could be saved, I would have told you we needed a miracle. Providence provides.
The BBC, now saddled with an unprofitable property, has sold full creative control to a little Welsh production company named Bad Wolf and the old hand himself, Russell T. Davies, the man that created and ran the show’s successful 2005 revival.
This is a big freakin’ deal.
Bad Wolf is led by Julie Gardner and Jane Tranter, former BBC executives that worked with Davies on “Doctor Who” and its spin-off shows. Even the company’s name is a reference to Davies’ run on “Who.” The Cardiff-based company has repeatedly proven itself by competently adapting several big intellectual properties, as they did with HBO’s “His Dark Materials.” The studio’s part owner is Sony, which, as we see with the new Spiderman films, can respectfully adapt IPs while partnering with another company.
As for Davies, he was born for this. Before the revival, he was a prolific writer for Who book and audio projects. Davies is a humongous Whovian, packaged with enough grace and discipline that he could rein in the eccentric Steven Moffat. In the past, he protected the franchise like a mother grizzly. Now he can do it again.
For “Who” to be rescued, Bad Wolf will have to gather their strength for the media tempests to come. They will have to make the difficult decision of undoing and jettisoning every ounce of the Chibnall era, every single scrap of canon, lore, and continuity that took place from 2017 to 2022. That means that Whittaker’s 13th doctor, all her hatred, and the Timeless Child must be wholly expunged, lest the infection returns.
To paraphrase the fictional character Adrian Monk, for this project to work, they must gather up all the garbage, burn it, scorch the earth, gather the ashes, and then burn it down again.
One can only imagine the hysteria from social and news media to follow. But for their sacrifice, they will have the undying affections of Whovians for decades to come.
I hope Davies will have the courage of his convictions to follow through. As for Chibnall and the wokesters that tried to destroy the franchise forever, don’t let the door hit you on the way out.
Stopped watching when Tennant left. Just wasn’t the Doctor any more after that.
Don’t even get me started on a “female” Doctor.
Bastards.
Yep, Peter Capaldi was horrible as well.
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Yep, never watched the last episode with him even though I have all the episodes from the beginning including the voice overs for the lost episodes.
After Clara left it began to quickly slide into oblivion with terrible writing and acting. Then, with the woke chick, it jumped the shark, and, as related here at the end, shot the shark, demolished the water ski ramp, and sold the boat for scrap.
The Capaldi and Witless years both need to be expunged.
Agreed.
There was also Jenna Coleman, who was OK with portraying being in love with the Matt Smith Doctor, but refused to consider that continuing with Capaldi.
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And that may be the explanation why she allowed herself to be killed - death wad preferable to Capaldi
I used to watch with my husband and daughter. The show is too left wing for me. They are too obsessed with being controlled by the un. I remember hearing a more recent ep from the other room and they had a character that was so obviously supposed to be Trump and anti gun. It sounded so over the top tds ridiculous. I’m sure the female who was the nail in the coffin for a lot of fans.
# >>Don’t blink.
# It was a good episode.<<
# Many think it is one of if not the best Dr. Who episode ever.
One of the really cool things about it, is that it completely stands alone. One doesn’t need to know anything at all about Dr. Who to thoroughly enjoy it.
They would have been better off having Michelle Obama playing a 13th Doctor as “Michael”, where an evil entity infested the Doctor. Barack could play the useless sidekick. Make it a spoof comedy where they undo all the good that the previous doctors had accomplished.
Tom Baker was my first Doctor...
Loved Tennant and Smith...
Lost interest w/ Capaldi.
Weeping Angels is one of my favorite episodes along with Silence in the Library and Vincent and the Doctor.
Agree, Blink is one of the best episodes. Amazing makeup on actresses to make them appear to be statues.
Watch the David Tennant series, then watch the Matt Smith follow-on. Both well done Whovian fare.
“ Many think it is one of if not the best Dr. Who episode ever.”
It’s right up there, indeed. Ironic that the Doctor is barely in that one.
Davies would do well to do a retro couple of episodes with Tennant, then a wrenching of the theme to expunge the Capaldi and Whitless years as a downturn in the time stream caused by something the Master did to try and trap the Doctor.
Good, regurgitate, then regenerate...
Truly a masterpiece. HOWEVER the Bad Wolf episodes with Tennant were masterfully done, also. The man-woman tension between Rose and the Doctor was energizing to the series. Rose needs to return in the revival using Tennant for a couple of episodes.
I was looking online for an image of Billie Piper/ Rose Tyler wearing her Marfa, TX t shirt, but couldn’t find one. It, of course was my favorite.
And it was as bad of an idea then as it is now. If they want a female character, create a new one and stop trying to wear an existing character like a skin suit while demanding respect.
I adored her.
Really hopeful news. I got into the series in 2005 and tried the older ones but just couldn’t make it. Capaldi was a turnoff after Tennant. I’d bought all of the new series until the female doctor arrived, and then I never watched one. Husband just went back to rewatch Torchwood, and I remember loving the Sarah Jane Smith spinoff. Really sorry she died so young.
Dr Who - White is in the Winter Night - Enya
https://youtu.be/0iHBTUMGz3o
“In Case of Daleks Seek Stairs”
Dr. Who is dead. Bring back the bad sets, bad special effects, but the charming fun and it will revive. BUT... Once it’s woke, it’s dead. Nothing will resurrect that stink.
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