Posted on 09/15/2020 7:43:44 AM PDT by Kaslin
Normalizing child sexualization did not start with 'Cuties.' The defensive reaction to it, however, just clarified the stakes for the future.
A story of a girls outrage at, and defiance of, a patriarchal order. Those are words from The New Yorkers glowing review of Cuties, a ghastly French film under fire for scenes depicting the sexualization of 11-year-olds.
The review argued that, as the film was directed by an African-French woman, voicing disgust about it is racist. Sadly, in this criticism-of-the-criticism, The New Yorker isnt alone. The Washington Posts Alyssa Rosenberg is livid that Cuties faced such a massive pushback from conservatives, tweeting, Two things are simultaneously true: #Cuties depicts disturbing, age-inappropriate behavior by young girls, AND it unequivocally views that behavior as sad and harmful to the girls involved.
Taking the cake was Tim Robey, critic for The Telegraph, who argues that Cuties was designed to push buttons.” Robey shares that affliction with several critics, who, out of pure coincidence, have given Cuties glowing reviews. The one spot of good news in all of this is that viewers appear to vehemently disagree with the assessment of filmgoing “experts.”
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So, what is the movie about? This description alone tells all you need to know: it is vile.
It should go without saying, but apparently, it needs to be explained that all of this tut-tutting of critiques of Cuties isnt worth much. Take Rosenbergs argument, for example. You don’t need to make a snuff film by publicly hanging a few pedophiles to depict murder and poetic justice onscreen, just as you dont have to skin a kitten alive to portray cruelty to animals, or have preteens grab their crotches and twerk to show how children are being sexualized.
Of course, things of this nature may be allowed in a controversial book simply because of the medium. In a book depicting pedophilia, you do not need an actual preteen (or someone posing as one) to act it out. The issue of consent, however, gets blurry in a visual medium.
Artistic freedom, like every other form of freedom, has limits, as every society needs some established taboos. Ultimately, if the choice is increasingly between a strongly ordered society that safeguards children or a society whose “liberty” churns out fodder for closet pedophiles, a majority of sensible, normal people would fall on the side of the former.
The greater question, however, isnt about this particular film. The reaction to Cuties looks disproportionate due to the simple reason that we have become numb and desensitized to a continuous assault and chipping away of any form of hierarchy and morality in the name of sexual freedom.
Netflix showing a film that might provide fodder to deviants, in that regard, is the logical extreme. In 2018, TED Talk hosted a speaker who claimed that pedophilia is an unchangeable condition and some people are simply attracted to children.
Two years later, in 2020, a Los Angeles LGBT advocacy group called on Gov. Gavin Newsom to sign the controversial Bill 145, claiming that it was discriminatory to LGBT people. The act was duly signed to law. Why was the bill controversial? The bill, authored by a Democratic state Sen. Scott Weiner, decriminalized “consensual” sex with teenagers.
Kids in drag were celebrated when they danced and stripped in front of a crowd throwing cash. They were celebrated when they sat in front of a murderer with the word “Rohypnol” (a date rape drug) written behind him. The entire debate over drag queen story hours for children has developed into its own front in the culture war, with many conservatives seemingly too complacent and reticent to use any legislative power of the state to curtail or reverse.
So, one can be satisfied that everyone is suddenly outraged against Cuties, but it didn’t start with Cuties. One look at drag culture, and California legalizing consent by minors, and you can find out a lot about people, regardless of their politics, by observing who’s defending and who’s opposing this.
The question is what comes next. My friend Aaron Sibarium notes the whole fiasco involves broad swathes of society, including liberals, who have suddenly realized to their horror that we have reached a level of moral and social rot and deviancy that was unthinkable even ten years ago. The conservatives attacking the film worry the worst is yet to come. The liberals defending it worry secretly that the conservatives are right. Quite true. But it is also extraneous at the point were now at.
The debate over Cuties points out, more than anything, many people are justifiably still capable of being outraged over things that are abhorrent and repulsive. The locus of this scum is dominated by an elite core of professionals, reminiscent of the late Romans, or the animistic libertines of the worst periods of Revolutionary France.
Under the layers and layers of enforced socially liberal norms lies a reactionary core within the masses, which feels the pangs of desire for a cleaner, normal society, a connection that is far deeper and more metaphysical than one explained by contemporary academic theories. Yet they are also helpless and lack leadership.
Conservatives are good at harrumphing over how one should yell stop standing athwart history, but when a moment in history beckons to them, they have far too often taken a step back due to their natural inclination to oppose dramatic change or drastic measures. Unfortunately, Cuties remind us, we are fast reaching a cliff, beyond which is an utter abyss.
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'Cuties director defends Netflix film amid firestorm of criticism: 'It's feminist'
Lookit her. Another "POS refugee" imposing their sick immigrant views on Americans.
Maïmouna Doucouré born 1985) is a Senegalese immigrant touting herself as a "film director and screenwriter."
Cuties is her feature film directorial debut.
And hopefully her last.
This creepy immigrant thingy needs to be investigated by the FBI for soliciting children and using them in sexually explicit films.
THIS JUST IN The ever-vigilant Twitter flagged videos of Biden interacting with little girls as “images of child molestation.”
Don Jr. owned the issue last night at his Kid Rock Rally in Michigan it was awesome. Democrats have no decency.
Ads have become subliminal as with recent ads touting HIV Prevention Drugs, the commercials have pornographic content...
HOLD THE OBAMA”S RESPONSIBLE FOR THIS ABOMINABLE FILM
Barack and Michelle Obama Are Complicit In Netflix Child Porn Film Cuties
In 2018, both Obamas got an eye-popping $50M production deal with Netflix
(as repayment for then-pres Obama’s showering Netflix with tax dollars).
The two were to produce content that would promote greater empathy and understanding.
You know, stuff they learned in the sewers of Chicago when Michelle was an “invisible” black woman.
NOTE: “Altruistic” Me-First Michelle founded the Global Girls Alliance, to empower girls
which is connected to their tax-free, money gusher the Clintonesque Obama Foundation.
Obama’s go-fer Susan Rice is on the Netflix board, so the trio could have stopped the airing of the disgusting exploitation of girls in Cuties.
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This is where you wind up when “If you don’t like it change the channel” is the standard.
When Bush 41 opened the “Big Tent” to the Republican Party, it included pedophiles who keep below the radar. It’s not just the Dems who see sex with kids as appealing. Yes, the right should embrace prosecuting pedophiles and shaming exhibitionists like Netflix but, as they’ve done with a number of moral issues, the GOP gets weak-kneed when they have to actually take a stand.
"It's how God Zod made me."
Really?
Abortion.
Homosexuality.
Assisted Suicide.
All of those should have been slam dunks.
Pedophilia is the same way, but the fix is in.
Look for sympathetic movies about pedos - coming to theaters, cable, streaming, and TV, soon.
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