Fine question.
I believe that in masses of moving water, representing both fate and “the people” in a state of free fall, Doughty seeks to express the raw power and inevitability of a Trump nomination.
The choice of aerial points of view, as from a Trump helicopter, indicates that the viewer, like the pilot or savior, rises above the turbulent chaos, and will not be soaked along with the general population.
That’s it exactly. LOL
Good one...
These are FReepathon links, a low key way to remind folks...