Posted on 04/08/2014 3:50:56 PM PDT by markomalley
A commitment to press freedom is in my blood, Lawrence Pintak insists in Islam for Journalists, which has been heartily endorsed by Hamas-linked CAIR. Then he proceeds to qualify his commitment to press freedom right out of existence. Referring to the Muhammad cartoons and the Muslim riots that followed them, he says that many Muslim journalists simply couldnt understand why Western news organizations would republish the offensive images just because of a legal right, for journalism is not supposed to be a weapon; it is meant to inform, not inflame.
This amounts to an endorsement of the idea that Western journalists should censor themselves in accord with Sharia restrictions on criticism of Islam, so as to avoid using journalism as a weapon that might inflame Muslims. And many eagerly do censor themselves. One university held a seminar on the Muhammad cartoon controversy, they wouldnt show the cartoons themselves. A publishing house put out a book about the controversy without reprinting the cartoons. This is not informing rather than inflaming; it is abject surrender to Sharia blasphemy restrictions.
Islam for Dummies: A Journalist Guide Whitewashes Islam, by Andrew Harrod in The Blaze, April 8:
[U]ninformed, inaccurate or consciously provocative journalism concerning Islam worries Lawrence Pintak, founding dean of Washington State Universitys Edward R. Murrow College of Communication.
Unfortunately, Pintaks remedy to this problem, the online guide Islam for Journalists edited by Pintak, betrays an absurdly benign understanding of an Islam whose apparent only fault is being slandered by others.
Across the Muslim world today, Pintaks introduction notes, extremists are wielding their swords with grisly effect, but the pen can be just as lethal.
The 2012 lewd cartoons of the Prophet Muhammad in the French satire magazine Charlie Hebdo, for example, receive Pintaks censure while, like many journalists today, he uncritically applies the honorific Prophet to Islams founder. Charlie Hebdos editor had condemned the weapons used in violent reactions to the anti-Muhammad Innocence of Muslims internet movie trailer preceding his cartoons. Yet the weapon he controlled can do far more damage, Pintak warned in equating speech with the violent reactions of others, then evident in the conflagration erupting across the Muslim world.
A commitment to press freedom is in my blood, Pintak qualified against suspicions of censorship. Yet speaking of the 2005 Danish Muhammad cartoons and their violent response, Pintak showed sympathy for those who refused their publication.[M]any Muslim journalists, Pintak related in denying these Motoons any news value, simply couldnt understand why Western news organizations would republish the offensive images just because of a legal right. Yet journalism is not supposed to be a weapon but rather to inform, not inflame; to understand, not distort, in contrast to propaganda.
The Danish cartoons exhibited in our increasingly interconnected world, writer Jonathan Lyons similarly relativized, a number of central issues. These included the proper extent of press freedoms; minority rights; the shifting landscape of blasphemy laws and prohibitions; and the history of Muslim grievance toward the West.
Rather than criticize Muslim rioters, Lyons complained that almost no one reported on the Danish media and its supporters as cynical provocateurs motivated by domestic political concerns.
Beyond free speech controversies, Islam for Journalists favored Islam with numerous biased and false statements.
After discussing how Islam roughly translates as surrender or submission to the will of Allah, Pintak noted that Muhammad in Islam, although he is not divine, he is considered the Perfect Man.
By imitating him, Pintak stated without any critical questioning of Muhammads example, Muslims hope to acquire his interior attitudeperfect surrender to God. Pintak also takes an uncritical approach towards Muhammads migration or hijara to Yathrib (Medina) in order to escape his pagan opponents in Mecca.
Muslims interpret Muhammads decision to embark on this exodus as a teaching that they should not live under tyranny, Pintak proclaims, omitting any controversial discussion of the Islamic law Muhammad developed.
Western notions of Islam, meanwhile, Lyons dismisses without explanation. These include irrational; spread by the sword and maintained by force; and sexually perverse and abusive toward women as well as unsuited to democratic institutions, science, and modernity. Such views had their origins as wartime propaganda, dating to beginning of the Crusades, Lyons asserts, ignoring Western hostility towards Islam originating in centuries of pre-Crusades Islamic aggression.
Innocence of Muslims drew on Crusades-era propaganda to slander the Prophet Muhammad, Lyons further claims, even though canonical Islamic accounts underlie this poorly-made film.
In all, the West had had no direct experience or knowledge of Muslim beliefs, practices, and lifestyles at the time that it established its comprehensive vision of Islam as a deadly, existential, and essentially immutable threat.
Apparently for Lyons, ongoing Muslim invasion and subjugation of Christian societies dating from Islams beginning is not direct enough .
In the West, meanwhile, the real threat is apparently an often lucrative anti-Islam movement whose goal is to prohibit the free exercise of Islam, journalist Bob Smietana warns .
If the college thing doesn’t work out, he has a future in PR for Mozilla.
What kind of god (small g intended) requires that one becomes a constant liar for a faith of hate?
This, folks, is the enemy.
Have no doubt.
journalism is not supposed to be a weapon?
It has ALWAYS been a weapon.
extremists are wielding their swords with grisly effect, but the pen can be just as lethal.
Islam’s war against civilization is far from over — but some of us on the side of civilization “have just begun to fight.”
“history of Muslim grievance toward the West
Well, we have quite a few grievances against Islam, here on the civilized side of the ledger.
Maybe you shouldn’t have tried to conquer Europe at the jump, a##holes.
Printing the cartoons, and the reaction of Muslims to it, “informed” the world about the nature Islam.
See tagline.
Read Robert Spencer’s new book: Arab Winter comes to America. He sees what is happening.
Islam is not a religion. It is a system. It’s tenets are to control all things. Anyone who questions the local cleric (aka thug who can read) or imam (aka the godfather) becomes the enemy. It serves to control the economy, education, and personal thinking. The system is anti-woman (regardless what they say), it is anti-freedom of speech, the press, democracy and other religions. It is definitely anti-peace.
In other words, Islam got its roots from the feudal systems of the 11th century and never progressed.
There are other similar systems: Communism, totalitarianism, fascism,...
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