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Instrument dealer says Frank Almond 'very cautious' about violin security
Milwaukee Journal Sentinel ^ | 1-29-14 | Jim Higgins

Posted on 01/29/2014 12:26:19 PM PST by afraidfortherepublic

Chicago violin dealer Stefan Hersh, a close friend of Milwaukee Symphony Orchestra concertmaster Frank Almond, said he was stunned when Almond called to tell him that robbers Monday evening took the priceless Stradivarius violin he plays.

"I've never heard of an armed robbery for a violin," said Hersh, founder of Darnton & Hersh Fine Violins, which buys and sells rare instruments.

Hersh, also a violinist himself, examined the Lipinski Stradivarius with Almond when the instrument's anonymous owner offered to loan it to Almond. Almond has played the instrument in concert since 2008.

Hersh said his initial presumption was that the stolen violin would be recovered quickly, because "there's no black market for them."

However, "the more time goes on, the more organized this looks," Hersh said.

When it comes to security for a fine instrument, the basic protocol is to make sure you don't leave it unattended, Hersh said. Some insurance contracts will not pay out if the instrument is left unattended in a car or elsewhere. That explains why people might see the members of a string quartet bring their instruments into a diner when they eat, he said.

Almond "is on the very cautious side" when it comes to security for the violin, Hersh said. "He and I wouldn't be friends if he wasn't."

The owner or curator of a famous painting can develop a close and emotional bond with it, Hersh said. But as a musician, when a person uses a Stradivarius to make music, "the bond is even closer." In Almond's case, playing the Lipinski Strad joins him to a tradition going back to the violinist Tartini and including a whole bunch of interesting people, Hersh pointed out.

As a musician and violin dealer, Hersh worries that the stolen violin might be affected by rapid changes...

(Excerpt) Read more at jsonline.com ...


TOPICS: Business/Economy; Crime/Corruption; News/Current Events; US: Wisconsin
KEYWORDS: almond; lipinski; milwaukee; robbery
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To: afraidfortherepublic

inside job for sure.


41 posted on 01/29/2014 1:27:44 PM PST by Usagi_yo
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To: afraidfortherepublic
I've been following this story since you first posted a couple days ago. The most expensive instrument I owned was a tie between my Selmer baritone saxophone, or my Mark VI tenor, but we're talking 6 to 8 thousand. Retail about 13k for the bari now.

Bassoons are 13-20k. I don't, never have, and probably never will, understand string people.

I attended a clinic with Buster Williams, and he was playing a 400 year old German bass that had the most sustain I've ever heard.

42 posted on 01/29/2014 1:30:58 PM PST by real saxophonist
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To: afraidfortherepublic

So this guy says Almond was “very cautious”. Big Whoop!
Next time someone tries to mug someone anywhere, the victim should shout “Watch out, I’m VERY CAUTIOUS!!!”, and see if that stops the robbery.

The guy was careless by not being trained in firearms handling or at least having someone with him who was, every time he was vulnerable to theft, especially outside at night.

People steal everything not nailed down. A multi-million dollar violin that many people know the location of (a publicized concert) is a high risk item. He was stupid to not take precautions.


43 posted on 01/29/2014 1:35:24 PM PST by TheConservativeParty
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To: livius
I was surprised to see that there are several Stradivarii classified as stolen or missing, in addition to Lipinski (also Colossus, Davidoff-Morini, Ames, Lamoureux, Karpilowski, and Le Maurien.)

Others have been stolen, but were later recovered, such as Gibson-Huberman (stolen twice from Huberman, who apparently couldn't keep track of his violin), Kochanski, Sinsheimer-Iselin, Birsou', Duke of Alcantara (missing for 27 years, recovered by an amateur violinist who claimed to have found it on a freeway), and Herkules.

So, while the common assumption that all of the Stradivarius the instruments may be accounted for is nominally true, the whereabouts of several are uncertain at present.
44 posted on 01/29/2014 1:35:46 PM PST by Milton Miteybad (I am Jim Thompson. {Really.})
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To: UB355
"He was nowhere near a ghetto when the incident took place."

The whole MKE coastline is easily part of the 'hood depending on who shows up for what.

45 posted on 01/29/2014 1:42:51 PM PST by Paladin2
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To: a fool in paradise
""HEY!!!""

"I'm thinking about it...."

46 posted on 01/29/2014 1:46:04 PM PST by Paladin2
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To: Milton Miteybad

They’re probably living peacefully with some “collector,” who may not even play them(or lets somebody else, some unknowimg person, play them to keep them healthy).


47 posted on 01/29/2014 1:46:09 PM PST by livius
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To: real saxophonist

This story makes me really sad. Go back to the first story posted (yesterday) and scroll down. Somebody posted a clip of Almond playing the Lipinski near the bottom of the first page. It’s just beautiful . Perhaps you’ll begin to understand “string people” then.


48 posted on 01/29/2014 1:49:42 PM PST by afraidfortherepublic
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To: Milton Miteybad

Wow! That list is mind boggling.


49 posted on 01/29/2014 1:51:34 PM PST by afraidfortherepublic
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To: Sacajaweau

erros? Is that some kind of exotica?

(Don’t get mad. I’m just kidding you. I hate it when I make a typo when correcting somebody.)


50 posted on 01/29/2014 1:56:45 PM PST by afraidfortherepublic
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To: afraidfortherepublic
I totally didn't say that right, sorry. My dealings with string players in general have been that they tend to look down upon wind players. Things like, 'It's just plumbing'.

I watched that clip. Absolutely beautiful. I understand the musicianship, just not the attitude I tend to encounter.

Hopefully that helps explain.

51 posted on 01/29/2014 2:04:57 PM PST by real saxophonist
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To: afraidfortherepublic

http://www.erros.co.uk/erros_high_availability.htm


52 posted on 01/29/2014 2:11:02 PM PST by Sacajaweau
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To: real saxophonist

LOLOL! String players probably learned that ‘tude in elementary school when the trumpets (and other winds/brasses) totally dominated the sound of the orchestra, or band. The trumpets, trombones, clarinets, saxes, etc. delighted in proving that they could blow harder and make a bigger noise than all the strings put together. The strings just never got over the humiliation you guys put them through in 6th grade!


53 posted on 01/29/2014 2:11:04 PM PST by afraidfortherepublic (formerly played violin)
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To: Sacajaweau

Oh gee! I thought you meant Eros...EROS was the mischievous god of love, a minion and constant companion of the goddess Aphrodite.


54 posted on 01/29/2014 2:13:40 PM PST by afraidfortherepublic (formerly played violin)
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To: Sacajaweau

Oh gee! I thought you meant Eros...EROS was the mischievous god of love, a minion and constant companion of the goddess Aphrodite.


55 posted on 01/29/2014 2:13:40 PM PST by afraidfortherepublic (formerly played violin)
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To: afraidfortherepublic
I'm only teasing, too.

Had four years of Latin (1958-1961).

Reading about the gods and goddesses in Latin was great fun.

56 posted on 01/29/2014 2:17:08 PM PST by Sacajaweau
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To: afraidfortherepublic

**


57 posted on 01/29/2014 2:18:03 PM PST by afraidfortherepublic
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To: afraidfortherepublic
Oh cheese.....I mean Oh geez...

My sons lived in Madison for a year.

58 posted on 01/29/2014 2:20:14 PM PST by Sacajaweau
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To: Sacajaweau

You never cease to surprise.


59 posted on 01/29/2014 2:21:02 PM PST by Paladin2
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To: afraidfortherepublic

I played violin, too. My mom said she would give me the dollar if I would give it up.


60 posted on 01/29/2014 2:21:22 PM PST by Sacajaweau
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