Posted on 07/12/2013 6:03:16 PM PDT by AZamericonnie
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Here is a list of the songs in the Jukebox:
Artist/s - Song Names:
Bobby Rice And Sandunga - No Pasa Nada
Cesar Pedroso, Los Que Son Y Son - Disculpame Senora
Charanga Bommaye - Pa' Fricase Los Pollos
Chucho Valdes - La Negra Tomasa
Claudio Soto Y La Suprema - Dejame En Mi Soledad
Corporacion Latina - Comparacion
El Rubio Loco - Gozalo
Emilio Morales - Franchando
Eurocuban Project - Get It Up
Gian Marco - Lejos De Ti
Joe Molina's - Porque Te Tengo Ganas
Johnny Rown - Porque Te Amaba Tanto
Juanito Y La Agresiva - El Gallo De Matilde
Kako Y Su Orquesta - Con Paso Firme
La Charanga Forever - Somos La Charanga
La Orquesta Baobab - Son Te Llama
La Orquesta D'Soul - Move In The Right Direction
Leo Vanelli - Porque Duele
Manny Manuel - Margarita
Manny Oquendo Y Su Orquesta Conjunto Libre - Imagines Latina
Miguel Enriquez Y Su Salson - Abre Que Voy
Mojo Club - Campina
Orquesta Corporacion Latina - Comparacion
Papi Oviedo - Sueltate De La Brocha
Raphy Leavitt Y Su Orquesta La Selecta - Quien Es Quien
Raul Marrero - Como La Queria
Sixto Llorente Y Son Del Indio - Caminando Voy
Sociedad 76 - La Solucion De La Salsa
Sol - Alla En Los Caserios
Son Borincua - Mama Guela
Willie Colon - El Dia De Suerte
Hmmmmmm...Vitamin C. I was due to give blood today, but here I sit at work. I’m hoping I can get rid of a pint sometime this next week and that will help. Wishful thinking?
I do not believe that giving a pint of blood would relieve a nose bleed that is bleeding profusely but I am not a doctor.
Does it happen often? Is it ‘habitual’?
How much Vitamin C do you normally consume in any given day or over a period of time?
How is your blood pressure?
I think that those questions have to be answered by you, certainly not by me! ;-)
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Here is a list of the songs in the Jukebox:
Artist/s - Song Names:
Bobby Rice And Sandunga - No Pasa Nada
Digi Underground - Antes
Expresion Latina - Como Llegar A Tu Corazon
Juan Formell Y Los Van Van - Tim-Pop Con Birdland
Orestes Vilato Y Los Kimbos - Hoy Y Manana
Ray Hernandez Orquesta - Bandolera
Rudy Calzado And Cubarama - Papiro
Salsa Network Compilation - Abre Que Voy
Salsa Plus - Tiguere Gallo
Sammy De Leon - Cancion Para Mi Madre
Sammy Figueroa - Mambo Influenciado
Sammy Garcia Y El Sabor De Puerto Rico - Amor Despiadado
Santiago Ceron - Mi Lindo Yambu
Sargento Garcia - Herencia Africana
Sensual 990 - Duele
Sexappeal - La Primera Piedra
Siguarajazz - La Catalana
Sociedad 76 - La Solución De La Salsa
Son 14 - La Maquina Musical
Soneros De Verdad - Yo No Soy Mentiroso
Tego Calderon Y Oscar d'Leon - Lloraras
The Har-You Percussion Group - Welcome To The Party
Truco Y Zaperoko - Vamonos Pa'l Carnaval
Victor Santiago - Desesperados
Wilkins - Margarita
Willy Deville - Demasiado Corazon ( Live )
Wilmer Lozano - Me Marchare
Yambu - Moises
Yolanda Rayo - Salsa Con Sabor
Zaperoko - No Quedo Ni El Gato
Zayda - Lo Quiero A Morir
El gran salseron? is that you?
Hey there you ol bubblehead Samba King.
“El gran salseron? is that you?”
No.
Yes.
Maybe.
Randy California~Groove Thang
Beethovens Quintet for Piano and Winds gestated throughout his teenage years and was his signature chamber piece in his concerts in his teens and early twenties. He didnt put it in concrete and publish it until he was nearly 30.
Mozart had written a quintet for piano and winds, and Beethovens quintet followed Mozarts model exactly. Beethoven even tips his hat to Mozart in the second movement.
While most middle class German-speaking families had members who were string players, not that many families had wind players. To take advantage of the home market, Beethoven arranged the piece for piano, violin, viola and cello. That would permit parents, children and cousins to sit down at home and try out this piece.
Today the problem still exists. Finding string players for chamber music festivals is simple; finding wind players is not. This stems from the fact that chamber pieces with strings greatly outnumber those with winds. Personally I prefer the original wind version of this piece, but finding four wind players to perform it is harder than finding three strings players. This is why this version, the Quartet for Piano and Strings in E-flat, Op. 16, is performed more often.
It starts with a Grave introduction in 4/4 time with the material stated in unison.
At 2:36 the exposition begins in 3/4, marked allegro ma non troppo, which means quick, but dont overdo it.
At 3:48 the second subject arrives in the expected key of B-flat.
At 5:04 the exposition repeats.
At 7:31 Beethoven turns to G minor to open his development section. He wends his way to A-flat for a short statement of the opening theme.
At 9:08 he recaps the first subject in the correct key of E-flat, and the second subject also appears in the correct key of E-flat. So far its a perfectly proportioned classical piece in the mold of Mozart.
But at 11:00 Beethoven puts his own brand on this movement with a coda that begins with a wicked spin. Then he sums it all up and winds it down for a killer ending.
One of the popular tunes of the day came from Mozarts Don Giovanni, a little ditty titled Beat Me, Beat Me, Good Masetto. Mozart must have giggled obscenely when he wrote that number. As a tip of the hat to Mozart, Beethoven wrote a slow movement for his Quartet for Piano and Strings in E-flat, Op. 16 that quotes the opening notes of this aria. Beethoven takes it in a different direction, but the homage is clear.
The movement is in B-flat and marked andante cantabile, which means a walking pace and a singing style. The format is a kind of modified ternary: A-B-A-B-A. Its absolutely gorgeous.
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