Posted on 12/19/2008 8:26:38 AM PST by Stoat
After years of suing thousands of people for allegedly stealing music via the Internet, the recording industry is set to drop its legal assault as it searches for more effective ways to combat online music piracy.
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Instead, the Recording Industry Association of America said it plans to try an approach that relies on the cooperation of Internet-service providers
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If the customers continue the file-sharing, they will get one or two more emails, perhaps accompanied by slower service from the provider. Finally, the ISP may cut off their access altogether.
(Excerpt) Read more at online.wsj.com ...
I’ve never quite understood the difference between acquiring a free mp3 and acquiring a CD free from the public library. Chances are both will be listened to for the same period of time before deletion/return.
I have a feeling the Justice Dept, the FBI CIA and NSA and MI6 and Interpol is going to stop this dead in it’s tracks.
The I2P network encapsulation technologies are in stillborn infancy at the moment. HOWEVER if 100,000 warez and p2p coders tackle the I2P problems simultaneously and create a truly anonymous high level encryption software package that becomes popular with MAINSTREAM internet users, the intelligence agencies will be completely disarmed in the ongoing cat and mouse games against actual criminal networks, such as money, weapons, drug, and human traffickers and foreign counter intelligence.
If Tor/I2P/Freenet/GNUnet have another few million nodes because p2p users migrate to those I2P networks, the whole world changes and no digital content will be traceable to it’s source or destination.
Tor/I2P/Freenet/GNUnet nodes in Europe are legal even if the node has child porn move through it. If another 2,000,000 early adopters set up nodes, it’s all over, the law enforcement of the world will have to force coup d’etats in order to nationalize the telecommunications infrastructure, or they can start mass arresting millions of users who set up nodes.
High level packet encryption onion routing software can be downloaded, configured and installed by total morons in under 15 minutes. All it takes is a few million morons to join I2P and the RIAA, Chinese Communists and Iranian Mullahacracy's thought police are out of business.You pay a private entity that provides you access and in return gives you a traceable number, - correct
where they record all your activity. These private corporations are possibly liable for your activities. -incorrect.
You frequent sites that generally have a terms of use that says your activity will be monitored. - correct.
Every file you touch is associated with your ip address - and is thus traceable back to you - both on the websites logs, and on your isps logs. - incorrect.
Cookies are planted on your computer to track what sites you frequent - third parties provide weather, desktop searching, screensavers and other tools that covertly analyze your computer use and directs advertisers to your likes and dislikes so that they can more accurately target you with ads. - incorrect.
The best way to help underground Christians in China and to support the resistance in Iran and Russia is to install I2P or TOR. The only way Chinese dissidents can safely communicate over digital networks at the moment is through high level I2P networks.
ISPs will always be the point of enforcement. Whether it’s hunting down media free-loaders, terrorist plots, illegal drug deals or kiddie porn. The ISPs should try and seek some sort of immunity from future litigation immediately. ‘Course we could all go on Big Brother’s free internet - coming soon to a city near you. ;-)
By the file characteristics. They cam set up a database of what tracks would rip to...plus release their own honeypots.
ping
A professional studio will have advantages not available to a typical basement artist. The electronic parts of the path from performer to recording have gotten quite cheap, but except when using all-electronic instruments there's still an acoustic part that isn't so cheap. A performer in a recording studio generally isn't going to have takes ruined by unwanted outside sounds. Someone recording in his basement, on the other hand, often will. Of course, given a choice between having to do a few extra takes to get a good one, versus having to spend thousands of dollars for a studio, many people will opt for the former.
Also, I wonder what fraction of the people who listen to music these days really care what it sounds like? Someone listening to music under ideal conditions could easily tell the difference between a recording produced on $750 worth of equipment in someone's basement and one produced on $750,000 worth of equipment in a studio. Someone listening to a 128kbps MP3 with cheap headphones on a noisy subway, however, probably couldn't. Which type of person represents more of the market share?
The quality of musical recordings has been going down for several decades.
I listened to an old Paul McCartney/Wings album (on CD) a while back. The quality of the recording was shocking compared to the recording quality going out today (and I’m talking about mainstream commercial albums of today.) In other words, even commercial recording companies are scrimping on quality.
I can remember having a discussion with someone years ago who swore that the mp3 format would never catch on, because the quality was soo much poorer than a CD. Boy, was he wrong.
Look at the equipment people are using to listen to music with today. An ipod with earplugs. Even the BEST earplugs are sub-standard compared to full blown headphones (which pale compared to a full blown stereo system.)
Most people don’t buy music because of its recording quality, they buy it because they like the music. A basement recording artists today can put out a recording that is “good enough” quality wise to satisfy 90%+ of most people.
Also consider the musical style. If you like the symphony and opera, recording quality will be higher on your scale. How important is recording quality to the typical death-metal fan? Good enough is about all that is required.
To make a long story short, I’ve heard people argue “quality, quality” for a couple of decades, but I just don’t see a huge market for quality. Heck, you don’t even see the record companies pushing the fact that the sound off a CD is better than the sound of an mp3 (which they would be if they thought it would make any difference.)
Who buys music? I don’t know about today, but in the ‘70s and ‘80s the typical record buyer was a male between 14 and 21 (young men bought way more records than women.)
I’m not a fan of Oprah either, which is why I created this song just for her - http://www.youtube.com/watch?v=ge7Jyxq3sPo
Teens will take advantage of the massive sizes of todays laptop drives, and large USB drives, and simply exchange music collections in person, bypassing the Internet entirely.
I am not an audiophile. Back in my youth in the 70's and 80's, I generally would record songs off FM radio or my turntable onto cassette tape and play it on my walkman. Sound quality mattered less than liking the music.
That will just force them to go with Tor Browsers, and onion routing filesharing clients.
Freenetproject.org.
Visions of antitrust lawsuits against the RIAA dancing in lawyer's heads...stay tuned.
Oh....my....God! That’s hilarious! Definitely a keeper.
That was pretty good! A little mean with the whale thing, but still funny.
I'm in the position of wondering how I'd prove that my music is my music, to my ISP.
—Teens will take advantage of the massive sizes of todays laptop drives, and large USB drives, and simply exchange music collections in person, bypassing the Internet entirely—
Yup. An 8GB thumb drive holds as much music as many ipods. You can stash alot of music (or other files) on one of those things.
Yet, they will do nothing about the millions of windows-based botnets out there spewing spam into my inbox.
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