Latest on Charlton Heston

For those of us who have watched Charlton Heston in "Will Penny” a dozen times, the recent occasion of the Hollywood icon’s 83rd birthday on Oct. 4 brought back those sharp memories of the laconic aging cowboy soon headed to his last round-up.

Despite intense interest in the star’s condition — he was diagnosed with Alzheimer’s disease in 2002 — his publicist and family are not responding to requests about his health.

Indeed, the last reliable update on Charlton Heston’s battle with the illness came in April of 2006 when his son Fraser Heston told Entertainment Tonight, "He’s doing as well as can be expected. It’s an insidious disease.”

At that time, Fraser added that his then-82-year-old father was under excellent care and would remain at home most likely for the rest of his life. He also revealed that his father was in relatively good health, good spirits, and exhibiting a kind of courage Fraser had never seen before.

Charlton and Lydia had recently celebrated their 62nd wedding anniversary. Fraser said, "He’s with his first and only love — my mother. She’s doing really well — very brave. She will endure.”

Heston’s son not only discussed his famous father’s health but talked about the animated full-length version of "The Ten Commandments" for television he was producing — one of the final projects the senior Heston helped develop. "It marks the end of an era,” Fraser noted.

The welcome update on Charlton came, perhaps intentionally, on the heels of various uncorroborated and apparently sensationalized tabloid reports that family and friends of Heston were shocked by the rapid progression of his illness, that Heston had been hospitalized with pneumonia at a Los Angeles hospital, and that Heston’s illness was at an advanced stage and his family are worried he may not live out the year.

Since the ET comments by Fraser, the family has not volunteered any more information or answered any questions about the state of health of the actor.

Tony Makris of Alexandria, Va.’s Mercury Group public relations firm, a longtime friend and handler of the NRA public relations account, told NewsMax that only a very small group interacted with Heston these days.

"The family basically at this point has no comment on his condition. And there are plenty of requests,” Makris said.

Charton Heston announced he had Alzheimer's disease in 2002. It was a dramatic moment when he disclosed, "For an actor there is no greater loss than the loss of his audience. I can part the Red Sea, but I can’t part with you . . .”

Although best known for his roles as Ben-Hur and Moses, Heston toured for the State Department’s Cultural Presentation Program and had been a delegate to the Berlin Film Festival.

A World War II Army veteran, he visited troops fighting during the Vietnam War and was a strong supporter of Dr. Martin Luther King, Jr.

In 1981, Heston was named co-chairman of then-President Ronald Reagan’s Task Force on the Arts and Humanities. Charlton has served on the National Council on the Arts and was elected president of the Screen Actors Guild a record six times.

Furthermore, he has held the office of chairman and president of the American Film Institute and served four terms as president of the National Rifle Association of America. He has authored five books.

Last year, MGM released a four-disc collector’s edition of "Ben-Hur,” the film that won an unprecedented 11 Academy Awards — including best actor for Heston.

The lavish four-hour epic shows off the 100,000 costumes, 8,000 extras, 300 sets, and a staggering budget, which in its day was the largest in movie history.

Meanwhile, Heston’s home and ultimate sanctuary is brimming with memorabilia of his remarkable Hollywood years. He and his wife have lived in the same house near Los Angeles’s Mulholland Drive for more than 40 years.

Built by the actor’s father after Heston won the Academy Award for best actor in 1959’s Ben-Hur, the postmodern style home — inside and out — is filled with the memorabilia of one of Hollywood’s most fabulous runs.

Sitting on a table in the back yard is the figure of a Roman, whip in hand, lashing vigorously at four straining horses harnessed to a chariot. Mounted on the entrance of his study are the two great brass ring knockers from the movie set’s House of Hur.

Hung above the fireplace is a painting of a lumbering Conestoga wagon and, nearby, a pencil sketch of friend Laurence Olivier portraying King Lear. From most windows sparkle views of canyons.

In the home’s central hallway hang 20 paintings of Heston in signature roles: Ben-Hur, Moses, Richelieu, Michelangelo, the "Planet of the Apes" marooned astronaut George Taylor, the steel-willed Major Dundee, "Soylent Green’s" detective Thorn, Andrew Jackson in "The President’s Lady,” tough ranch foreman Steve Leech riding through "The Big Country” — and, of course, cattle poke Will Penny.

"I’m confident about the future of America,” Heston said in the videotaped announcement of his illness in August of 2002. "I believe in you; I know that the future of our country, our culture, and our children is in good hands. I know you will continue to meet adversity with strength and resilience, as our ancestors did . . .”

From National Review Online

August 20, 2002, 9:00 a.m.

He’s Not Moses, but He’s Something Else: My tribute to Charlton Heston.

By Richard Dreyfuss

Iam shy around movie stars. True, if odd. My tongue sticks to the roof of my mouth and all I can think to say is I loved you in ... So it is with Charlton Heston.

In his presence I seem to nod idiotically like one of these doggies in the back of rear windows of cars. He always tries to make my agonies a bit smaller since he is such a gentleman. We've talked about children and gun control but usually it's hopeless and I just end up trying not to stare.

It's a serious and silly business, acting. Grown people running around pretending the clothes they're wearing are their own, pretending the words they're saying are their own, pretending that they're not pretending. That stuff can really make you feel silly if you're not careful. A thousand times more silly if you're wearing a toga or staring offstage at a burning bush that isn't there. But as silly as it might be at times, acting has awesome power to mirror our reality and give shape to our best and most noble pictures of ourselves.

When I was a kid and yearning to act, there were scads of actors whose work I admired and tried to emulate: (Spencer) Tracy and (Charles) Laughton, Paul Muni, Irene Dunne, and Jimmy Cagney. There were also Errol Flynn and John Wayne and Charlton Heston.

I thought, being cocky, that I could be something like Tracy, something like Cagney, something like Laughton (well maybe not Laughton). I watched them all. I knew I would never be as sexy as Flynn, never as heroic as Wayne, never as mythic as Heston. I never thought for a minute I could be like Heston.

There are some performances that could not possibly be acted by anyone other than who played them. Even though we hear stories about (Ronald) Reagan being cast in Casablanca, we know in our gut it just couldn't be right, couldn't happen. God gave Bogart the role. God gave John Wayne Red River. And God cast Charlton Heston as Moses. And Ben Hur. God I think cast Heston as God, because (if I'm not mistaken) his voice is the voice of God in the Ten Commandments, playing against himself. They say Cecil B. DeMille did the voice, but it sounds like Heston to me. I believe it anyway. Makes a better story.

Millions of Jewish kids grew up with the confusion that A) Charlton Heston was Moses B) Charlton Heston was not Jewish. I believe that films like Ben Hur were conceived because Heston was there to make them. He allowed these stories to be told because he was there to play the parts. Ben Hur starring Robert Montgomery. (Please.) Tyrone Power as Moses. (I don't think so.) With all due respect, and I have loads of that, Heston is inescapable. He was necessary. There would be no Chariot Race worth its salt without him. I would never watch Heston on TV because he was too big. It would be like watching the promos to the Incredible Hulk, with the giant bursting through his shirt. He was too big for television. TV is small, it's manageable, it's less. Heston was almost too big for the 20th century, let alone TV. But in the darkened mysterioso of the movie theatre, Charlton Heston was "just right."

When I saw Charlton Heston as a kid, he took me far, far away, to places few actors could go. The only other American actor so comfortable outside of this era was Wayne, and Heston could time travel farther. Both held the magical alchemy that made me forget the commonplace of here and now completely. John Wayne allowed us into our American past. Heston, because of his perfectly male face, the depth of his voice, the measured almost antique rhythm of his speech, the oddly innocent commitment that allowed him to dive without looking into the role, took me farther, before the common era, as they say.

Somehow he was able to cut the myriad strings that connect us to our current lives, so he could inhabit our imagined past and imagined future so perfectly. So well did he do this that his discomfort was obvious when he played in the Now (actually, make that my discomfort, because he more than likely had a ball in the rare instances when he played something current). If it wasn't the past it was the future. I could never have gotten to Ancient Rome without him, nor Ape City.

Is so and so a great actor? A good actor? A bad actor? Speaking as an expert it's a stupid question. The actor either gets you to where you have to go, or not. Heston did; priceless. He could portray greatness, which is no longer an artistic goal; he could portray a grandeur that was so satisfying. What he was able to personify so perfectly for us was a vision of ourselves called heroic. Is this out of favor? Out of step? Antique? Yes, antique as in gorgeous, incredibly valuable, and not produced anymore but this is a critique of the world, not him (hopefully we will one day come back to all that).

As someone who has seen Ben Hur two million times I am totally grateful.

Self-consciousness is the anticipation of being silly and often is the spoiler for many actors. Charlton Heston had no such problem. He would dive into the story with what I can only call measured abandon and make me believe. And it was fun watching him.

It has become fashionable to characterize his politics; almost as if his politics were a separate thing, like Diana's popularity. People are either defensive or patronizing (if not contemptuous). I can only say I wish all the liberals and all the conservatives I knew had the class and forbearance he has. Would I be as patient or serene when so many had showed me such contempt, or tried to make me feel stupid or small? I doubt it, truly I do. This is dignity, simply and completely. A much more important quality than political passion at the end of the day, and far more lacking, don't you think?

It is a terrible, terrible, terrible thing that Charlton Heston is going through this (earlier this month, Heston announced he had been diagnosed with symptoms consistent with Alzheimer's disease), but I confess that there is a part of my heart where I am grateful for the opportunity to let him know what he's meant to me.

It will make him smile that I'm writing this on National Review's website (among other publications). Come to think of it, it is kind of funny.

— Richard Dreyfuss won an Oscar for his role as a struggling N.Y. actor in The Goodbye Girl. He also starred in numerous films, including Jaws, Close Encounters of the Third Kind, and What About Bob?).

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