Posted on 10/24/2005 7:59:14 PM PDT by smoothsailing
Next Conservatism: What Is Cultural Marxism
By William S. Lind
October 25, 2005
In his columns on the next conservatism, Paul Weyrich has several times referred to "cultural Marxism." He asked me, as Free Congress Foundation's resident historian, to write this column explaining what cultural Marxism is and where it came from. In order to understand what something is, you have to know its history.
Cultural Marxism is a branch of western Marxism, different from the Marxism-Leninism of the old Soviet Union. It is commonly known as "multiculturalism" or, less formally, Political Correctness. From its beginning, the promoters of cultural Marxism have known they could be more effective if they concealed the Marxist nature of their work, hence the use of terms such as "multiculturalism."
Cultural Marxism began not in the 1960s but in 1919, immediately after World War I. Marxist theory had predicted that in the event of a big European war, the working class all over Europe would rise up to overthrow capitalism and create communism. But when war came in 1914, that did not happen. When it finally did happen in Russia in 1917, workers in other European countries did not support it. What had gone wrong?
Independently, two Marxist theorists, Antonio Gramsci in Italy and Georg Lukacs in Hungary, came to the same answer: Western culture and the Christian religion had so blinded the working class to its true, Marxist class interest that Communism was impossible in the West until both could be destroyed. In 1919, Lukacs asked, "Who will save us from Western civilization?" That same year, when he became Deputy Commissar for Culture in the short-lived Bolshevik Bela Kun government in Hungary, one of Lukacs's first acts was to introduce sex education into Hungary's public schools. He knew that if he could destroy the West's traditional sexual morals, he would have taken a giant step toward destroying Western culture itself.
In 1923, inspired in part by Lukacs, a group of German Marxists established a think tank at Frankfurt University in Germany called the Institute for Social Research. This institute, soon known simply as the Frankfurt School, would become the creator of cultural Marxism.
To translate Marxism from economic into cultural terms, the members of the Frankfurt School - - Max Horkheimer, Theodor Adorno, Wilhelm Reich, Eric Fromm and Herbert Marcuse, to name the most important - - had to contradict Marx on several points. They argued that culture was not just part of what Marx had called society's "superstructure," but an independent and very important variable. They also said that the working class would not lead a Marxist revolution, because it was becoming part of the middle class, the hated bourgeoisie.
Who would? In the 1950s, Marcuse answered the question: a coalition of blacks, students, feminist women and homosexuals.
Fatefully for America, when Hitler came to power in Germany in 1933, the Frankfurt School fled - - and reestablished itself in New York City. There, it shifted its focus from destroying traditional Western culture in Germany to destroying it in the United States. To do so, it invented "Critical Theory." What is the theory? To criticize every traditional institution, starting with the family, brutally and unremittingly, in order to bring them down. It wrote a series of "studies in prejudice," which said that anyone who believes in traditional Western culture is prejudiced, a "racist" or "sexist" of "fascist" - - and is also mentally ill.
Most importantly, the Frankfurt School crossed Marx with Freud, taking from psychology the technique of psychological conditioning. Today, when the cultural Marxists want to do something like "normalize" homosexuality, they do not argue the point philosophically. They just beam television show after television show into every American home where the only normal-seeming white male is a homosexual (the Frankfurt School's key people spent the war years in Hollywood).
After World War II ended, most members of the Frankfurt School went back to Germany. But Herbert Marcuse stayed in America. He took the highly abstract works of other Frankfurt School members and repackaged them in ways college students could read and understand.
In his book "Eros and Civilization," he argued that by freeing sex from any restraints, we could elevate the pleasure principle over the reality principle and create a society with no work, only play (Marcuse coined the phrase, "Make love, not war"). Marcuse also argued for what he called "liberating tolerance," which he defined as tolerance for all ideas coming from the Left and intolerance for any ideas coming from the Right. In the 1960s, Marcuse became the chief "guru" of the New Left, and he injected the cultural Marxism of the Frankfurt School into the baby boom generation, to the point where it is now America's state ideology.
The next conservatism should unmask multiculturalism and Political Correctness and tell the American people what they really are: cultural Marxism. Its goal remains what Lukacs and Gramsci set in 1919: destroying Western culture and the Christian religion. It has already made vast strides toward that goal. But if the average American found out that Political Correctness is a form of Marxism, different from the Marxism of the Soviet Union but Marxism nonetheless, it would be in trouble. The next conservatism needs to reveal the man behind the curtain - - old Karl Marx himself.
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William S. Lind is Director for the Center for Cultural Conservatism of the Free Congress Foundation.
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Note -- The opinions expressed in this column are those of the author and do not necessarily reflect the opinions, views, and/or philosophy of GOPUSA.
bttt
"for developing "sensitivity training" (ie: mini-gulags) Abraham Maslow should burn in Hell."
Amen from one who flunked Sensitivity Training several times until I opted out of management to remain an insensitive one.
Yes, it's nice to see the spring the water comes from...
Certain members from the House of Strauss... and then there is always the sub-Nietzschean assertiveness of Ayn Rand.
Ping for later. This explains a lot that hasn't been introduced to me before and I need to study it more. So much for the public school system. ;)
bttt
ping to self
Very true. Nietzsche said it best himself: "Liberal institutions straightway cease from being liberal the moment they are soundly established: once this is attained no more grievous and more thorough enemies of freedom exist than liberal institutions."
The Twilight of the Idols
1888
Permit me a variation upon your theme:
Communist Manifesto - One small book for a man, one giant book of the dead for mankind.
Ping for an interesting read later on
Excellent info
I think this is an important point. Marxism and the Frankfurt School aren't fashionable anymore except in very isolated corners of the academia. (For example, at UChicago we have maybe one serious Frankfurt School-type, Moishe Postone, among a sea of postmoderns.)
I want to say that the postmodern Nietzschean left is less relevant than the Marxists were because their ideology is so paralyzingly introspective to the point of incoherence; but in the end, it seems to just end up in identity politics again and again.
Bookmarking for pithy explanation of multiculti marxism.
In 1919, Lukacs asked, "Who will save us from Western civilization?" That same year, when he became Deputy Commissar for Culture in the short-lived Bolshevik Bela Kun government in Hungary, one of Lukacs's first acts was to introduce sex education into Hungary's public schools. He knew that if he could destroy the West's traditional sexual morals, he would have taken a giant step toward destroying Western culture itself.And from the second I read:
If you understand Gramsci, you will understand the "peculiar" and "weird" theories that are in vogue today. And you will understand that they are not the work of "weird crazy people" but rather of calculating and quite intelligent operatives.
ping
bttt
"But I am often asked just why would people want to push pornography on children? I don't have an answer, yet, and that's why I am writing to you all."\
How do you distinguish betwene "pushing pornography" versus making material available that adults and older teens want to look at - i.e. the principle function of a library?
Remo is my hero.
"Remo is my hero."
I love the Destoryer series...went down hill a bit at the end though.
I can't think think about ecoterrorists without remembering Remo's battles with DirtFirst.
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