Happy Halloween!
Posted on 10/22/2005 10:27:04 PM PDT by Charles Henrickson
Maybe someday, officials will put up a statue marking this quaint village as the birthplace of "Calvin and Hobbes."
Just don't expect cartoonist Bill Watterson to attend the unveiling ceremony. It's been nearly 10 years since he abruptly quit drawing one of the most popular comic strips of all time. Since then, he's been as absent as the precocious Calvin and his pet tiger, err, stuffed animal, Hobbes.
Some call Watterson reclusive. Others say he just likes his privacy.
"He's an introspective person," says his mother, Kathryn, standing at the front door her home, its yard covered by a tidy tangle of black-eyed Susans and other wildflowers. It's where Watterson grew up. Calvin lived there too, so to speak. Watterson used the well-kept, beige Cape Cod-style house as the model for Calvin's home.
You might even expect Calvin to come bounding out the door with Hobbes in tow, the screen door banging behind them. After all, the guy on the front porch kind of resembles Calvin's dad. Readers will remember him as the exasperated patent attorney who enjoyed gummy oatmeal and jogging in 20-degree weather.
Sure enough, Watterson's father, Jim, has a sheen of sweat on his neck, not from a run but from the 73-year-old's three-mile morning walk.
Watterson has acknowledged satirizing his father, who is now a semiretired patent attorney, in the strip. Jim Watterson says whenever Calvin's dad told him that something he didn't want to do "builds character," they were words he had spoken to his cartoonist son.
After "Calvin and Hobbes" ended, Jim Watterson and his son would paint landscapes together, setting up easels along the Chagrin River or other vistas. He laughed that sometimes they'd spend more time choosing a site than painting. But they haven't painted together for years.
So what's Watterson been up to since ending "Calvin and Hobbes?" It's tough to say.
His parents will say only that he's happy, but they won't say where he lives, and the cartoonist could not be reached for an interview.
His former editor, Lee Salem, also remains mum, saying only that as a painter Watterson started with watercolors and has evolved to oils.
"He's in a financial position where he doesn't need to meet the deadlines anymore," Salem says.
Watterson's parents respect — but have no explanation for — their son's extremely private nature. It doesn't run in the family. Kathryn is a former village councilwoman and Jim is seeking his fourth council term this fall. Their other son, Tom, is a high school teacher in Austin, Texas.
Bill Watterson, 47, hasn't made a public appearance since he delivered the commencement speech in 1990 at his alma mater, Kenyon College. But he recently welcomed some written questions from fans to promote the Oct. 4 release of the three-volume "The Complete Calvin and Hobbes," which contains every one of the 3,160 strips printed during its 10-year run.
Among his revelations:
• He reads newspaper comics, but doesn't consider this their golden age.
• He's never attended any church.
• He's currently interested in art from the 1600s.
Salem, who edited thousands of "Calvin and Hobbes" strips at Universal Press Syndicate, says that Watterson is private and media shy, not a recluse. Salem didn't want to see the strip end, but understood Watterson's decision.
"He came to a point where he thought he had no more to give to the characters," Salem says.
"Calvin and Hobbes" appeared in more than 2,400 newspapers during its run, one of the few strips to reach an audience that large.
Its success was rooted in the freshness of Calvin — an imaginative 6-year-old who has the immaturity of a child and the psychological complexity of a 40-year-old. As for Hobbes, the device of Calvin viewing him as alive and everybody else seeing him as a stuffed animal was simply brilliant, Salem says.
Their all-encompassing bond of friendship — being able to share joy and have fun together, yet get angry and frustrated with one another — was another reason for the strip's success.
Universal would welcome Watterson back along with "Calvin and Hobbes" or any other characters he dreams up. "He knows the door's open and he knows where we are," Salem says.
There are few signs of Watterson or "Calvin and Hobbes" in Chagrin Falls, a town of 4,000 that has evolved from a manufacturing hub centered on its namesake falls to an upscale area of stately homes and giant maple trees.
A Godzilla-sized Calvin is depicted wreaking havoc on Chagrin Falls on the back cover of "The Essential Calvin and Hobbes," released in 1988. He's carrying off the Popcorn Shop, where sweet smells have flowed from its spot on the falls for about 100 years.
Fireside Book Shop, located just out of earshot of the water's roar, carries 15 different "Calvin and Hobbes" books — customers used to be able to find autographed copies. Store employee Lynn Mathews says Watterson's mother used to deliver the signed copies to raise money for charity or just to help the book shop. That ended when the cartoonist discovered that some ended up on eBay, she said.
The demand remains, though.
"I get a couple e-mails a month from people looking for signed books," said Jean Butler, Fireside's officer manager.
Watterson and his wife, Melissa, moved earlier this year from their home in the village — a century house on a hill between downtown and the high school, where the mascot is a tiger.
As a child, Watterson knew he would be an astronaut or a cartoonist. "I kept my options open until seventh grade, but when I stopped understanding math and science, my choice was made," he wrote in the introduction to "The Complete Calvin and Hobbes."
He loved "Peanuts" as a child and started drawing comics. He majored in political science at Kenyon. Thinking he could blend the two subjects, he became a political cartoonist but was fired from his first job at the Cincinnati Post after a few months. So he took a job designing car and grocery ads, but continued cartooning, even though several strip ideas were rejected.
But Universal liked "Calvin and Hobbes" and launched its run Nov. 18, 1985, in 35 newspapers. Calvin caught Hobbes in a tiger trap with a tuna sandwich in the first strip. He spent the next 10 years driving his parents crazy, annoying his crush, Susie Derkins, and playing make-believe as his alter egos Spaceman Spiff and Stupendous Man.
Many of the best moments, though, were time spent alone with his pal, Hobbes.
"The end of summer is always hard on me, trying to cram in all the goofing off I've been meaning to do," Calvin tells Hobbes in an Aug. 24, 1987 strip, the two sitting beneath a tree.
Watterson ended the strip on Dec. 31, 1995, with a statement: "I believe I've done what I can do within the constraints of daily deadlines and small panels. I am eager to work at a more thoughtful pace, with fewer artistic compromises."
The last strip shows Calvin and Hobbes sledding off after a new fallen snow. "It's a magical world, Hobbes, ol' buddy ... let's go exploring!" Calvin says in the final two panels.
Fans cried out in letters for Watterson to change his mind. Some, like Watterson's parents, say the funny pages haven't been the same since.
"It was like getting a letter from home," Jim Watterson says of reading his son's work each morning.
People continue to ask the Wattersons if their son will ever send Calvin and his buddy Hobbes on new adventures.
"He might draw something else, but he won't do that again," Kathryn Watterson says.
Bump for reference.
That is a rather high bar for a comic strip. I didn't enjoy it either. The artwork isn't much to speak of and the strip simply isn't funny to me. That is a legitimate opinion.
I think you are misunderstanding the difference between copyright and trademark. One doesn't have to do anything to keep a copyrighted work out of the public domain. Thanks to our wonderful bought and paid for congressmen and senators, copyright is pretty much perpetual now. (life of author plus 70 years).
Trademarks, however, do have to be protected, or they can be lost. There is a technical term for when a trademark has lapsed due to less than vigorous protection, but I can't think of what it is now.
I think Watterson has decided that it isn't worth the time and effort to go after all those misusing Calvin on those stickers. I can understand his POV. Courts are a moral as well as financial drag.
I respect his desire to not over-commercialize Calvin and Hobbes, but I really wish he'd do a few full page strips for these collections like he did for the "Lazy Sunday" book.
I'm certain all of his books have copyrights.
The classic is when a mugger holds up Jack Benny with, "Your money or your life!" After a pause, the mugger says, "Well?" Benny: "I'm thinking it over."
That's what I saw in Turbopilot's posts.
What I didn't see was the usual disclaimer that he has no connection to the strip or its creator, and he was only a fan of the strip.
In stark contrast to these short-lived jewels, we have The Family Circus, now in its fifth decade and its second generation of artists, which has never, ever, not once, been even close to funny. It ain't right, I tell ya.
Best strip of all time, imho. Great tribute. As the father of a very real "Calvin, " I have an eternal degree of respect for the man that both entertained... and ultimately taught me much about myself and my sons.
Titles, however, are not copyrightable. That's where trademarks come in.
No mater how many times I see the horrified looks on the snowmen I can't help but LOL. Agreed, his best ever. Although the time Hobbes recommend that an out of control skateboarding Calvin stop himself by diving onto a gavel driveway is a close second.
Foxtrot. Yes. Not C&H, but it has its moments.
Jason:"We must save Middle Earth"
Friend: "Destroy it! Destroy it!"
Jason: ((munch munch munch))
Friend: "Do you think anyone else ever plays 'Lord of the Onion Ring'?"
Jason: "Judging by the looks we're getting...."
or
(Jason and friend are playing Dungeons and Dragons.)
Jason: "I fire my +3 magic arrow."
Friend: "No effect."
Jason: "I pull my +5 broadsword and start to hack at the beast."
Friend: "No effect."
Jason: "I pull my +18 Vorpal blade with two sided cutting edge and follow it with my +24 wand of napalm, followed by my +72 ARC LIGHT strike."
Sister: "WILL YOU GEEKS SHUT UP?!!?!"
Friend: "Woo hoo! That worked!"
LOL How 'bout these:
Uninformed browser
misplaced browser
apathetic browser
big baby browser
fighting Irish browser.....
You are right, I should have said trademarked. His character apparently was not trademarked or maybe it was. But clearly it is the character that is being infringed on on the back of all the pickup trucks. They are not taking his words, rather the image he created. So it is a trademark rather than a copyright issue?
But symantics aside, I am not sure that changes anything about any of my posts.
LOL! I loved your responses to Turbopilot. If there's people I hate, it's the holier-than-thou folks.
And the smarter-than-thou.
C&H rank up there with Bloom County, for sheer brilliance, but what a difference between the two.
Bloom County skewered the times, and was social commentary - I laughed my butt off at the rotation of the earth's axis at Reagan's election comments, or the campaigns to elect a dead cat as President.
C&H is timeless. There's very little to indicate what year it is, there's no politics, social issues, or agenda, beyond a little boy's life of home, school, and the yard. The snowmen are infamous, and the transmogrifyer series are my favorite, followed by Spaceman Spiff.
The last few times I've read a paper, the strips are stale, boring, or just outright bad. The franchise strips are abysmal. Even peanuts is bad - read the books of the first decade, when Schultz actually wrote and drew them - then they were characters you cared about, and they were funny. The classic era is for me the era of Snoopy's magical doghouse, which served as WWI airplane, and seemed to hold a vast riches of room, with mentions of pool tables, mutiple rooms, and such - Schultz never took us there, but mere mentioning it all was enough. Snoopy was more than just a dog by then...but teh orginal Snoopy, before Woodstock...was just as funny, if not more.
Dilbert comes close...but he's gettings stale too. I worked as a temp at the company where he started that strip, and it was eerie, that place WAS Dilbert.
Life In Hell, by Matt Greonig, was the best in the 80's, it was the Simpsons before there was the Simpsons. All you Achewood fans need to read the original, Achewood is a pale, watered down rip off of Life In Hell.
There's one strip I feel good about these days - the artist is growing in leaps and bounds, if you start at the beginning you can see his style develop, much like I did with Bloom County and Dilbert, and his writig improve. It's funny, topical, has cute girl geeks, and it has Bun Bun.
All fear Bun Bun.
http://www.sluggy.com/
It takes a while to understand what's going on, but it's worth reading from the beginning. He has great characters, great style, and I think this one could end up being great. The strip drips with the enthusiasm and delight that C&H and Bloom County had.
Happy Halloween!
The amount he could sue for (statutory damages of AT LEAST $800 PER VIOLATION plus economic loss) would certainly punch out someone chosen as an example. The only possible defense would be the existence of a pre-Watterson Calvin in the public domain.
Calvin and Hobbes are copyrighted. The syndicate sends cease and desist letters to anyone they catch making those pissing Calvins.
It is nearly impossible to stop everyone with access to the equipment needed to silk screen a sticker or make a vinyl cutout sticker.
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