Posted on 05/29/2026 2:51:42 PM PDT by WhiteHatBobby0701
Can woke leave anything alone? Allie reacts to (Michael Passons and Melissa Greene) former members of the Christian music group Avalon Worship re-releasing “Testify to Love” and proclaiming it was a sexual perversion anthem all along. She explores the rise of AI through a biblical lens, asking whether tools like ChatGPT, Grok, and Claude represent exciting new technology or something far more spiritually dangerous. She breaks down what AI actually is (and isn’t), warns against treating it as conscious or godlike, and offers clear biblical guidance on practical, moral, and spiritual pitfalls — from AI-generated sermons and worship music to digital idolatry, porn, and outsourcing our relationships and creativity. Finally, Allie unpacks Rededicate 250 and explains why being both proudly American and God-fearing is not Christian nationalism.
(Excerpt) Read more at youtube.com ...
Dear FRiends,
We need your continuing support to keep FR funded. Your donations are our sole source of funding. No sugar daddies, no advertisers, no paid memberships, no commercial sales, no gimmicks, no tax subsidies. No spam, no pop-ups, no ad trackers.
If you enjoy using FR and agree it's a worthwhile endeavor, please consider making a contribution today:
Click here: to donate by Credit Card
Or here: to donate by PayPal
Or by mail to: Free Republic, LLC - PO Box 9771 - Fresno, CA 93794
Thank you very much and God bless you,
Jim
"Testify to Love" is a Dutch song from British songwriter Paul Field and three Dutch writers -- Ralph van Manen, Robert Riekerk and Henk Pool -- off Mr. van Manen's 1996 album "Language of Love". Two writers approved a woke version by two sexual deviants and another "ally" of deviancy.
I remember this song was used in church by kids to dance in their 2008 service that infuriated me. Kids at the church I was run off preferred to dance to hits instead of learning to sing. They made youth choir a place for dance instead of singing. And there's no development for singers because they focused on teaching youth to dance. Back in the day, youth choir developed kids to dance for the teen dancers ("Speechless") that were removed after an incident, but the problem is they have no youth choir that is legitimate.
The consequences became rampant because you rarely hear young adults singing at that church. I compared that to the church I currently attend where there is a development ladder from Cherub to Junior to Youth to Adult Choir.
YouTube now pushes the version by the perverted C&W artist that has become the rage of the day.
Beware.
I purchased the accompaniment to that song with the intention of singing in worship service. I heard it on a TV show, “Highway to Heaven, maybe.
No one danced in our church. Leave it Leftist pervs to ruin a song.
Touched by an Angel, the 100th episode, covered by Wynonna Judd.
Youth dance triumphed over vocalists because the kids in church wanted zero development.
That was it!
Just like they ruin everything else.
It’s not the first time a song was degraded by the performance. I used to watch the T.V. show “Glee” for the outstanding performances until the (obligatory) gay character and another guy sang “Baby It’s Cold Outside”.
A song that was already shady but they didn’t have to make it background music as I literally threw up.
And I never watched another episode. And then they got cancelled for ratings drop-off and cried about an unaccepting society.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.