Posted on 04/01/2025 5:26:41 PM PDT by grundle
But in the town, it was well known
When they got home at night
their fat and psychopathic wives would thrash them
within inches of their lives
Pink Floyd "The Happiest Days of Our Lives"
No, but the moneychangers and the doves sure scattered!
Is JOSE LEGAL???
Of course, with that traditional Anglo Saxon name.
WHO says leftists are immature?!
Must it always spelled out to certain people? If you can’t figure it out, there is no helping you..
Wonder what the immigration status of José is? Maybe ICE can disappear him.
Unbelievable! The professor is not very dignified and professional. Imagine writing a paper in his class that he doesn’t like.
Hahh! Nicely done😆
And ONLY those who agree with them.
And traitors to the republic.
Here's a synopsis of one of this three books, "scenery:a lyric" (lower case, of course):
"In scenery, lyric’s public voice and memoir’s personal reconciliations confront the archives of America’s racial and legal histories, resulting in a genre-bending exploration of what it means to exist as oneself for an Other. The author, a Salvadorean immigrant and parent, reflects on the status of personhood in America between racial supremacy and racial disavowal, thinking through his own structural role as a naturalized citizen, and naturalization’s historical condition in the denial of full legal and emotional Black personhood.
This daring work delves into the archive of liberal humanism from colonial era writing on the competing status of slaves to the present, while the visual archive of public news provides an ekphrastic environment to the author’s bigger lyric-memory: being the parent of a biracial American-born child in a contemporary era accentuated by violence, white nationalism, and fear."
“He’s an El Salbadoor boy.”
Can we give him a one-way ticket home?
Anybody that is not appreciative of this country, native born or not, legal or not, should self-deport/banish themselves to somewhere they think is better.
But...... But...... It a “mostly peaceful” flipping of the evil table!
I was born in San Salvador, El Salvador, and migrated with my family to the United States at the commencement of El Salvador’s civil war. Growing up on the Mexico/US Border and being a part of the Central American diaspora have informed the nature of my work, which borrows from postlyric, docupoetic, and hybrid compositional practices. As have my experiences of living through the structural inequality, hate, and racial supremacy of Southern California’s political landscape during the late 1990s, including the various examples of xenophobic legislation, police abuse, and the militarization of the border. Of late, the persistence of inherited trauma and the work of retrieving events from nonlingual and prelingual memories have played a large role in how I interact with various aspects of archive and archival poetics, poetic emotion, and apostrophe. I use vector design software when composing as a way of mimicking the individuality of source texts, setting type meant to capture discreet registers, and bridging ocular and acoustic resemblances. The effect are texts that explore dimensions of fragmentation, but move towards a wholeness. Though critical of nationalistic practices I write towards the discovery of Nation. In these characteristics, of retrieving and/or aspiring towards language to clarify what the immediacy of experience overwhelms, I often feel an affinity with works of the 20th- and 21st-Centuries that similarly explore repertoires of traumatic recovery and historical/collective trauma towards a “core language” binding Nation and individual, history and memory, love and disavowal.
He should be picking up his teeth, along with his personal items, as he gets his a_zz kicked out the door!
What gibberish...but it’s indistinguishable from any other modern liberal arts “Professor.”
The DNC ought to be named a terrorist organization.
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