Posted on 01/11/2020 8:02:05 PM PST by nickcarraway
Known throughout the community as director of communications for Pueblo School District 60, Dalton Sprouse also is a dedicated follower of funk music, and all things funky.
Funk is fusion of jazz, rock, and R&B, resulting in a new groove that would clear the way for some of Americas greatest dance music, Sprouse said. Artists like Prince, Red Hot Chili Peppers, and nearly every hip-hop artist have built their sound upon the foundation funk music established.
So here is my list of 10 of funk musics most heralded cuts:
Get on the Good Foot (Pt. 1), James Brown. The Godfather of Soul, who almost single-handedly invented funk, was known for his live performances and the outstanding musicians that backed him. He was hard on them, and many left to join forces with another powerhouse, Parliament-Funkadelic. This track features the prominent drumming pattern frequently used in early hip-hop songs: a creation of Browns trendsetting drummers.
Jon: Theres no doubt that Brown belongs on a list of funks biggest stars, and this number, from 1972, is as good a representation as any, with a tasty dance groove deep enough to rival the San Andreas Fault. But really: one would be hard pressed to find a James Brown song that doesnt drip with pure funkiness, a fact that earned him the title of the most sampled artist in history. Personally, Ive always favored Funky President (People Its Bad), a 1974 swipe at Gerald Ford that remains freshly relevant.
Thank You (Falettinme Be Mice Elf Again), Sly and The Family Stone. Another legend, Sly Stone broke barriers with one of the first multi-cultural groups, with male and female members, that was never hesitant to address political challenges of the day. In this song, bassist Larry Graham unleashed a new, percussive way of striking his instrument, now known as slap bass. As its band leader continued to struggle with addiction, the bands songs became more minimal in nature: foreshadowing Slys eventual departure for a solo career. See also If You Want Me to Stay.
Jon: Although I consider Sly and The Family Stone more soul and pop than funk, theres no denying the funkiness of this banger, driven by a disco beat that foreshadows disco by at least seven years. If you cant get down to this, then you are, in the words of a long-forgotten bar-band maestro, As a square as a pool table and just as green. See also, I Want To Take You Higher, one of SATFS fattest cuts, and the sultry Family Affair, both of which reveal Stones creative genius.
One Nation Under a Groove, Parliament-Funkadelic (P-Funk.) A true supergroup with anywhere between 30 and 100 members at any given time, P-Funk was formed as the brainchild of George Clinton, with countless combinations of subgroups spawning from it. Not only that, P-Funk is one of most sampled of all artists, with De La Soul, Ice Cube, Snoop Dogg and Dr. Dre just a few who have used the music. As with most P-Funk songs, One Nation one of its most recognizable songs sees the vocals used as a back-up for the musical instruments, with repetitive chants throughout. Also, check out Flashlight and Mothership Connection. Fun Fact: once Parliament started to earn money, Clinton encouraged the group to buy a prop spaceship that became known as the Mothership. It was a prominent feature in live performances, and is now on display at the National Museum of African American History and Culture in Washington, D.C.
Jon: For my money, George Clinton and P-Funk belong at the top of any list dedicated to funk pioneers. Unbounded creativity that often swerved, most enjoyably, into the bizarre and outlandish, P-Funks output is unrivaled in not only funk, but all associated genres. From 1978, One Nation still sounds like it arrived from an undiscovered planet inhabited only by the hippest cats in the cosmos. Sentimentally, though, my heart belongs to Give Up the Funk (Tear the Roof Off the Sucker), an undeniable slab of bass heavy succulence from 1976 that serves as the national anthem for that one nation under a groove. Forget the Mothership: George Clinton himself belongs in the National Museum of African American History and Culture.
Happy Feelin, Earth, Wind and Fire. Another large group, with about a dozen members, EWF positioned itself as the smooth and clean version of P-Funk, with precise vocals, harmony and a driving horn section. Happy Feelin is one of EWFs lesser-known tunes, but really shows off the players instrumental depth. With the new sound of disco taking over the airwaves, funk groups were scratching their heads, wondering why the masses were flocking to the new dance wave that focused on a repetitive beat. EWF was one of the few funk groups to embrace, and successfully transition to, disco.
Jon: Although Im a longtime fan of this eclectic collective, this track, from 1975, doesnt meet my criteria of funk. The falsetto vocals are much too soul-infused, and the beat too peppy. To my ears, EWFs Shining Star, also from 1975, and 1981′s essential Lets Groove, capture the collective at its funkiest. With that said, though, Id like to direct your attention to Brick, an overlooked track from Dazz heralded as the mother of all dance-floor jams. Just ask Ice Cube, who appropriated the backbeat for his ultimate dis track, No Vaseline.
Superstition, Stevie Wonder. When Motown left Detroit and resurfaced in L.A., it was in search of a new sound to keep up with the funk movement. Hitsville, U.S.A. was abandoned, with little to no notice given to the house band (Funk Brothers) responsible for the classic, instantly recognizable sound. Superstition was one of the first songs released out of the L.A. studios. Playing a Hohner Clavinet like a percussion instrument, Wonder uses the staccato sound to his advantage. An instrument originally intended for classical and folk music, the Clavinet quickly became Wonders iconic sound.
Jon: Although Ive always revered the immortal Wonder as one of soul and pops greatest singer/songwriters, I never viewed him as funky. A revisit to this 1972 classic, however, reveals that Wonders work on the Clavinet is indeed the essence of funk, as it is on 1973′s Higher Ground. But I dont feel that Superstition belongs on a list that excludes Get Down on It and Jungle Boogie (Kool and the Gang), You Dropped a Bomb on Me and Early in the Morning (Gap Band), and Give it to Me (Rick James.)
Musicology, Prince. Heavily influenced by Brown, Clinton, and Stone, Prince is widely considered one of the most notable funk musicians of all time. From 2004, Musicology and its video pay homage to the greats that came before. I realize this isnt well-known, but I chose it because it would be too hard to single out one of his major hits. Prince kept the spirit of funk alive with his flamboyant looks, dance moves, and no-boundary music exploration. He rocked a symbol for a name, his own style of clothes and shoes, and wore makeup, yet somehow every guy knew that he could steal your girlfriend if he wanted.
Jon: Channeling the best of James Brown with a modern sheen, this little heard track is, for sure, funk with a capital F. Another oft-forgotten gem is We Can Funk, from 1990′s Graffiti Bridge, which resurrects the spirit of P-Funk in its prime. And if were talking well-known Prince cuts, Erotic City and I Wanna Be Your Lover have to hover near the top of the funk list.
Move On Up, Curtis Mayfield. Singer-songwriter Curtis Mayfield not only produced his own music but wrote hits for many artists. Although Move On Up appeared on his debut album, Mayfields most notable pieces were written to complement big-screen movies that featured black actors not given access to lead roles in mainstream movies. Films like Lets Do It Again, starring Sidney Poitier and Bill Cosby, and Superfly, considered one of the most famous funk albums of all-time, make Mayfield a key contributor to the genre.
Jon: Like Stevie Wonder and Earth, Wind and Fire, Mayfield, is, to my ears, much more soul and R&B than funk. And this number, which I was unfamiliar with, pales in comparison to treasures like Diamond in the Back, Pusherman, Freddies Dead and Superfly. Buoyed by one of Mayfields funkiest bass lines, Superfly was later heisted by Beastie Boys for Egg Man, from 1989′s Pauls Boutique.
Ill Take You There, Staple Singers. Commonly referred to as the First Family of Song, Staple Singers combined gospel music, protest messages, and soul-funk to create what Mavis Staples termed message music. Their early notoriety was established alongside Dr. Martin Luther King Jr., who had a personal friendship with Pops Staples. As a group, this was Staple Singers biggest hit, with the Muscle Shoals Rhythm Section (Booker T. & the M.G.s) providing the backing. Also check out Respect Yourself, If Youre Ready (Come Go With Me) and Lets Do It Again.
Jon: The jumpy bass line, delivered by Steve Cropper, is perhaps the only thing funky about this 1972 staple. A soul-gospel standard to be sure, but not what comes to mind when I think of all time funk greats. With masterpieces such as Spill the Wine, Low Rider, Cisco Kid and Why Cant We Be Friends, the under-appreciated WAR is much more deserving of inclusion here.
Funky Worm, Ohio Players. Although better known for seductive album covers, Ohio Players introduced a new sound to the funk world: a Moog synthesizer, whose whirling, continuous vibe can be found throughout early hip-hop and G-funk rap songs. Junie Morrison was a member of Ohio Players before leaving the group to be the musical director for Parliament- Funkadelic. Funky Worm, which caught the ear of George Clinton, is credited with inspiring the P-Funk sound at the height of the groups popularity.
Jon: If you think youve never heard this song, but are familiar with Jump (Kriss Kross), Wicked (Ice Cube), Dopeman and Gangsta Gangsta (NWA), My Myself and I (De La Soul), Funky Boss (Beastie Boys) and about 250 other tunes, then youve heard it. One of the most sampled tracks ever, the weird Funky Worm, isnt, at least in my humble opinion, Ohio Players best offering. From 1973, Love Rollercoaster is just as funky and much more danceable.
King Tim III (Personality Jock), Fatback. I included this because of its significance in the resurgence of funk music through the birth of hip hop. In fact, King Tim III was actually the first commercially released hip hop single to hit the charts, beating out Sugarhill Gangs Rappers Delight by a few weeks. Although not nearly as successful as Rappers Delight, Fatback should be recognized as accomplished musicians who didnt merely rap over a pre-recorded track. With the arrival of rap and hip hop, funk music like this was instantly relevant again.
Jon: Its a bit of a crime that when music historians track the birth of rap, Fatback is rarely, if ever, mentioned. From 1979, this bass-laden track deserves to be recognized as a template for all that followed. With that said, though, in an expansive funk landscape dotted with such overlooked gems like Double Dutch Bus (Frankie Smith), Ffun (Con Funk Shun), Fencewalk (Mandril) and Do It (Til Youre Satisfied) by B.T. Express, its essentially just an also ran.
Daltons notable mentions: Jaco Pastorius Come On, Come Over; The Meters Cissy Strut; The OJays For the Love of Money; Marvin Gayes Got To Give it Up; Zapp and Rogers Doo Wa Ditty (Blow That Thing); Wars Why Cant We Be Friends; Rick James Mary Jane; Betty Wrights Clean Up Woman; and King Floyds Groove Me.
They should have added War. And Betty Davis, one of the best, but little known.
I’d roll with George Clinton any day. His music brought a smile to my face on the darkest of days.
“Thank You for Talkin’ to Me, Africa”
https://www.youtube.com/watch?v=tF3TQlgybz0
“I Bet You”
https://www.youtube.com/watch?v=ORm8Fa3q4Ro
I used to work with a guy who was with Parliament for a while.
Agree, plus he’s just cool.
Also nice to see the Staple Singers - good lisy!
“Music For My Mother”
https://www.youtube.com/watch?v=HeO4fIe6Mzk
That would be in my top 10.
“I Wanna Know If It’s Good To You”
https://www.youtube.com/watch?v=11_h2WHkswo
Agree about George Clinton. Just absolutely fun music, and he had a great image.
Jungle Boogie. All day long.
Sly and the Family Stone IMHO, put on the best set at Woodstock.
Kool and the Gang - Ladies Night and Hollywood Swinging
Queen - Another One Bites the Dust
Average White Band - Cut the Cake
Morris Day and the Time - Jungle Love
KC and the Sunshine Band - I’m Your Boogie Man
Almost everybody who appeared on Soul Train
Ohio Players - Love Roller Coaster
Tower of Power is not in this list? Not even a mention.
‘You got to funkafize!’
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