You can’t seem to get anything right about movies. Casablanca is a GREAT movie although where you get the idea it is a noir is beyond me. Maybe because it is black and white?? Gilda is a film noir so half a point to you. Casablanca has a wonderful script with tremendous wit, great performances, beautiful photography and the kind of patriotism unknown in America today, much less Europe. My husband teaches this film to students and they are about as bright as you.
No Pardons is right that The Party was a bomb although I think it has some wonderful gags. I don’t like everything that Blake Edwards does but up until the late 80s when all types of censorship were gone with the wind, he was a brilliant gag man. That talent derived from his early love of Laurel & Hardy and Harold Lloyd.
Breakfast at Tiffany’s is a charming, adorable film that shows Manhattan at its beautiful best. I think the party scene is one of the funniest scenes in all of 60s movies.
And what a dumb remark about watching it after 10pm on a worknight.
I'm not a fan of GILDA, though yes, it is an example of FILM NOIR, a genre I usually do enjoy watching.
I should have mentioned it previously, but Blake Edwards directed both BREAKFAST AT TIFFANY'S and the execrable THE PARTY. One a glorious light comedy, the second an overwrought, overthought, unfunny hot mess on wheels.
Quite a few movies made in the late '50s through the early-mid '60s were filmed in NYC and show it off, in all of its glory, as not a backdrop, but almost as another major character. THE BEST OF EVERYTHING, BAREFOOT IN THE PARK, YOU'RE A BIG BOY NOW, and PENELOPE are but four examples.