I don't really remember any sex in B&C other than one time out in the wheat field and that was tame compared to other scenes in some of the other 50 movies.
Blade Runner, The Deer Hunter and other movies had way more sex.
For that time-—which was a very moral time and innocent one for children, at least. Parent’s hadn’t allowed perversion to be taught in the schools-—although they had moral relativism (Values Clarification) and parent’s didn’t know it destroys the belief in Moral Absolutes.
This movie was a big departure. It was the big push to moral relativism—to water down Good and Evil, blur the division, that has over the decades,because of the inch by inch injection of evil—which now has completely reversed Evil to become Good.
Judeo/Christian Ethics are totally destroyed in most young children today by replacing it with Atheism/Marxism. They couldn’t have accomplished this without decades of increased desensitization to graphic violence mixed with sex.
Literally, kids call Evil-Good and Good-Evil today, and it is the worldview given to them in their formative years-—by teachers and media:The Karl Marx way of thinking——and parents are so ignorant of it or too busy or nonexistent so don’t even notice or care. They actually assist the indoctrination.
We now have the most debased and vulgar entertainment, even for children——exactly like what was in the Weimar Republic in 1919. The art, movies, theater. books—most of it-—vile, debases both man, woman, and God—only the Judeo/Christian one, nihilism at its core, and reduces human beings to non rational animals. Destroys the Virtue in children so they can not even reason or be logical when it comes to Ethics—Right and Wrong. They have no knowledge of the Bible or moral foundation-—the only source of ethics which create free, virtuous societies, as history proves.
Back then all “sex scenes” or allusion to sex in the USA was very tame compared to today. We were like the frog in the pot of boiling water-—they were conditioning the masses inch by inch to desensitize them. It is easy to see the progression when looking at when violence and commedy were intertwined and glamorized along with sexual decadence.
Bonnie and Clyde was one of the celebrated films leading the way. True—very tame considering “Pulp Fiction” but the underlying ideas were there and sanctioned by the producers. Most producers were Marxist/progressives who wanted to destroy Christian morality (kill the Judeo-Christian God). Moral producers existed but had trouble getting funded for their projects——Mr. Smith Goes to Washington” was blasted by the critics and elites and suppressed-—but promoted only AFTER it became a huge success with the masses and the controlling elites couldn’t bury it.
This is from a review of the making of the Bonnie and Clyde:
“The real Clyde Barrow maintained a homosexual liaison with C.W. Moss, and originally the writers Benton and Newman had wanted the menage-a-trois with Bonnie to be a part of the film. Warren Beatty objected to playing a bisexual, and on reflection the Beatty-Penn-Benton-Newman production team dispensed with the sexual sophistication, reasoning that it would complicate the story unnecessarily and alienate cinema audiences. The only remaining vestiges are Clyde’s difficulty making love to Bonnie, and some laddish cuddles during the card game in the hideout.”