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BBC to film all 37 of Bard's plays (12-year Shakespeare project could top $200 Million)
The Telegraph (U.K.) ^ | November 18, 2007 | Chris Hastings and Stephanie Plentl

Posted on 11/18/2007 11:53:23 AM PST by Stoat

BBC to film all 37 of Bard's plays


By Chris Hastings and Stephanie Plentl
 
Last Updated: 4:36pm GMT 18/11/2007
 

 

Boasting one of the greatest casts ever assembled and spanning more than seven years, the BBC's Shakespeare series 30 years ago was a defining moment in British television history.

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    BBC to film all 37 of Bard's plays
    Helen Mirren in the 1980s version of Cymbeline

     

    Now the corporation aims to upstage its own classics by producing new versions of all 37 of the Bard's plays.

    It has enlisted Sam Mendes, Oscar-winning director of American Beauty and Road to Perdition, and his Neal Street company to produce the entire canon over a 12-year period.

    Some of the country's biggest stars – including Kate Winslet, who is married to Mendes, Dame Judi Dench, Sir Ian McKellen, Jude Law, Dame Helen Mirren, and James McAvoy – are being tipped to take part in what will be one of the BBC's most expensive and ambitious drama series.

    With quality television drama costing up to £900,000 an hour, the final bill could touch £100?million.

    Mendes, a former director of the Donmar Warehouse theatre in London, who took the original idea to the corporation and who will himself direct several of the productions, said the series promised to be extrordinary.

    He said: "The moment I took the idea to the BBC, they grasped it with both hands, and in a sense they are the only people who could help pull it off.

    "Thirty-seven plays over 12 years. Just think of the fantastic array of actors and directors, and of course the plays, those incredible plays.

    "And then think of them committed to film as a single entity.

    "There are lots of details still to be ironed out, and I don't know yet which of the plays I will direct myself."

    Timothy West, who starred as Cardinal Wolsey in the BBC's 1979 adaptation of Henry VIII said there was no reason why the new series shouldn't be a success.

    "I think it is a good idea in theory. I had a very good time on Henry VIII, which responded very well to television as a medium."

    But, he said, it was vital that any new productions stuck to the playwright's original text and only relied on casts with experience of classical acting.

    "People try to 'improve' the text, but I don't think the audience has a problem with the language if it is done well.

    "The question is, are they turning out good Shakespearean actors who are recognisable to television audiences? People who are coming into the business now and who are making their names early haven't had experience with the classical text. The question is, can they cope?"

    The new series marks a radical departure for the BBC, which in recent years has shied away from traditional interpretations of the Bard's works.

    In 2005, the corporation was accused of dumbing down when it produced new versions of Shakespeare plays which were shorn of the original dialogue.

    The BBC is discussing a co-financing deal for the new series with the American broadcasting giant HBO.

    News of the new venture has been welcomed by many Shakespeare enthusiasts, who believe that the first series has become dated.

    The treasurer of the British Shakespeare Association, Stuart Hampton-Reeves, said it was important that modern audiences weren't bombarded with too much text. He said: "Modern audiences are used to immediate language, plot delivery and fast cutaways. The best Shakespeare adaptations have cut the text in a way that is suitable for TV."

    But Sir Jonathan Miller, the acclaimed dramatist who produced three plays in the original cycle, last night questioned the wisdom of the project. He said BBC commissioning editors were guilty of "cultural illiteracy".

    He said: "I am not certain it was that interesting an enterprise when it happened the first time around. The BBC were enslaved to their American sponsors and we were unable to do anything adventurous with the plays. They were all very historic. It was like Stratford upon Shakespeare."

    He added: "What worries me is that the BBC can't see beyond the big names like Shakespeare and Austen. It is now only interested in literary celebrity. As a result, there is a vast body of English drama which is being ignored."

    A BBC spokeswoman said: "We are at an early stage at the moment, but we are planning to do the complete of works of Shakespeare with Sam Mendes and his Neal Street production company."

    Who was who the last time

    Derek Jacobi: title role in Hamlet
    Nicol Williamson: title role in Macbeth
    Warren Mitchell: Shylock in The Merchant of Venice
    Robert Lindsay and Cherie Lunghi: Benedick and Beatrice in Much Ado About Nothing
    Bob Hoskins and Anthony Hopkins: Iago and title role in Othello
    John Cleese and Sarah Badel: Petruchio and Katharina in The Taming of the Shrew
    Michael Hordern: Prospero in The Tempest
    Jonathan Pryce: title role in Timon of Athens



TOPICS: Books/Literature; History; Music/Entertainment; TV/Movies
KEYWORDS: bbc; britain; england; godsgravesglyphs; greatbritain; shakespeare; shakespears; skarespears; thearts; uk; unitedkingdom
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To: Stoat
I've seen the original BBC teleplays. Top notch adaptations of the works of the greatest writer whoever lived. Shakespeare is inexhaustible after five centuries.

"Show me just what Mohammed brought that was new, and there you will find things only evil and inhuman, such as his command to spread by the sword the faith he preached." - Manuel II Palelologus

21 posted on 11/19/2007 9:44:18 PM PST by goldstategop (In Memory Of A Dearly Beloved Friend Who Lives In My Heart Forever)
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To: Stoat
News of the new venture has been welcomed by many Shakespeare enthusiasts, who believe that the first series has become dated.

How have these versions become dated? Has Shakespeare's language changed in 30 years?

22 posted on 11/23/2007 5:29:50 PM PST by Lucius Cornelius Sulla (Ron Paul Criminality: http://www.wired.com/politics/security/news/2007/10/paul_bot)
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To: Lucius Cornelius Sulla
 
News of the new venture has been welcomed by many Shakespeare enthusiasts, who believe that the first series has become dated.

How have these versions become dated? Has Shakespeare's language changed in 30 years?

Perhaps it is judged as being "dated" because the actors spoke proper English, used complete sentences and didn't use modern inner-city slang  and vulgarities  :-)

From the article:

The treasurer of the British Shakespeare Association, Stuart Hampton-Reeves, said it was important that modern audiences weren't bombarded with too much text. He said: "Modern audiences are used to immediate language, plot delivery and fast cutaways. The best Shakespeare adaptations have cut the text in a way that is suitable for TV."

Translation:  "We feel that audiences are too stupid to be able to grasp and pay attention to an authentic production of Shakespeare, so we want it to be edited it the way MTV does, and the scripts should be focus-grouped by third-graders"

23 posted on 11/23/2007 5:49:11 PM PST by Stoat (Rice / Coulter 2008: Smart Ladies for a Strong America)
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