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O'Toole still in Oscar game (Actor, 74, admits age takes a toll, but `Venus' is his 8th nomination)
Akron Beacon Journal ^ | February 21, 2007 | Bob Strauss

Posted on 02/21/2007 6:18:51 PM PST by beaversmom

Peter O'Toole paid a rare visit to L.A. from his London home recently, receiving a standing ovation at the Academy Award nominees luncheon Monday and proving, during an interview the following day, that rumors he's unwell are wildly exaggerated.

His handshake like an iron clamp and pale blue eyes flickering with mischief, the 74-year-old Irish actor was full of laughs, droll banter and energetic enthusiasm as he looked back on his career and talked about his latest film, Venus, which has earned him his eighth best-actor Oscar nomination. The others were for Lawrence of Arabia (1962), Becket (1964), The Lion in Winter (1968), Goodbye, Mr. Chips (1969), The Ruling Class (1972), The Stunt Man (1980) and My Favorite Year (1982).

O'Toole has yet to win one of the statuettes, although he did receive an honorary Oscar in 2003. And while one doesn't want to go the cliched ``If there's any justice... '' route, his work in Venus might well be the richest, most complete characterization he's ever put on film. His elderly journeyman actor Maurice, though in fragile health, exudes a lifetime's worth of sophistication, passion and irresponsible self-centeredness as he lusts after a colleague's uncouth grand-niece. O'Toole brings such tenderness, understanding and self-effacing hilarity to the role that you can't help but feel for the naughty old geezer.

Whatever you do, though, don't call it the crowning achievement of O'Toole's own, indulgently celebrated life.

It would be foolish to say he's just getting started. He has no problem acknowledging the limitations of age. But as he said when they first offered him that honorary Oscar, O'Toole is still in the game.

Q: Maurice is such a wonderfully detailed character. Was it all on the page, or did you bring a lot of your own ideas to the piece?

A: For me, now as it was in the beginning, everything is the script. Good parts make good actors. If you find a good part that's also in a very good script, then you've struck gold, and it needs (to) be done -- done as well as possible. The fact that we have the same job, Maurice and me, that's about all.

Q: Nevertheless, many people are interpreting the film as a kind of summing up of Peter O'Toole's life and work.

A: Well, it's inevitable. And I'm delighted that people do. In my view, our business is about that kind of pretending. Other than people in the profession who would know that there's such a thing as a part and me, and the two aren't related; isn't that the whole point of fiction? I mean, it's life imitating art and all that.

Q: Could you see yourself ending up as an actor scraping by from job to job like Maurice, though, if David Lean hadn't tapped you to play T.E. Lawrence?

A: No. I was doing very well, thank you, before Lawrence of Arabia. I'd made a few movies. I was leading the company at Stratford.... And if that sounds in any way dismissive, I don't mean it to. Lawrence of Arabia was a once-in-a-lifetime, great experience.

Q: Do tell.

A: I loved doing it, tough as it was. And it was tough. Sometimes the heat hurt. But we were a wonderful company -- and in the hardest possible conditions. We did film in Arabia, and we were at one point 400 miles away from the nearest water, to give you an idea.

But David Lean had said to me on the very first day, ``Well Pete, off you go on a great adventure.'' And I had not done that many movies, so I did look upon it that way, and all the hardships and various difficulties of filming in the desert did make it an adventure.

Q: There was so much comment back then about your looks. You were called beautiful at least as often as handsome. A young photo of you is even referenced that way in ``Venus.'' So how do you get through all that without ending up totally vain?

A: Have you ever known anybody who thought they were beautiful? I've worked with some of the most beautiful women in the world, and they have no confidence in their looks at all. Yes, I was dubbed Bubbles when I was a little boy because I had long curly hair. It was a bore when I was 16, 17, 18. A bore! But I went to the Royal Academy of Dramatic Arts when I was 21, and there were plenty of beautiful people around, so... thank you very much, indeed!

My dresser goes potty because I never look at myself in the mirror, and I am a slob.

Q: In ``Venus,'' were you freaked out to play a frail old bloke who's facing his own mortality?

A: On the contrary, it rejuvenates. Good work, doing a good job with it -- I was like a child. Venus doesn't meditate on mortality, it expresses it, you see it in action. And another thing is, it is terribly funny.

Q: We ask because of reports that you've been too ill to come to L.A. for a lot of the awards season nonsense.

A: Oh, I'm fine. I was just exhausted. Listen, I've been reading newspapers about me, and it's like ``Good morning. How interesting!'' It's all rubbish. What happened was, I was absolutely, top-to-bottom exhausted.

Q: We know you broke a hip during the production's 2005 Christmas hiatus. But you're obviously healthy enough to have recovered quickly.

A: It's very funny, actually. About 18 months ago, a doctor gave me a bit of a lecture about cigarettes and drinking -- the usual. Then he said, ``What do you do for exercise?''

Well, I've never exercised in my life. I've often said that the only exercise I take is following the coffins of friends who took exercise.

So he said, ``Well, exercise.'' So I went to an indoor school of cricket and joined in with international pros. I did all their routines for six weeks and came out feeling wonderful.

Anyway, we were filming away and came Boxing Day. Now, normally on Boxing Day or any day I'm not working -- or any day at all, for that matter -- it takes me a long time to wake up. One nasty eye opens and gazes at this unfriendly world. It takes me an hour to get one foot out of the covers. I have an enormous, good cough, feel dreadful, then slowly but surely putter toward the bathroom. So came this Boxing Day morning. I woke up and went, ``Oh, we're not shooting, it's Christmas. How lovely!'' Popped out of bed and tripped over a pair of shoes, busted my hip. But it was OK.

Q: And now you're running your eighth Oscar race. Do you feel like you've proven something after receiving that honorary award that you thought you were too young for?

A: Well, I thought it was a bit premature. But there's no sense of vindication now, not at all. Listen, that was a confusion of messages that went to and fro, a confusion which has now been taken on as fact. I did say I am still in the game. But it was pointed out to me by my children that there was no higher honor in the film business than to be given an honorary Academy Award. So I came, and I loved it -- I enjoyed every second of it. Then along came this and -- ha ha -- here we go!

Q: As long as we're considering past lessons, is there anything you wish you'd done differently? Or hadn't done, perhaps involving too much liquor?

A: No. Look, I do have the odd thing that is regrettable. But I don't regret one drop. People get it wrong, you know. They think you're some sort of dreary drunk, hanging around bars. It was merely a fuel for what we were doing. Solitary drinking doesn't interest me, it never has done, and it never will. Give me a dance, or give me some fun or whatever.

I've finally learned, though, in my septuagenarian wisdom, to pace myself. Ha ha ha ha ha!

Q: What about women these days? Seeing anyone steadily?

A: No I'm not. I'm footloose and fancy free.

Q: Beside, um, that, is there anything that you haven't accomplished that you would have liked to, or might still do?

A: As a young man, I wanted to play King Lear. But King Lear takes a lot of puff, and if you don't play him before you're 45, 50, you're never going to get through it. But that's about the only thing I've wanted to do that I haven't. The rest? Listen, I've done it, and I'm very, very pleased. I've been enormously fortunate, and I've enjoyed a great deal of it.

And I continue to enjoy it. My best years may be yet to come!


TOPICS: Music/Entertainment; TV/Movies
KEYWORDS: oscars; peterotoole

1 posted on 02/21/2007 6:18:56 PM PST by beaversmom
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To: beaversmom

"Alan Swann: Rookie, your Meatloaf Mindanao was superb!
Rookie Carroca: Thanks. That takes two days to prepare, you know.
Alan Swann: Really! Tell me, what was that rather pungent taste?
Rookie Carroca: Parrot!
[someone spits up and Aunt Sadie swoons]
Rookie Carroca: And they're not easy to work with. They put up some squawk."
2 posted on 02/21/2007 6:42:46 PM PST by Tainan (Talk is cheap. Silence is golden. All I got is brass...lotsa brass.)
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To: Tainan

I loved that movie--watched it MANY times. Uncle Mortie made me laugh. Need to get it on DVD.


3 posted on 02/21/2007 6:45:57 PM PST by beaversmom
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To: beaversmom

Lawrence, Lawrence of Arabia
He was an English guy
He came to fight the Turkish.


4 posted on 02/21/2007 6:46:54 PM PST by dfwgator (The University of Florida - Championship U)
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To: beaversmom
"My dresser goes potty because I never look at myself in the mirror."

Yeah, there's a tagline.

5 posted on 02/21/2007 7:51:48 PM PST by LongElegantLegs (...a urethral syringe used to treat syphilis with mercury.)
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To: beaversmom
Venus is a dreadful piece of trash that strips Peter O' Toole of any remaining dignity except for going out as an old age porno star -- if there is any dignity implied in that -- and there just may be with the postmodern directorial sentiments of urban schlock and shock value writ large across the screen. From the sublime to the ridiculous, from Shakespeare to foul mouth swearing, from Venus -- love of the mind, not the eye -- to the total fixation on the body, from prostitution to more prostitution, this movie does not let up. In the end, old age delivers on bad taste.

The movie is about a shallow old lech of an actor who is taken up by the physical beauty of a young woman. He is a hedonist who can quote Shakespeare but not understand the lines he recites. Peter O'Toole plays the dirty old man who has nothing to say to the soul of a young woman: a superficial narcissist who has dumped his wife, swears a lot and is left with nothing but a young woman who prostitutes herself to him. Touching and that is what he is allowed to do to her. Peter O' Toole will go out in a pathetic splendor if Hollywood gives him an Oscar for this crap.

The most disturbing aspect of this movie is allowing a 14-year old to watch it. It was rated 14a and there are many disturbing scenes that are not fit for minors.
6 posted on 02/21/2007 8:26:31 PM PST by Blind Eye Jones
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To: Blind Eye Jones

Wow. I hadn't heard any reviews of it. I was hoping he would get the Oscar but maybe not now. I wonder what other FReepers thought of it?


7 posted on 02/21/2007 8:50:14 PM PST by beaversmom
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To: Blind Eye Jones
It was rated 14a

I've heard they do the same thing here with PG13. I don't see very many movies anymore so it's hard for me to say.

8 posted on 02/21/2007 9:03:28 PM PST by beaversmom
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To: beaversmom
Some O'Toole's best work includes MASADA and NIGHT OF THE GENERALS (with Omar Sharif).

This new film may be off the mark but it must be less of an assault on dignity than his role in CALIGULA. I think Tiberius deserves an apology.
9 posted on 02/22/2007 5:47:48 AM PST by Monterrosa-24 ( ...even more American than a French bikini and a Russian AK-47.)
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To: beaversmom
What? No Oscar for Murphy's War?! ;-) I loved that movie. One of my favorite "older" flicks...


10 posted on 02/22/2007 5:55:44 AM PST by Hatteras
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To: Monterrosa-24

I loved him in Masada too.


11 posted on 02/22/2007 6:07:32 AM PST by beaversmom
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To: Monterrosa-24

I don't think its the age that has taken its toll. I think its the GIN!


12 posted on 02/26/2007 12:19:58 PM PST by Holicheese (Beerfest could be the greatest movie ever made!)
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