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New Audioslave LP: 'Led Zeppelin Meets Earth, Wind & Fire'
VH1 ^ | March 31, 2006 | Chris Harris

Posted on 04/06/2006 7:05:32 PM PDT by Mr. Blonde

In the words of Audioslave guitarist Tom Morello, the rock and roll group's forthcoming third opus is an "ass-kicker."

As fans might expect, the still-untitled LP (Morello said the band's toying with the idea of naming it Revelations) is bursting at the seams with the kind of brutal riff rock that's become Audioslave's trademark. But at the same time, they've woven deep '70s funk and soul grooves with heavy guitars, "and it's a pretty potent combination," he said.

When the album drops (Morello dispelled reports that it will surface in June), expect the end result to be "really unique" and "as hard-rockin' an album as we've ever made," the guitarist said.

"If you want your ass kicked, you've come to the right place," he added. "And you may have the opportunity to shake that ass too."

Three weeks ago, Audioslave — Morello, frontman Chris Cornell, bassist Tim Commerford and drummer Brad Wilk — finished tracking the disc with producer Brendan O'Brien. O'Brien mixed 2005's Out of Exile; Soundgarden's 1994 disc, Superunknown; and produced Rage Against the Machine's Evil Empire and The Battle of Los Angeles.

Most of the 20 tracks the bandmembers brought into the studio "were written before we went on the last U.S. tour, so we had about two months of touring to play some of these songs in front of arenas and to go over them during a number of soundchecks."

Audioslave took "the momentum of playing some of the best shows of our lives, as well as working out the kinks of some of these songs in front of a live audience, seeing what worked and didn't work," and recorded 16 tracks over the course of three weeks, Morello said. The "fast and furious pace," as he described it, was imposed by O'Brien because he wanted to capture "the intensity of the performance — the four of us, in a room, rocking the jam, top to bottom, to get the sweatiest, most intense take."

For his part, Morello said he experimented with overdubs and worked with different guitars and amps "to create different colors." The end result, he said, is a record that "sounds like Led Zeppelin meets Earth, Wind & Fire."

One of Morello's favorite tracks is a tune called "Original Fire." Like most Audioslave songs, it began with a single idea -- a riff he'd been tinkering with for years. "The songwriting process is tremendously democratic," he explained. "No matter where the initial idea for a song comes from, it goes into the Audioslave killing-machine grinder, and at the end of the day comes out something unique that you might not have expected."

As Morello continued to sculpt the riff, he started to imagine what the finished track would sound like. Turns out he was way off-base. "It doesn't feel remotely like what I thought it would be when I came up with it on the guitar," he said. "Brad put sort of a double-time soul beat to it, and Tim had this super chocolate-thunder bass lick that went with it, and it turned out much better than I thought it would. Tim and Brad are just a ferociously funky rhythm section."

Most of the ideas that were brought to the table ended up making it to tape because "we have confidence we can turn it into an Audioslave song we're going to love."

Audioslave get overtly political on this album, with the song "Wide Awake."

"It's the most political song Audioslave's ever written, and it's a scathing condemnation of the Bush administration's failures in the wake of Hurricane Katrina," Morello said. "It's a sad, powerful and angry song."

There are a number of other tracks Morello's confident will make the final cut: the haunting and beautiful "Until We Fall"; "Moth," which was "the last song we wrote for this record, and it's a kick-ass, anthemic, 'Hammer of the Gods' riff-rock jam that will probably close the record"; "Revelations"; "One in the Same"; "Sound of a Gun"; "Until We Fall"; "Shape of Things to Come"; and "Broken City," which "is kind of Audioslave-plays-[War's] 'Low Rider.' "


TOPICS: Music/Entertainment
KEYWORDS: 70sretread; audioslave; dependsrock; ledwho; music; nooriginalideas; oldfogies; rock; wherearemydentures
Normally, I'm not a fan of rockers getting political. But I'm willing to make an exception for Audioslave. Cornell is a better song writer than most, and it doesn't sound like it is an overall theme in the album. The only concern I have is that they are sliding back into Rage Against the Machine territory. They have written enough political songs to last a lifetime and I don't really care to hear Cornell doing that. I like that apparent change in how the band is writing songs though. I liked RATM's The Battle of Los Angeles best of their albums and it was easily the most funk influenced.

The article is wrong about O'Brien producing the last album that was Rick Rubin. I kind of wish Rubin was producing, but it is hard to argue with O'Brien's success with these guys. But Rubin is probably the best producer for any type of music around.
1 posted on 04/06/2006 7:05:35 PM PDT by Mr. Blonde
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To: Mr. Blonde

Zeppelin sucked. Only the Third album remains listenable. Robert Plant squealed like a pig, while Jimmy Page was sloppy.
P>
John Paul Jones was the only man with talent in that band.


2 posted on 04/06/2006 7:07:27 PM PDT by Clemenza (I Just Wasn't Made for These Times)
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Comment #3 Removed by Moderator

To: Mr. Blonde
Sounds kewl.

Hope it lives up to the Zeppelin/EWF analogy.
4 posted on 04/06/2006 7:14:21 PM PDT by Mr. Brightside (Watcher of the Skies)
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To: Baynative
Ramones = REAL Rock and Roll. You can't call schlock with 10 minute guitar solos and 15 minute drum solos Rock and Roll.

Rock was supposed to be hard, fast, and fun. Not "arty" or bloated like Led Zep, ELP, Yes and other assorted Limeys who nearly ruined the genre until punk came along.

5 posted on 04/06/2006 7:15:00 PM PDT by Clemenza (I Just Wasn't Made for These Times)
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To: Clemenza
Rock was supposed to be...

...whatever its creators wanted it to be.

There are no "rules" in rock--that's what made it so dangerous AND pleasurable. It was what someone listening to it SAID it was.

Rock survived the corporate monster but died by suicide, when its creators grew up (or at least aged) and decided they wanted respectibility. The Rock n Roll Museum is its tombstone.

6 posted on 04/06/2006 7:18:01 PM PDT by Darkwolf377 ("Any man who says he is an American, but something else also, isn't an American at all. " TR)
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Comment #7 Removed by Moderator

To: Baynative
I don't hear that much Zeppelin these days. They had a bit of a revival in the late 1980s, now only old farts (ie anyone over 10 years older than me) listen to them.

NOBODY listens to ELP or Yes anymore...

8 posted on 04/06/2006 7:39:28 PM PDT by Clemenza (I Just Wasn't Made for These Times)
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To: Darkwolf377

I remember when The Kinks were inducted into the R&R HOF, Ray Davies said, "Seeing everyone here made me realize Rock and Roll has become respectable. What a bummer." I agree.


9 posted on 04/06/2006 7:40:08 PM PDT by Mr. Blonde (You know, Happy Time Harry, just being around you kinda makes me want to die.)
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To: Mr. Blonde

I'm listening to some old Soundgarden tonight. (Superunknown)


10 posted on 04/06/2006 7:40:17 PM PDT by cripplecreek (Never a minigun handy when you need one.)
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To: Clemenza

Zep is a lot different than ELP and Yes. And Zep is on the radio all the time here. And not just the classic rock stations, the rock stations that play hard rock all play several Zep songs a day. And it isn't just old people who listen either. Every self respecting rock fan I know has some Zep on their iPod.


11 posted on 04/06/2006 7:42:26 PM PDT by Mr. Blonde (You know, Happy Time Harry, just being around you kinda makes me want to die.)
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To: Mr. Brightside

Cornell is the only singer around today who can hang with Robert Plant as a rock singer in my book. And there are very few guitarists as adventurous as Tom Morello. I wish they would do some acoustic songs like Zep though.


12 posted on 04/06/2006 7:43:58 PM PDT by Mr. Blonde (You know, Happy Time Harry, just being around you kinda makes me want to die.)
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To: cripplecreek

I wish Cornell wasn't a smoker, although he is still good his voice has definitely changed from the Soundgarden days. The very early Soundgarden stuff is crazy. He was just showing off with what he could do and hadn't really learned to use his voice as well as he did on Superunknown and Down on the Upside.


13 posted on 04/06/2006 7:45:46 PM PDT by Mr. Blonde (You know, Happy Time Harry, just being around you kinda makes me want to die.)
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To: Mr. Blonde

Great comment. Sad, but rock will always struggle up through the sidewalk cracks in the respectability that is Rock.


14 posted on 04/06/2006 9:15:15 PM PDT by Darkwolf377 ("Any man who says he is an American, but something else also, isn't an American at all. " TR)
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To: Mr. Blonde
I've heard Audio Slave riffing and, to be honest, it ain't that impressive. What is impressive is a now defunct band called Atomic Bitchwax (the 1st CD). They makes Audio Slave sound like snotty English prep school boys. Morello gives you the pentatonic scale but he doesn't dig deep with it or takes any chances. It may be that he wants a radio friendly formula, more cash to pay for his rock star lifestyle indulgences... Metallica did the same move in the 90s.

Chris Cornell is talented, intelligent and apolitical but he's in a band that cut its teeth on the side of the Left -- and they still come across that way (Live in Cuba CD). The irony is that they are probably spoiled rotten and can only imagine even more of everything and anything Capitalism has to offer... If they didn't why bother leaving Cuba.

If I ever met them I'd have to say, Adios Slave.
15 posted on 04/06/2006 10:02:57 PM PDT by Blind Eye Jones
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To: Blind Eye Jones

I don't know how much of a rock and roll lifestyle any of them in the band have. They are all near 40. Most rockers have to give it up around then. I can't really speak for how spoiled they are, but more than most other celebrity crusaders they do actually put time into helping people instead of just helping money. I find that easy to respect even if I don't agree with them politically.


16 posted on 04/07/2006 7:51:54 AM PDT by Mr. Blonde (You know, Happy Time Harry, just being around you kinda makes me want to die.)
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To: Mr. Blonde
I saw an interview with them on Much Music in Canada and they seemed very defensive, especially, when asked political questions on what normally is a fluffy TV show. I was surprised by the level of competency of the questions. The bass player's only remark was to ask the interviewer, "Are you sick?!" He was serious and it was a put down of the interviewer's questions. It looked like he wanted to beat the guy up. Anyway, I really don't know that much about the band but I do respect Cornell.

Each to his own tastes! Cheers.
17 posted on 04/07/2006 11:29:50 PM PDT by Blind Eye Jones
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