Posted on 03/07/2006 4:41:33 PM PST by pissant
Every kid who has ever spent Friday night at a concert or a dance, or been mesmerized by the light of a jukebox, has his or her own Top 100. And it's safe to say that no two Top 100s are alike. The fun is in the fighting. What do you mean Jimi's not No. 1? Hey, where's Britney? Of LIFE's Top 100 we can say only this for certain: They rocked our world. We're betting a lot of them rocked yours.
1. ELVIS PRESLEY In the 20th century, only a few individuals in the world of popular music were so far above and beyond what surrounded them that they became stars of a different, greater magnitude. Bing Crosby was one, so was Frank Sinatra. The third member of that tiny but brilliant constellation was a young man who emerged from a hardscrabble Mississippi background to become a phenomenon that may have been the biggest of them all Elvis.
2. THE BEATLES John Lennon, never a falsely modest man, once said that without Elvis, there was no Beatles. Indeed, the rockabilly craze ignited by Elvis was the formative influence on each of the four young Beatles-in-waiting as they grew up in near-poor to middle class circumstances in the oil-slicked English port city of Liverpool. Without Elvis, the Beatles wouldn't have wanted to be what they eventually became.
3. BOB DYLAN In the mid-1950s a high school freshman in Hibbing, Minn., named Bobby Zimmerman, whose ultimate ambition was "to join Little Richard," formed a band called the Golden Chords. Thus began the astonishing musical journey of the one who, even before leaving the Midwest for New York City in 1961, had been reborn as Bob Dylan. At first performing in a style resonant of his hero, Woody Guthrie, Dylan conquered the world in stages: the Greenwich Village folk scene, the rock arena, the Nashville crowd. As the millennium turned, he was playing at special audiences for Presidents and popes, meanwhile creating new, vibrant music that continued to thrill.
4. JAMES BROWN The most influential black artist in rock's history, Brown burst onto the scene in 1956 when he and the Famous Flames recorded "Please, Please, Please." Like many another, he had a gospel background, but he also drew on stints as a semipro boxer and baseball player. His stage shows were an explosion of jumps, splits and rapid-fire dance moves that earned him the nickname Mr. Dynamite.
5. THE ROLLING STONES For many they are, simply, the World's Greatest Rock 'n' Roll Band. In the early '60s, Brian Jones, Mick Jagger, Keith Richards, Bill Wyman and Charlie Watts joined forces in London for music that was mostly covers of Chuck Berry and Chicago blues. While those influences would remain, Jagger and Richards soon became a team that wrote one great song after another.
6. MADONNA Christopher Ciccone once called his sister Madonna Louise "her own masterpiece." That she is, an intricately crafted figure of great rarity who may or may not be a feminist icon, may or may not be much of a singer, may or may not be a narcissistic empty vessel, but is one thing for sure: a rock star of the highest order, one with savvy, style and legs.
7. STEVIE WONDER Stevie Wonder is one of the most "musical" people rock has ever known, musical in the sense that Louis Armstrong was musical, where the sound is always special. He opened everyone's ears when his third single, "Fingertips (Part 2)," and its accompanying album both hit No. 1 in 1963. His vital, inventive singing and harmonica playing made it clear that someone important had arrived. For the rest of the decade, he hit one pop homer after another, equally comfortable with gentle ballads or swirling rockers.
8. CHUCK BERRY He was rock's first poet, spinning three-minute sagas of teen angst that cleverly reflected that manic-depressive reality, whether it was the doldrums of school ("the teacher don't know how mean she looks"), the liberation of the automobile ("we parked way out on the Kokomo") or the allure of fine young things ("she's too cute to be a minute over seventeen"). Driving the lyrics were some of rock's immortal melodies, with guitar licks (and piano riffs from Johnnie Johnson) that remain fresh despite having graced the songs of a thousand others.
9. MICHAEL JACKSON Born in 1958, he was already a member of the Jackson 5 by age five, and hasn't left the stage since a fact that made him a star beyond measure and, meantime, cost him dearly. He has often lamented his lost boyhood, and cited this as a reason for his wistful, childlike personality. Jackson's enigmatic nature some call it plain old strangeness, what with the oddly evolving facial structure and skin tone often overwhelms an appreciation of his extraordinary gifts.
10. KURT COBAIN Growing up in a small town in Washington, he was a happy boy who loved the Beatles. His parents divorced when he was eight, and the next year Cobain became a devotee of heavier music: Led Zeppelin and Black Sabbath. (He once said that he hoped his band, Nirvana, might marry Beatlesque melody to Sabbath's power.) In 1987, Cobain and bassist Krist Novoselic began expressing their anger in loud, edgy, intoxicating songs. Eventually joined by drummer Dave Grohl, they released, in 1991, a disc that was the very definition of seminal.
the best of the rest:
11. Eric Clapton 12. Crosby, Stills, Nash, & Young 13. Smokey Robinson 14. Aretha Franklin 15. Bruce Springsteen 16. Jimi Hendrix 17. Ray Charles 18. The Everly Brothers 19. The Drifters 20. The Beach Boys 21. Buddy Holly 22. The Band 23. Bob Marley 24. The Four Tops 25. Grateful Dead
Thye should have slid up a few notches. they will be listened to forever.
Dylan wrote the best songs. Nobody doubts that. His "Positively Fourth Street" changed music forever. For the first time, songs longer than three minutes got air play. The lyrics were completely different than any other song on the air. Not pop. Something new. Revolutionary.
You got a lotta nerve
To say you are my friend
When I was down
You just stood there grinning
You got a lotta nerve
To say you got a helping hand to lend
You just want to be on
The side that's winning
You say I let you down
You know it's not like that
If you're so hurt
Why then don't you show it
You say you lost your faith
But that's not where it's at
You had no faith to lose
And you know it
I know the reason
That you talk behind my back
I used to be among the crowd
You're in with
Do you take me for such a fool
To think I'd make contact
With the one who tries to hide
What he don't know to begin with
You see me on the street
You always act surprised
You say, "How are you?" "Good luck"
But you don't mean it
When you know as well as me
You'd rather see me paralyzed
Why don't you just come out once
And scream it
No, I do not feel that good
When I see the heartbreaks you embrace
If I was a master thief
Perhaps I'd rob them
And now I know you're dissatisfied
With your position and your place
Don't you understand
It's not my problem
I wish that for just one time
You could stand inside my shoes
And just for that one moment
I could be you
Yes, I wish that for just one time
You could stand inside my shoes
You'd know what a drag it is
To see you
Copyright © 1965; renewed 1993 Special Rider Music
LOL. that's what I thought. Pretty talentless bunch
Madonna over ANYONE. uhg!
I think Bob Dylan revolutionized R&R, and would have regardless. But it would have been interesting to see how some of the 50s icons transformed into the mid to late 1960s. It was less than pretty for most of them.
I'll have to go with the Clash, though the Ramones were argualbly more influential.
I used to wear the same outfits as her. ;o)
As you know, I'm not a big Zep fan, but they CERTAINLY deserve to be on anyone's top 25 list.
I know there was some great R&R then. Think Elvis, J. Cash, Carl Perkins, etc. But it was also a great age of jazz!!
Yes they were. Never were my cup of tea. I was too busy wearing out the grooves to Aqualung and Thick as a Brick.
(Or is that Granny, from Beverly Hillbillies?)
"In this room the heat pipes just cough."
How the hell does one come up with such lyrics??
Or another fave...
He's a great humanitarian
He's a great philanthropist
he knows just where to tocuh you baby
And how you liked to be kissed.
Unreal
What about "Benefit"?
Good freaking grief. Keith Richards is getting some competition.
The Beach Boys at number 20 and no Todd Rundgren???? Todd is a musical genius.
Great song! My personal Dylan favorites are "Hurricane" and "Its All Over Now, Baby Blue".
Eric Burdon does a fine version of Baby Blue. I sent it to you. Hope you like it.
Benefit is great too. I even like Passion Play, which few people like. I'm that big of a Tull fan.
That 1977 Animals reunion album was EXCELLENT. Had Baby Blue on it.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.