Miller Beer Cans Marking Anniversary of Rock Music Lack Color, Some Complain

Associated Press ^ | Published: Aug 15, 2004 | Juliet Williams

[BenLurkin]

MILWAUKEE (AP) - Miller Brewing is celebrating the "50th Anniversary of Rock 'n' Roll" with eight commemorative beer cans that feature Rolling Stone cover shots of Elvis Presley, Blondie and others. What's missing, some say, is a black artist.

Robert Thompson, a professor of pop culture at Syracuse University, called the absence "beyond conspicuous," because black artists often are credited with inventing rock 'n' roll.

"It would be like doing a set of cans of six great Impressionist painters and not including any French people on it," he said. "It leaves out an enormous amount."

The promotion, which ties rock's anniversary to Presley's debut at Sun Studios, also depicts Alice Cooper, Bon Jovi, Def Leppard and Willie Nelson, as well as the guitars of Eric Clapton and Joe Walsh, on cans being issued this summer by the brewer and the magazine.

Gary Armstrong, chief marketing officer for Rolling Stone publisher Wenner Media, said race wasn't a consideration when choosing the artists.

"We didn't even consciously think pro or con, the same way that the only woman on there is Blondie. We just went with the people that we thought were appropriate," he said. "We went through (the covers) and said these people we don't think are appropriate, or wouldn't appeal to Miller drinkers."

Miller spokesman Scott Bussen said the company started with a broad wish list, but its choices were limited to Rolling Stone covers.

"I'm sure that our objective was to get as diverse a representation of musical acts as well as diversity," he said.

Armstrong noted that Rolling Stone wasn't around for the birth of rock 'n' roll - it debuted in 1967, years after many formative black artists of the genre emerged. And some artists who appeared on its covers balked at being associated with a promotion involving alcohol, he said.

"These are the artists that gave us approval to use their images on the beer cans," Miller spokeswoman Molly Reilly said.

Six of the initial 10 inductees into the Rock and Roll Hall of Fame in Cleveland in 1986 were black, including Chuck Berry, James Brown, Ray Charles and Little Richard.

The Hall of Fame, which is throwing a summer concert series sponsored by Miller Lite, declined to comment on the cans. Todd Mesek, the hall's senior marketing director, called African heritage "critical" to rock's development.

"Arguably all rock 'n' roll came from, or at least was greatly influenced by, African culture," Mesek said. "Rock 'n' roll came from R&B, jazz, folk. All those genres before rock 'n' roll came together to birth rock 'n' roll."

William McKeen, chairman of the University of Florida journalism department and editor of the book "Rock and Roll is Here to Stay," called the list strange.

"I look at rock 'n' roll in racial terms. Rock 'n' roll is black America meeting white America," McKeen said. "It's about the merger of white people's music - country - with black people's music - rural blues.

"I mean, sure, you can argue that Elvis opened the door, but then Chuck Berry and Little Richard and Bo Didley came through," McKeen said.

Armstrong said each artists shown represents developments in rock history. For instance, Willie Nelson represents Americana and rock's roots, while Alice Cooper is "stadium rock and shock."

The artists weren't paid to appear on the cans, although some received perks such as free beer or magazine subscriptions, Armstrong said.

He said he hasn't heard anything negative about the promotion, which is running in conjunction with three Rolling Stone special editions: rock immortals, moments and photos. In the immortals edition, 20 of the 50 rockers are black.

Black rocker Lenny Kravitz has criticized the use of the 19-year-old Presley's first Sun Studio recording as rock's birth date, saying it leaves out the true pioneers. Kravitz's agent did not respond to an interview request.

Thompson said everyone has an opinion when it comes to rock, and maybe the cans were meant to generate buzz more than anything else.

"My guess is a lot of people will have a lot to say about this list," he said. "Oftentimes that's the point."

---

[luvbach1]

Elvis was a true pioneer. There were earlier rockers but none who roared onto the scene like the king.I well remember his fantastic impact in 1956.

[luvbach1]

I'm glad someone mentioned Fats Domino. I had the pleasure of seeing him in person in a warm outdoor venue in the mid '80s. He worked hard; sweating through his powder gray suit, the jacket of which he never took off. He's deserving of his own beer can for sure.

[luvbach1]

Johnny B. Good is Chuck's classic, not My Dingaling.

[cricket]

"I'm glad someone mentioned Fats Domino. I had the pleasure of seeing him in person in a warm outdoor venue in the mid '80s. He worked hard; sweating through his powder gray suit, the jacket of which he never took off. He's deserving of his own beer can for sure."

That and a lot more. . .he was a 'classic'.

Think I remember Fat's hitting some hard times through being 'scammed' be it - legal or illegal - with regard to his music. But not sure. . .

[John Thornton]

Of course it is. But, the argument from Rolling Stone is that it didn't start publishing until more than 10 years after Chuck's prime. So if Chuck made the cover of RS, it would have been for his 70s output.

[Moleman]

Black rocker Lenny Kravitz is half Jewish.
Not too shabby {/hanaka song}