Posted on 04/06/2015 4:37:53 PM PDT by 9thLife
A long, long time ago - to borrow the words of the song - Don McLean sat down to write the first lines of an epic. First released in 1971, American Pie is a classic that an entire generation memorised line by line, verse by verse.
Fans around the world have argued over the true meaning of one of the most enigmatic songs in pop history. Faced with all the speculation, McLean's own response is defiantly down-to-earth: when people ask him what it means, he likes to reply, "It means I never have to work again."
American Pie, famously covered by Madonna in 2000, remains a highlight of McLean's shows and his admirers will have a chance to hear it again when he starts a new UK tour next month. This Tuesday, meanwhile, sees a new chapter in the song's history when the original manuscript goes up for auction at Christie's in New York. Experts believe it could fetch as much as £1million.
Already a wealthy man thanks to the royalties, McLean seems matterof-fact about the prospect of his most famous work going under the hammer. In his own mind, at least, it has already passed out of his own hands to become public property.
Hidden away in a box in his home, the lyrics had lain almost forgotten for years. The soft-spoken singer finally decided to put them up for sale after he was contacted about the possibility of selling other memorabilia. After decades of touring and recording, it was time to take stock.
As he explains: "It occurred to me that there was some interest in the scratch work for a lot of the songs I had written. You know, I am going to be 70-years old this year, and my wife and children do not seem to have the knack of knowing when to sell something and when not to, so I said I had better do it for them.
It came out in pieces. It wasn't something I was figuring out Don McLean "Probably a year or two from now I will also sell a lot of my guitars and the clothes I wore on album covers."
Referring to the endless debate about the song's underlying meaning - its starting point was the singer's teenage memories of the death of Buddy Holly - McLean thinks anyone looking for revelations about "the day the music died" is likely to end up being disappointed.
"When the chance comes to get hold of the catalogue and look at some of the pages, you will see that it didn't come out that way," he explains.
"It came out in pieces. It wasn't something where I was figuring out who was going to be this and what was going to be that. I never did get involved in talking about it that way because that's not how it was written. People will see a song that's not a parlour game, but a song that went in a lot of different directions as I was trying to capture a dream. That's what I was trying to do."
We may like to think that all great tunes are written in a sudden eureka moment of inspiration, but McLean describes a very different process: "The first part - the "long, long time ago" part - came immediately. And then a little later I had the chorus, and I wanted it to be a fast song.
"Then I stopped thinking about it for a couple of months, because I couldn't figure out what to do, whether to go in an entirely different direction. A lot of that is reflected in the manuscript."
McLean's own journey into the music business was not exactly straightforward either. Raised in a conventional middle-class home in a well-to-do part of New York state, he knew that his father hoped that he would follow him down the safe and respectable path of office administration. Passionate about folk music - singing had originally helped him cope with childhood asthma - McLean hankered after a career as a performer instead.
When his first sorties seemed to lead nowhere he opted to study for a business degree at night school.
"I basically did it for my father, who had passed away a couple of years before," he recalls. "After I finished I thought 'Well I did it, Dad. Now I'm going to do what I wanna do'. I found I had a bit of an aptitude.
"A lot of the McLeans ran offices. My father did, my uncle did. I didn't want any part of working in an office, but I guess it was in my blood. After I finished studying I never looked back, but I did find it a lot of use for reading a contract."
Later, he was even offered a business scholarship at Columbia University in New York, but chose to stick to singing in the city's coffee houses. Rejected by countless labels, his first album was released in 1970. One year later American Pie changed everything.
McLean is far from a one-hit wonder - aside from Vincent, his melancholy portrait of Van Gogh, he also wrote And I Love You So, a ballad covered by crooner Perry Como. But it is American Pie that has defined his career. For some artists, the song might easily have become a millstone.
Don McLean in 1971 and the lyrics from the hit song he's sellingALAMY/CHRISTIES Don McLean in 1971 and the lyrics from the hit song he's selling McLean insists that was not the case: "There was never a time when I didn't sing it," he says. "I don't go to the theatre with the idea of disappointing the audience."
After what he tersely describes as "a bad marriage" early in his career and a long spell of footloose bachelorhood, he found domestic contentment relatively late in life. Since 1987 he has been married to Patrisha, a photographer, writer and mother of his two grown-up children, daughter Jackie and son Wyatt. Home is a spectacular lakeside estate in Maine where the couple focus much of their energy on growing roses. "It's 175 acres. Compared to places in Ireland and England it's not much," he says modestly. "I have quite a lot of fun fixing these places up."
THAT element of domestic tranquillity is reflected in the title of his forthcoming album Botanical Gardens. If he still seems resentful that some of the critics who championed him early on turned against him after the success of American Pie, he has come to terms with the fact that the song represented the high-water mark of his career. Throughout it all, he has remained busy, writing and recording. He even played Glastonbury in 2011.
Inevitably, though, the spotlight shifted away over time. After all, who could ever top that hit? "I had about as much fame around the world as I could handle," he says. "And I still have about as much fame as I can handle. I really was not a person who was seeking enormous popularity, so I wasn't heartbroken that my career might have been limited. I was already much more wealthy than my father had been. I had a fortune. As the years went on, more things happened and people realised, you know, that I was here to stay.
"What is it now, 46, 48 years that I've been around, selling out theatres and festivals and so on? I wasn't equipped to sustain that kind of popularity over a long period. I wasn't very comfortable with it."
Don McLean's tour starts in York on May 15. For more information visit don-mclean.com
No expert here, but I thought that it was after the aircraft crash that killed Buddy Holly of the Crickets. A well known singer got bumped off the flight and took a Greyhound bus.
The song seemed to be trying to explain why the world seemed so empty. This after the plane crash.
Who really knows?
LOL! Oh Grandpa!
Just for grins, I looked up Madonna’s version (name checked in the article). Yow!!!
https://www.youtube.com/watch?v=8BIAi3Oo7To
Sick?
as in conventional definition: ill
or
as in urban dictionary: cool
Well, that's pretty much what the article said....nothing. Is the writer just using a trick to get people to read nothing?
Buy, buy miss American pie
And was the writer just trying to be cute with some double entendre? Shouldn't that be...
Bye Bye Miss American Pie?
I love the Lord. He is are only hope.
Buy the lyrics sheet, only 1 mill plus buyer’s premium.
I don't know, I think there was a music explosion going off all around him and he must have been tone deaf.
The stinky stoned out freaks may have been a bunch of communists and moral reprobates...but they cranked out a ton of noteworthy music, the likes of a phenomenon that hasn't re-occured since.
Today's pop and rap is just so much talent-free crap.
This is the Modern Music Ping List. Our topic is music from the 20th and 21st century, from Ravel and Shostakovich through to the Synth Pioneers and beyond.
Topic suggestions are always welcome, and pings to music-related threads are appreciated.
FReepmail or reply to this post to be added to or removed from this list.
Paul McCartney never wrote anything again approaching his Beatles work. Neither did many of the other “legends” of the 60s.
Shouldn’t that be “Bye, bye”?
9th.... I had two teen age daughters who played that song for three days (Jan 1972) cramped in a 1963 Plymouth on a PCS move To Denver CO. “Drove my Chevy to the levee” drove me bonkers.
McLean gave an interview to a friend of mine years ago. He stated that the song was about the death or Rock’n Roll, and that the Father, Son and Holy Ghost represented Ritchie Valens, Buddy Holly and J. P. “The Big Bopper” Richardson. Looks like something else has been resurrected here.
Oh yeah, I forgot about the Beatles.
But all the stuff from Woodstock, the Doors, Stevie Wonder, Chicago, Steely Dan, Blood Sweat and Tears, The Allman Brothers, Jimi Hendrix, The Who, Deep Purple, Booker T, The Eagles etc etc etc.
I’ll concede...there was a lot of crap then too. But now, that’s all you get.
No, they are being clever, as in BUY the manuscript which is going on sale soon...
I always understood the song was in reference to Buddy Holly’s death. Classic song in my time...
Sounds like a great, down-to-earth guy. Still can’t the song, though. I can listen to it about once a decade.
A brilliant song, incredibly poetic and evocative. Unique. Great stuff.
Madonna’s cover is really bad.
Woodstock changed it. It went from being small and medium sized venues and two performances a night to bigger sports halls, reserved seating, and big corporate rock shows.
That business model isn’t working so well today (there are some very big bands, many of them decades old restricted to playing their hits from the first half of their career, and some of those song and dance light show extravaganzas with lip synching) but at the smaller end of the scale, there is no ink. Nothing for the local acts. Nothing for the venues that book up and coming touring acts. Just the Livenation outdoor sheds, sports arenas, and their house of blues chain.
Bill Graham was part of the problem. He wasn’t interested in acts that could sell out 3,000 tickets 3 nights in a row, he wanted 10-20,000 in a night.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.