Posted on 09/28/2012 8:00:46 PM PDT by dynachrome
Great works of literature often attempt to confront us with the obvious in such a way as to call the inevitable into question. Some strive to explain through metaphor that which is too complex or too abstract to state literally. Other forms seek only to capture some moment in time so that future generations may experience and learn from what has gone before them.
All of these qualities are ambitiously gathered in Sherwood Schwartz's masterwork, "Gilligan's Island." Through a thin veil of canned laughter, unpretentious slap-stick, and inexpensive production the complete modern sociopolitical predicament is brought to the light of day.
The island symbolizes society -- any modern western society. It presents a canvas for painting all of the issues of the latest, greatest countries. A simple vehicle with clear boundaries designed to remove all irrelevant, external stimuli from the story and its message. Simplify to clarify.
The Skipper represents official government. His authority stems not so much from democratic election as from the traditional role and powers of a ship's captain. This historical precedent seems to convey his right to leadership more than any personal characteristics or qualifications. The castaways rely on this symbolic "right" to leadership to unofficially consent to his capacity as governor.
(Excerpt) Read more at fightthebias.com ...
...and reality rears its ugly head.
How many shows on TV actually do Shakespeare? Only Harold Heckubar knows.
That's not nearly as clear-cut a choice! Inarra and Kaylee are both useful, personable, and beautiful women who would be pleasant to be around (and not in competition with each other- not a minor point!).
While the above describes Mary Ann, Ginger is extremely self-centered and high-maintenance. That's what makes it a clear choice.
LOL, Coleridge fits the tune alright!
Kaylee. Cute as a freekin’ bug.
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