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To: decimon

If I remember correctly, some thought that wonderful tone of the instruments was due in part to the fact that the wood, after being felled, had lay in spring fed rivers and large bodies of water for extended periods of time, due to the fact that it was easier to store the lumber there than on land where insects were more of a problem. That time in the possibly “polluted waters” may be the source of some of the chemicals found in the wood.


6 posted on 01/22/2009 12:44:34 PM PST by Mr. Jazzy (Happy 233rd Birthday, USMC!!!)
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To: Mr. Jazzy

I remember speculations about the varnish. From this article it sounds like he took existing processes and went some step further. If it’s so that the violins were consistent in sound then it sounds like some standard process was employed.


9 posted on 01/22/2009 12:51:06 PM PST by decimon
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To: Mr. Jazzy
Every time I go out and pee on the tree behind our house and my wife catches me I tell her: This tree will make great violin wood one day.

I also tell her that the more beer I consume the better the wood will be.

12 posted on 01/22/2009 12:57:01 PM PST by Red_Devil 232 (VietVet - USMC All Ready On The Right? All Ready On The Left? All Ready On The Firing Line!)
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To: Mr. Jazzy
The last theory I heard was actually brought up when talking about global warming/cooling, sunspots etc. That the area from which Stradivarius acquired his wood; the trees had suffered through sever cold for a long period of time before being harvested. As such, the trees grew slower, the rings were closer together, therefore making it denser.

Personally, it's probably "All of the Above". A confluence of events, materials and processes etc., all coming into place in time for Stradivarius to make his masterpieces.

51 posted on 01/23/2009 1:22:08 PM PST by AFreeBird
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