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Kingsley Station
Original Poetry | 11/25/2003 | January24th

Posted on 11/24/2003 9:52:48 AM PST by January24th

This is a thread for readers and writers of poetry. You are welcome to join in this quiet room, but please respect a few rules that will assure that this thread is easy to read, loads quickly, and maintains the confidence of the poets and readers.

1. Only original poetry, please. All poems are the property of the posting poet. Please do not copy or reproduce in another area.

2. Shhhh! Please keep chat or comments to a minimum.

3. No huge graphics, blinking smiley faces, etc. Just words, please. Let your words paint the image! (Plus, it's easier for dial-up friends to browse.)

That's it. Now, get busy and write!


TOPICS: Miscellaneous; Poetry
KEYWORDS: poetry
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To: January24th

Lovely poem, J24.


781 posted on 09/12/2004 5:59:24 PM PDT by Soaring Feather (Poetry is my forte.)
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To: Camachee; bentfeather; January24th

Chain link

Today I must repair the fence
a simple task, requiring wires
cutters, and pliers, to pull and snug
twist and crimp, secure the place
where it bows. It will always

Bow and need fixing in the same
place and in the same way, this line
we erected between in here and
out there, tried and bested by children
neighbours, dogs, strange attractors

designing the willing wire into
a reticulated curve of impending
failure of form, limit of function.
which you in your carefulness anticipated
and measured and cut the wires

And explained as if I needed it
how this simple thing could be done,
and I remember you doubled over in the sun
that rolled in gold along your back
and drew darkness upon your shirt,

cascaded from your cheeks to fall
into the shape of you that darkened
on the ground and beneath which I sheltered,
so we shared the lie that it was this for which
I needed you. Because now I must bend double

In the sun and pick up the implements of repair
absently bending the wire double between
my weak woman’s fingers noticing
how easily it is accomplished
and without pliers.


782 posted on 09/14/2004 3:48:43 PM PDT by Kay Syrah (nice finish)
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To: Kay Syrah

And explained as if I needed it
how this simple thing could be done,
and I remember you doubled over in the sun
that rolled in gold along your back
and drew darkness upon your shirt,

cascaded from your cheeks to fall
into the shape of you that darkened
on the ground and beneath which I sheltered,
so we shared the lie that it was this for which
I needed you.



Oh beautiful!!!!!


783 posted on 09/14/2004 3:53:37 PM PDT by Soaring Feather (Poetry is my forte.)
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To: Kay Syrah

Damn. The tension and beauty of that is something! Thanks.


784 posted on 09/14/2004 6:37:18 PM PDT by January24th
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To: Camachee; Kay Syrah; bentfeather; Countyline; Neuromancer

Proud island
in the stream of my consciousness
you resist
the current situation
of my agitated,
elevated tides
refusing to be diminished
by my constant desire
to devour...
you remain.

I may rage at the
seeming indifference,
or move on downstream,
or surround you
with sweet waters of repose.
Either way, I come...I go...
and you remain.


785 posted on 09/14/2004 6:57:36 PM PDT by January24th
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To: January24th

he gulped
wine
fine
with its dry
indifference
to his loss


786 posted on 09/15/2004 8:44:35 PM PDT by Camachee (`)
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To: Camachee

After all this time, I still don't learn. Sorry....

he gulped
white wine
fine
with its dry
indifference
to his loss


787 posted on 09/15/2004 8:46:54 PM PDT by Camachee (`)
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To: Camachee
frames and mats restrict
dali broke a violin
oils just bend better
788 posted on 09/15/2004 8:51:48 PM PDT by Camachee (`)
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To: Camachee

i sleep
and dream
the fears and tears
of a drunk
dreading tomorrow
and an empty
brown paper bag


789 posted on 09/15/2004 8:56:03 PM PDT by Camachee (`)
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To: Camachee
it's nice
to sink into
a stylized cloud
of cigarette smoke
a blue heaven redoubt
midnight funk
writing fighting
the casual what
and random when
of superfluous
thoughts
hearing bearing
another moment
of harmonica rhythms
and promises
790 posted on 09/15/2004 9:13:08 PM PDT by Camachee (`)
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To: Camachee
she knows
a colorful tapestry
tracing
red portugal
in a magenta sunrise
stretched on a backing
wild in the wind
waiting
and wanting
an artist
791 posted on 09/15/2004 9:27:36 PM PDT by Camachee (`)
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To: Camachee

angry
she shaved
her legs
in the sibilance
of a hot shower
plotting


792 posted on 09/15/2004 9:47:11 PM PDT by Camachee (`)
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To: January24th

Floribunda

Loves me, loves me not
tension that destroys daisies
in resolution


793 posted on 09/16/2004 7:21:40 AM PDT by Kay Syrah (nice finish)
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To: Camachee

Cosmetic solutions

All day makeup
doesn’t.


794 posted on 09/16/2004 7:23:46 AM PDT by Kay Syrah (nice finish)
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To: Kay Syrah

regret's a dull
edge for those
that got
the point.


795 posted on 09/16/2004 7:25:05 AM PDT by Kay Syrah (nice finish)
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To: January24th



each touch
shapes the
stone



796 posted on 09/16/2004 8:04:40 PM PDT by Neuromancer
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To: Kay Syrah

Post Modern (bustrip journal)

Take a situation(loving someone, leaving somewhere),
place the movement in an exotic location(train, bus, despair)
name it with appropriate detail, mentioning streets,
that mean nothing to anyone, which makes the scene
seem true, mark the stops along the way and

Pick a colour, (watered milk, dusty roses, café com leite )
which demonstrates the separation that elevates your narration
above the pilgrims that journey with cackling hens and
squalling children, each contained in the proper way
and note

The sensation of (stop or go) and choose (you have no choice)
inertia, put everyone on the same antiquated form of transportation
that suggests a time when change was merely the speed attained
by a tipsy driver, and mistrust the idea of (in control,
under the influence) circle your answer

in strange stations that refresh, remind us which
beggar gets the best refuse from those that brought but
lost their appetite, lunches wrapped and disposed to the gain,
of those who wait for the treasure that is sure to come from weary
voyagers that (know where they’re headed, or don’t quite get it)

place yourself in the seat next to a dry contador
cologned, shaved and serged carrying bread from
home, or perhaps the exuberant tide of an ohmy!woman
loosely blessed but whose waves of flesh engulf and press
you into your own corner with each hairpin curve, like grace

wearing the clothes of a many-day odyssey, going home
or seeking a new one, remark the dark fingers
in your hair(long blond, neither extraordinary or beautiful
but just unusual for this place) as you sleep or wake
(either pretense, choose one) who touched you anyway?

There are dreamers (in front, beside, behind you be careful)
discoursing in the soft syllables of somewhere, a minha , o meu
ah, ah , ahhhh…. The lovers that take their pleasure in the night ride
and come together tschhhhhhhh, tschhhhhhhh, as the air brakes
engage (crossing the mountain and holding back on the downside)


the careening impetus to (salvation or destruction), tchauuuuuu
tchauuuuu the mutter of soft consonants that murmur
into vowels like air glides, smooths rides and sways
the easily shocked, which have no wish for you
to say,(don’t define it) lonely,

which means you are glad that all the seats are occupied
and the transgressions of rude travelers with coinciding
orbits crowds the responsibility of deciding
upon companions or choosing a destination and is all
about with whom we find ourselves and where we (embark, arrive)








797 posted on 09/16/2004 8:19:32 PM PDT by Kay Syrah (nice finish)
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To: Kay Syrah



between chaos
and order
we lie


798 posted on 09/16/2004 8:24:30 PM PDT by Neuromancer
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To: Neuromancer
staring
at the screen
monitoring
arguing
with formatting
unseen
ambidextrous
in thought
but ambiguous
about revelations
he waited
for relevancy
and found
reality

finally

799 posted on 09/16/2004 8:59:17 PM PDT by Camachee (`)
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To: Kay Syrah

i remember
the poetry
of poverty


800 posted on 09/16/2004 9:03:42 PM PDT by Camachee (`)
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