link only for this "art"
If it were Hillary, the Secret Service would be visiting...
Thats pretty vile— these perverted people are heading straight to hell.
Is that a rendition of the act in which Michelle 0 got pregnant?
Michelle Obama's parents?
"Piss Christ is a 1987 photograph by the American artist and photographer Andres Serrano. It depicts a small plastic crucifix submerged in a glass of the artist's urine. The piece was a winner of the Southeastern Center for Contemporary Art's "Awards in the Visual Arts" competition,[1] which was sponsored in part by the National Endowment for the Arts, a United States Government agency that offers support and funding for artistic projects, without controlling content."
"In 1987, Serrano's Piss Christ was exhibited at the Stux Gallery in New York and was favorably received.[10] The piece later caused a scandal when it was exhibited in 1989, with detractors, including United States Senators Al D'Amato and Jesse Helms, outraged that Serrano received $15,000 for the work, and $5,000 in 1986[11] from the taxpayer-funded National Endowment for the Arts."
https://en.wikipedia.org/wiki/Piss_Christ
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"The Holy Virgin Mary is a painting created by Chris Ofili in 1996. It was one of the works included in the Sensation exhibition in London, Berlin and New York in 1997-2000.
The subject of the work, and its execution, caused considerable controversy in New York, with Rudolph Giuliani - then Mayor of New York City - describing Ofili's work as "sick".[1]
In 1998, Ofili was the first black artist to be awarded the Turner Prize. The painting was sold for $4.6 million in June 2015.
On a yellow-orange background, the large painting (8-feet high and 6-feet wide) depicts a black woman wearing a blue robe, a traditional attribute of the Virgin Mary.
The work employs mixed media, including oil paint, glitter, and polyester resin, and also elephant dung, map pins and collaged pornographic images.
The central Black Madonna is surrounded by many collaged images that resemble butterflies at first sight, but on closer inspection are photographs of female genitalia; an ironic reference to the putti that appear in traditional religious art.
A lump of dried, varnished elephant dung forms one bared breast, and the painting is displayed leaning against the gallery wall, supported by two other lumps of elephant dung, decorated with coloured pins: the pins on the left are arranged to spell out 'Virgin' and the one on the right 'Mary'. Many other works by Ofili in this period - including No Woman No Cry - incorporate elephant dung, particularly as supports for the canvas, inspired by a period that Ofili spent in Zimbabwe.[2]
