Posted on 10/20/2006 7:04:56 PM PDT by LS
This is not intended as a full-scale review, just some impressions from seeing the movie tonight.
First, as you likely know, it deals with the three men (a Navy corpsman and two Marines) of the six flag raisers who survived Iwo Jima. Clint Eastwood directed this pic, which traces the first flag-raising---which, of course, was thought to be "the" flag-raising---then the second, captured for all time in Joe Rosenthal's photo. The main plot line is that the nation was broke, and would have to sue for peace with the Japanese (right) if we didn't generate more money, quickly, through war bond sales. So these three men were dragooned into doing war bond tours, even to the point of re-enacting their "charge" up Suribachi and their flag-raising.
Second, Eastwood jumps back and forth between time frames---the bond tour, combat on Iwo Jima---that it's extremely difficult to follow. Despite taking time on the ship to try to set the characters of those other than the three main characters (Ira Hayes, Rene Gagnon, and John Bradley), the grittiness of war makes the men look so much alike that, well, it's hard to identify with any particular characters---at least, it was for me.
The main theme of the movie is guilt: the guilt felt by the flag-raisers for their buddies who didn't survive, guilt on Gagnon's part for "only" being a runner, guilt on Hayes's part for only firing his weapon a few times. Eastwood drives home the difficulty of bearing the label "hero," especially when one hasn't done anything particularly outstanding, except for surviving. While he does try, through the War Department representative, to grapple with the public's need for heroes---men who can symbolize what the others went through---Eastwood never quite gets there. Torn between trying to depict the carnage and mayhem of war and the importance of living icons with which to identify, Eastwood comes up a little short in each.
The final lines of the movie repeat the refrain from "Black Hawk Down," "Saving Private Ryan," and other recent war movies: Ultimately, they fought for each other, not for a cause or a country. Perhaps some did, but I find it hard to believe that so many millions of men signed up just to fight for each other.
Moreover, while the photo did capture the public's imagination, there was no doubt in anyone's mind that we would win the Pacific eventually; and in February 1945, with Nazi Germany collapsing, the Bulge pocket pushed back out, and American armies pushing into Germany, to suggest that Americans were about to "give up" if we hadn't gotten a miraculous photo is utter nonsense.
In short, I was disappointed only because I expected a lot more.
Right. It didn't show hard hard a fight we had on our hands, and why we took so few casualties. The second movie depicts the Japanese as heroes, as indeed they were. But Eastwood has made anti-war movies with us as the anti-heroes.
...took so few prisoners.
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