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To: discostu
Of course they were going to promote it as much as they can. Why shouldn't they? My point was there was no immediate precedent for its success. What audience do you think they were trying to capture at the time? Like I said there were no commerically successful films about children since the early 60s. If you were going for mass appeal in 1981 that was not what you did. You'd cast Burt Reynolds or Chevy Chase.

You can reduce it to a one line summary if you like but it appealed to people all over the world for a reason...even in places like Malyasia. It premiered out of competition at the Cannes festival and got a standing ovation from the most sophisticated film going audience in the world (and the French aren't big Spielberg fans). And American Graffiti was every bit as calculated to appeal to a certain generation as anything SS ever made
114 posted on 07/26/2005 1:50:36 PM PDT by Borges
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To: Borges

If you don't think a movie is going to make a lot of money you don't spend a lot promoting it and you don't open it in 1100 1982 theaters. If it's not going to make a lot of money spending a bunch on advertising just means you lose more. Movies that are expected to gross quietly are released quietly. If you were going to make a mass appeal movie in 1981 you let Spielberg direct it, he'd just had Jaws, Close Encounters and Raiders (oh and 1941, which truly was a private movie that primarily existed so he could have fun with some of his favorite old time actors). The guy was 7 years off of inventing the summer block buster and here he was with another summer movie, that had it's opening weekend at 25 more theaters than Raiders. People probably didn't expect ET to make as much as it did, but there's no way it was a quiet little movie expected to make no money, quiet litte movies expected to make more money don't get opened at more theaters than Raiders, they get opened at fewer theaters than 1941 (325... all numbers from Mojo of course).

It appealed to people all over the world because that's what Spielberg is good at. Oh please, the Cannes audience is the most overrated bunch of egotists in the world, these are the clowns that worship Michael Moore, sophisticated might be on their press release but it isn't in their character traits.

Actually American Graffiti was what you're trying to cast ET as. There were a lot of complaints by the studio heads about the format of the movie (tracking stories that largely don't interact with each other) and the fact that it didn't have much of a point, and they generally thought 1973 was a little too early for 50s nostalgia.


118 posted on 07/26/2005 2:22:26 PM PDT by discostu (When someone tries to kill you, you try to kill them right back)
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