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Man Floats Shroud of Turin Forgery Theory
Foxnews ^

Posted on 03/24/2005 4:27:53 AM PST by frogjerk

SPOKANE, Washington — Nathan Wilson is an English teacher with no scientific training, but he thinks he knows how Jesus' (search) burial cloth was made and he thinks it's not a physical sign of the resurrection. In other words, in Wilson's estimation, the Shroud of Turin (search) is a fake — produced with some glass, paint and old cloth. And that theory, especially with Easter this weekend, has so-called "Shroudies" a buzz. "A lot of religious people are upset," said Wilson, 26, who teaches at New Saint Andrews College in Moscow, Idaho. Wilson is himself an evangelical Christian (search) but said his views on the shroud don't change his faith. "I'm a Bible-believing Christian who believes in the resurrection completely without a doubt," he said. The English instructor believes a medieval forger could have painted the image of a crucified man on a pane of glass, laid it on the linen, then left it outside in the sun to bleach the cloth for several days. As the linen lightened, the painted image of the man remained dark on the cloth, creating the equivalent of a photo negative.

(Excerpt) Read more at foxnews.com ...


TOPICS: News/Current Events
KEYWORDS: shroudofturin
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To: Alberta's Child

You make excellent points.


41 posted on 03/24/2005 7:05:36 AM PST by B Knotts
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To: B Knotts; doc30

At least Doc30 is honest. He stated clearly that as a chemist he feels the carbon dating is conclusive, so what he's doing is using that statement as a basis for his analysis and working backwerds to figure out how to fill in the details -- no matter how irrational the details turn out to be.


42 posted on 03/24/2005 7:09:11 AM PST by Alberta's Child (I ain't got a dime, but what I got is mine. I ain't rich, but lord I'm free.)
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To: Alberta's Child
the sun is constantly moving across the sky and changing position relative to the glass and the piece of cloth?

A "contact print" would not be affected by that.

43 posted on 03/24/2005 7:10:14 AM PST by eno_ (Freedom Lite - it's almost worth defending.)
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To: doc30
As a chemist, the carbon dating is conclusive to me. It is a medival fake.

Would you agree in a research team doing the carbon testing again since there is some discussion/debate regarding the area that was tested previously? Why or Why not?

44 posted on 03/24/2005 7:10:53 AM PST by frogjerk
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To: Alberta's Child
The most compelling argument against the notion of a "forgery" or "fake" is that the image can't be replicated even right here in 2005, with all of the tools of modern science at our disposal. This in and of itself weighs strongly against any man-made origin of the shroud -- I can't think of any such thing that was produced in a previous era of mankind that can't be replicated today.

Excellent point!

45 posted on 03/24/2005 7:12:23 AM PST by frogjerk
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To: B Knotts
There were no "cameras obscura" implemented in the necessary timeframe.

I wouldn't bet on that. The knowledge of the camera obscura and its workings predates Christ. And there is varying arguments on when the first one came into use. Ranging from BC to the 16th century. And many suggest that the first operational camera obscura came into use in the 900s.

46 posted on 03/24/2005 7:14:49 AM PST by Phantom Lord (Advantages are taken, not handed out)
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To: Phantom Lord
Who are these "many" that suggest operational cameras obscura in the eight century?

The same ones trying to debunk the shroud?

I'd like to see one of these "skeptics" actually do it. If it could have been done 1100 years ago (based on the flawed carbon test) or further, they ought to be able to do it today without too much trouble.

47 posted on 03/24/2005 7:19:57 AM PST by B Knotts
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To: frogjerk

Course it is possible both the shround AND Nathan WIlson are FAKES..


48 posted on 03/24/2005 7:23:47 AM PST by hosepipe (This Propaganda has been edited to include not a small amount of Hyperbole..)
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To: eno_

Thanks for making the point that this "theory" requires, I think, that the pane of glass would have had to have been at least the same size as each of the two images on the shroud. To the best of my knowledge, making a single piece of clear flat glass that size was beyond the technology of the mid 15th century. Even if they could have done it, it would have been a one of a kind expeiment in glass making and would probably have been famous in its own right. They could make glass in small sections, as you'd see in a stained glass window, but even then the glass was not perfectly flat and tended to distort light coming through.


49 posted on 03/24/2005 7:34:23 AM PST by katana
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To: B Knotts

One several shows on the History Chanell I have seen on the Shroud that put forth the camera obscura as a possible method did in fact produce one using the camera obscura.


50 posted on 03/24/2005 7:47:41 AM PST by Phantom Lord (Advantages are taken, not handed out)
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To: Alberta's Child

Occam's razor.


51 posted on 03/24/2005 8:07:07 AM PST by pgyanke (God is the grantor of rights; government is the taker.)
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To: frogjerk

More testing can always gain insight into the cloth. The problem is that so much of the testing is destructive in nature, and there will always be cynics that will either never trust the results unless they match their preconceptions, or will question the chain of evidence regardless of how vigorously the samples are safe guarded, etc.,. Also, just because we cannot exactly repoduce the shroud image does not mean it cannot be done. It was done before, so it can be done again.


52 posted on 03/24/2005 10:19:04 AM PST by doc30 (Democrats are to morals what and Etch-A-Sketch is to Art.)
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To: doc30
I agree that more testing is destructive and has to be done very carefully. The Problem that I see with regards to the Shroud and the investigation is that there were a battery of tests that were performed and the Shroud could not be identified as to how it was made but the one Carbon Dating test seems to trump the other 30 or so tests.

Also, just because we cannot exactly reproduce the shroud image does not mean it cannot be done. It was done before, so it can be done again.

From a religious perspective: If you believe that this may be the burial cloth of Jesus Christ and you believe in the Resurrection, it cannot be done again...

53 posted on 03/24/2005 11:25:58 AM PST by frogjerk
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To: frogjerk

The image on the cloth is real. That meant a physical change has occurred to the material of the cloth. That means a physical phenomenon caused it. That means that if the physcial cause is identified it can be reproduced. Just becasue we don't know how, doesn't mean we won't learn or discover how and then be able to reproduce it.


54 posted on 03/24/2005 11:30:46 AM PST by doc30 (Democrats are to morals what and Etch-A-Sketch is to Art.)
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To: doc30
The image on the cloth is real. That meant a physical change has occurred to the material of the cloth. That means a physical phenomenon caused it. That means that if the physcial cause is identified it can be reproduced. Just becasue we don't know how, doesn't mean we won't learn or discover how and then be able to reproduce it.

I understand you are coming from a scientific point of view and I accept that. I am talking from a religious point of view on this. Kind of like arguing apples and oranges but so what. This is FR.

Just because a a phenomenon is physical, doesn't necessarily mean it can be reproduced. From a religious point of view, the Resurrection of Jesus Christ, which possibly caused this imprint, will never happen again.

55 posted on 03/24/2005 11:42:02 AM PST by frogjerk
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To: Phantom Lord

The technique described above in the article is very much like camera obscura

But it would not produce the 3-dimensional effect discovered only very recently


56 posted on 03/24/2005 11:47:10 AM PST by Mr. K (Freepers lets chat - mwk_14059 on yahoo IM)
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To: frogjerk

See:

http://www.shroudstory.com/shadowshroud.htm

One small excerpt:

It is a well known fact that the images on the Shroud of Turin are superficial. On any given thread where there is a brownish colored image, the image is confined to the outermost two or three fibers. Look beneath them, inside the thread, and you will find near-white fibers.

On the Shroud of Turin the tip of the nose is brown. That is so because a superficial color has formed there; and it is not at all deep. Probe with a needle and you will see the white fibers throughout the thread. Chemical analysis tells us that the brown color at the surface is an amorphous caramel-like substance adhering to just a few fibers. On the other hand, the tip of the nose on Wilson's Shadow Shroud is brown because it was not bleached by the sun. We don't need to look beneath the surface of Wilson's image to realize that below the top two or three fibers, the fibers will also be brown; for it is impossible with sunshine to bleach the inside of a thread without bleaching the outside.

Dan


57 posted on 03/24/2005 2:57:51 PM PST by shroudie (http://www.shroudstory.com)
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