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LOL!

BTW, Perhaps you noticed, I *FINALLY* learned to use photobucket etc. to host and post photos such as from LMH's website. HERE'S A MUCH SHORTER EXCERPT for illustration and as a teaser invite to the other thread for discussion.

Did you catch the TRANSPORTED THROUGH THE CEILING "scorch" marks a la evidently similar to the Turin Shroud's 'scorches' . . . on this thread

at the beginning of . . . post #173

http://www.freerepublic.com/focus/chat/2590064/posts?page=173#173

It's a long post with excerpts from many sections of reports, articles and interviews on the topic at earthfiles.com

It is the most detailed treatment of the topic I've ever seen. And, the photos are incredible. I only posted a couple of them. Maybe I'll post 3 additional photos here to illustrate what I'm talking about and encourage some serious pondering and reflection on such realities:

From:

http://www.earthfiles.com/news.php?ID=475&category=Science

DOES URANDIR WALK INTO THE BEAM OR DOES IT COME DOWN AROUND HIM?

At this point, he walks into the light. As he is going back down in the beam, about half way down, this light changes him from a standing position and puts him in the previous exact position when he was on the bed before (on September 15, 2002). The very same position and he is paralyzed again to go all the way through the roof and ceiling of his house and back to where he was."

I later asked Urandir to check the roof and see if the same body print was on the tiles. He could not find any evidence there, but a more thorough examination is going to be made beneath the roof tiles and the upper side of the wood beneath the tiles by a scientist in March who is also investigating the Corghinho phenomena.

ANY DIFFERENT FEELING THEN?

Like as if his bones are stretching.

FELIPE: Like cracking joints.

AS IF THE BONE JOINTS SEEM TO SNAP IN SOME WAY?

The whole skeleton of all his bones go snap, snap.

I WONDER IF IT HAS TO DO WITH MOLECULAR EXPANSION AND CONTRACTION OF PASSING HIS MATTER BODY THROUGH THE ROOF AND ONTO THE BED?

Yes, it does have something to do with expanded molecular structure so he can interact with matter again. It's as if they are re-tuning the body.

AT THIS POINT, IS HE LOOKING THROUGH THE COLORED LIGHT AND CAN HE SEE THE ROOM LIKE HE DID BEFORE?

Yes, exactly. He can see through the same light to the room.

WHEN DOES HE KNOW HE IS BACK ON THE BED?

He saw himself going through the ceiling and then he feels his body touch the bed. But before he actually approached the bed, he could not see that the bed was burned because the way in which he was paralyzed would not allow him to. So the (violet) light goes off and everything comes back to normal and he stands up, switched on the room light, and then he is surprised with his bed because it is so burnt. He thought he had been melted there!

WHAT ABOUT THE CEILING?

There was some sort of smoke in the ceiling still coming out.

Photos above and below taken on February 9, 2003:
Urandir Oliveira's body imprint on the blue and white cotton sheet,
pillow and wood ceiling. Photographs © 2003 by Linda Moulton Howe.

From:

http://www.earthfiles.com/news.php?ID=485&category=Science

Photomicrograph 4

This was taken within a brown region where the blue dye in the cotton fibers was altered to a brown color. Note how the vitreous polyester threads are broken up, perhaps due to surface tension.

Again, this is not typical of charring. If you heat this with a laser or anything else, you would get carbonization. But there is no carbonization here. There is no oxidation. It's just a browning, and I think what that is is a break down of the dye inside the blue fibers. That's what gives it the brown color. With the continued application of this energy, of course, the polyester fibers begin to ball up and flow around a little because of surface tension affects, or wetting affects.

Photomicrograph 5

This was taken within a brown region where the blue dye in the cotton fibers was altered to a brown color. See how the vitreous polyester threads are broken up, perhaps due to surface tension. Again, this is not typical of charring.

If you heat this with a laser or anything else, you would get carbonization. But there is no carbonization here. There is no oxidation. It's just a browning, and I think what that is is a break down of the dye inside the blue fibers. That's what gives it the brown color. With the continued application of this energy, of course, the polyester fibers begin to ball up and flow around a little because of surface tension affects, or wetting affects.

This was taken in a transition region where the cotton threads changed from a blue to brown in the space of 2 millimeters. Note that in the region between the blue at the top and the brown at the bottom, the (blue dyed) cotton threads become very pale in color. In a space of 2 millimeters, this energy is changing from the discreet heating of the polyester and leaving the blue fibers as they are to a complete transformation in both the cotton and the polyester.

So what we have in Photomicrograph 5 is a really good example of a very refined control on what is happening just 2 millimeters apart. The cotton remains blue in the upper part of the photoraph and yet it is scorching or turning brown only 2 millimeters away at the bottom of the photograph.

That's right. That emphasizes this is not the usual kind of heating. Let's go to the analogy of the burner on your stove. You turn the burner on high and you know that if you come within a foot or six or eight inches of the burner with the back of your hand, you can feel the heat.

Whatever this energy this is, it can keep something cool only 2 millimeters from something else that is heated up?

That's right. (Imagine that your) hand moved only 2 millimeters and you would feel the heat and it would be hotter than hell, and you move it 2 millimeters away and it would be cold. The energy that did this is precisely controlled down to micron levels.

Photomicrograph 8

"The arrow shows a region where cotton fibers are embedded, apparently unchanged, within the hard vitreous polyester threads."

Yes, and it means that whatever interacted with this bed sheet, it selected one of the vertical threads in some strange way that caused this melting of the vertical thread and some of it is what we see deposited on the horizontal threads.

That's right.

Why did this one thin, vertical thread suddenly change its composition in some way without affecting any of the threads around it?
That's right. Here the (interacting) energy can pick one fiber and totally convert it. I think this is both a chemical and structural conversion of the molecules. To change to and deposit vitreous material on the horizontal fibers and not affect anything underneath. It's astounding."