. . . But enter now the villains! Firstly a glamorous Baroness previously engaged to be married to the Captain, who schemes to get Julie Andrews out of the way, back to the Convent (but didn't you know, "The path of true love never did run smooth"?). Secondly, villain of villains, a - a - a NAZI! (Original sin? - never heard of it! Isn't all sin Nazi sin?) . . . .Shiny white wedding dress (of course), wedding bells all over the place and a lovely ceremony (of course), to be spoiled only by the brutal re-appearance of the nasty Nazi - the Captain must report for duty to the Third Reich!
The family tries to sneak away. The nasty Nazi spots them, so now they all break out into singing Edelweiss. The nasty Nazi is foiled when the family escape to the convent (where else?), but drama rolls as the nasty Nazis close in on the convent. (But didn't you know, "Life is not just a bed of roses"?) The Captain is heroic (of course), but the dastardly villains are only foiled for good when their car is incapacitated by the nuns turned into mechanics (of course), and the last shots show the "family" climbing a mountain path to get out of the Third Reich, amidst hills which are once more - go on, don't tell me you couldn't guess! -- "alive with the sound of music". How truly heart -warming. . . .
As for cleanness, many films may be worse than the Sound of Music, but stop and think - are youth, physical attractiveness and being in love the essence of marriage? Can you imagine this Julie Andrews staying with the Captain if "the romance went out of their marriage"? Would she not divorce him and grab his children from him to be her toys? Such romance is not actually pornographic but it is virtually so, in other words all the elements of pornography are there, just waiting to break out. One remembers the media sensation when a few years later Julie Andrews appeared topless in another film. That was no sensation, just a natural development for one rolling canine female.
As for being a family film, by glorifying that romance which is essentially self-centred, The Sound of Music puts selfishness in the place of selflessness between husband and wife, and by putting friendliness and fun in the place of authority and rules, it invites disorder between parents and children. This is a new model family which in short order will be no family at all, its liberated members flying off in all different directions. . .
He obviously does not realize that the “Sound of Music” is a TRUE story!
He is exactly right on the Sound of Music: it is a sugary story of happy airheaded frivolity trumping Catholic virtues of faith and fortitude. It is inoffensive now after we have Disney Film rolling teenager softporn stories by the dozen, but at the root of it is cheap self-centered romanticism pioneered by movies like the Sound of Music.