Doom, North Cove, SuffolkPhoto:T.Marshall The central portion of the Doom at North Cove, showing Christ in Judgement, with the (bare-breasted) Virgin at the left and John the Baptist to the right, pleading with arms raised in intercession. The spotted mantle, held open to show the wound in Christs side, may be intended for ermine, and the swirling decorative whorls around his legs are probably an attempt to suggest clouds. He sits on a rainbow, and below his feet are four angels with blue wings sounding trumpets - that of the angel at the extreme right is clearest. Doom, North Cove, Suffolk (St.Edmundsbury & Ipswich) C.14/15
Below the trumpeting angels, the dead, the coffins (they look like stone sarcophagi) of three of them fairly clear, are about to rise. The probable Donor of all the paintings in the church - in other words the patron who paid the artist to make them - is shown quite alone on the opposite wall, resurrected, sitting up in her tomb, and looking at the Judgement taking place across the chancel.
At the right is an enlarged detail of the bare-breasted Virgin, crowned and with a very large halo, reminding her son of her nurturing by her gesture, much like her slightly later counterpart at Ickleton. The stylistic differences between the two are instructive as evidence of the individual personal approaches, treatments, and indeed skills, of different painters.Opposite the Virgin and below at the left are enlarged details of John the Baptist (possibly John the Evangelist, but this is less likely), and an angel with Instruments of the Passion - the spear at least is here, and possibly the sponge as well. On the right of the photograph, the decorative detail - a grape and vine stem pattern surrounding all the paintings at North Cove - shows well, but it is seen to best effect in the Passion Cycle, particularly the Harrowing of Hell.
Further below and to the right of John, St. Peter, or perhaps an angel, standing at the left, welcomes souls. Two of them at the extreme right (scroll right) seem to be embracing each other.
Below this, further to the right still, and shown below at the right, St. Michael, sword drawn and threateningly raised, drives the damned away. The detail is very faint now, but it is relatively unusual in English wallpainting to see Michael in this role, the job being done usually by devils.
But there is no discernible Mouth of Hell in this Doom, probably because across the aisle on the North Wall is the graphically-painted Harrowing of Hell, part of the Passion Cycle. In a quite narrow space, one Hell was no doubt thought to be enough.
Catholic culture.
funny, I don’t think I’ve ever seen her so depicted.
Monty Python would call it, Our Lady of the Naughty Bits. ;-)
In addition to being free of Original Sin, she appears to be free from Gravity.
That’s what God made them for.
I posted a quote to that thread that was:
1. From a famous book written in the 1790's
2. Exactly on topic
3. At least plausibly not a fictional description
So hopefully that didn't have anything to do with the pulling of the thread.
I appreciate your art historical research and the chance to view these varied works. A lot of my childhood was spent visiting thousands of museums and some of it sank in.
very interesting art and history - thanks for posting
Just near the Church of the Nativity is the Milk Grotto which is a popular veneration site. The Milk Grotto is said to be the location where Mary, Joseph and the Infant Jesus temporarily sought refuge during the incident of the Slaughter of the Innocents.
It is also in the Milk Grotto where Mary was able to nurse the infant Christ before they traveled to Egypt. It is said that a drop of milk from Mary dropped to the ground, which turned the color of the rock floor, white. The soft white rock of the grotto is popularly thought of as having healing powers as well as health benefits for lactating mothers.
Thank you for this wonderful thread. I particularly enjoy the first picture because it depicts Mary in a luxurious setting, wearing silks and velvet and the Infant wearing jewelry. It’s all so unlike any image I’ve had of her.
It’s pagan fertility goddess imagery used in Christian art.
Someone please explain: is this coming from the Pope, or from a committee at the Vatican, or just one person? Who is the “Vatican”? I’ve seen a lot of previous posts where some Vatican annoucement is not well received, said to not represent the Pope.
I am at a different computer, and may not have the up-to-date ping list. If I missed you, I apologize.
This is not a "theological" thread in the sense non-Catholics understand theology. I posted a couple of threads on Catholic consecrated life earlier, that were not narrowly speaking theological as well. This one illustrates another aspect of Catholicism, its reliance on visual, iconographic message system that goes alongside the textual to provide a rich integral experience of worship and meditation.
Previously posted:
On Salvation Outside the Catholic Church
The Great Heresies
SALVATION PAST, PRESENT, AND FUTURE
JUSTIFICATION IN CATHOLIC TEACHING
Hermits and Solitaries [Ecumenical]
THE PRIESTHOOD DEBATE
RIGHTEOUSNESS AND MERIT
A Well-Rounded Pope [Ecumenical]
A Monastery to Last 1,000 Years [Ecumenical]
Explaining Purgatory from a New Testament Perspective [Ecumenical]
In the Crosshairs of the Canon [How We Got The Bible] [Ecumenical]
'An Ordinance Forever' - The Biblical Origins of the Mass [Ecumenical]
Beginning Catholic: Church Authority In Scripture [Ecumenical]
Beginning Catholic: Catholic Tradition: Life in the Spirit [Ecumenical]
Christian Atheism
This is a *great* thread, thank you so much for posting it!