To: what_not2007; AnAmericanMother
For a long time, choreographers wanted ballet music that didn't get in the way of the dancers showing off their chops. It was Leo Delibes who broke the mold on that tradition with his groudbreaking scores for "Coppelia" and "Sylvia". Then Tchaikovsky took it to the next level with "Swan Lake", "Sleeping Beauty" and "The Nutcracker". Then along came Stravinsky who redefined ballet music once more.
"Giselle" belongs on both sides of the Delibes period, which is why it doesn't rate the same acclaim as the Tchaikovsky scores.
41 posted on
12/10/2007 11:37:55 AM PST by
Publius
(A = A)
To: Publius
You are a doctor of music, perhaps?
43 posted on
12/10/2007 11:44:19 AM PST by
hoe_cake
To: Publius
Yeah, but the "32 fouettes" are in Swan Lake. Talk about showing off your chops . . . .
44 posted on
12/10/2007 11:46:26 AM PST by
AnAmericanMother
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