This iconographical type, in which the Man of Sorrows (Christ displaying his wounds to the faithful) is supported by the Virgin, is not a common one. It is, in fact, a conflation of the Marian Pietà, in which the Virgin cradles her dead son in her lap, and the Trinity Pietà, in which God the Father holds the recently crucified Christ before him. It is an emblematic representation intended as the object of meditation rather than the portrayal of an episode from the Gospels. Similarly, the Arma Christi in the background should be interpreted as signs of the Passion. Several emblems are included, in addition to obvious attributes such as the Cross, on which hangs the dark-purple robe from Christ's Mockery; the post from the flagellation with its rope, rods and flails; the cane and sponge, the spear, the hammer and nails. Looking from top to bottom, we see: on the left, Peter with Caiaphas' servant-girl, Judas with the purse around his neck, Annas and Caiaphas, the hand which struck Jesus, the fist that punched him, and another hand with closed fingers; on the right, Pilate and Herod, a hand making the obscene fica gesture, a head in profile (customarily one of the soldiers who mocked or spat at Christ), a hand that has pulled out some of Jesus' hair, and a stamping foot.
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