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To: St.Chuck
Chuck, with your low view of the motivations of your fellow humans how do you get out of bed in the morning? Do you despise the traditional aspects of your church so deeply that you would attempt to poo-poo a something as deep and rich as the Renaissance in a few paragraphs?

Who cares that these artists were flawed or even fallen? God used them to create some of the most beautiful works in human history. They did the work of the Lord and brought glory to Him and our faith, despite their shortcomings or the churchmen who commissioned them or where they were trained.

You keep mentioning Rafael's "School of Athens", yet neglect his other masterpieces including the magnificent "Transfiguration" which was done on his deathbed. Do you suppose he just wanted to kiss some secular rear-end and glorify greek paganism as his last act on earth?

So what if certain techniques and ideas were in some way an extension of Greek civilization. Art, science, literature, medicine, language and the United States of America all are the result on what has come before it. Humanity is progessive.

Some of us use the internet as a form of ministry. I suppose that someone, somewhere could say that the internet was invented by the US military, thereby rendering our works invalid or immoral.

In your cynicism, you see "The Passion" as an extension of a filmaker smitten by violent themes, when in reality it was the result of a man who risked his fortune, credibility and career in a leap of faith. In doing so he did more to spread the Gospel in a three hour film than the all of the 186 bishops in the USCCB have done in their entire careers.

Just as you see darkness Mel, you see not the greatness of Rembrandt's work, but focus on his "62" self portraits. You say that his "art is noteworthy for the lack of Catholic iconography it contained". Is "The Archangel Leaving the Family of Tobias", "Susanna and the Elders" and "Tobit and Anna" Catholic enough for you? None of these stories exist in the Protestant bible, much less their theology. You'll probably tell me that Rembrandt, as a sellout ward of the continuum held his nose to paint them.

Of course our works as humans are marred with imperfection and sin. Caravaggio was a rogue who killend a man. Rembrandt lead a lavish life that lead to bankruptcy. Van Gogh was a manic depressive given to neurotic episodes. You and I are both sinners who seek the Lord's mercy. Does this make our works for Him futile and petty?

Lighten up friend. We can bring glory to our Lord and spread the Gospel despite our fallen nature.

105 posted on 03/07/2005 5:08:09 PM PST by AAABEST (Kyrie eleison - Christe eleison †)
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To: AAABEST
Of course these ideas and the novelties they led to were probably responsible in large part to the reformation when folks recognized that the Church was not completely espousing Christian ideals. The counter-reformation made religious art much more....Christian, thus Caraveggio, Bellini, and Tintoretto were not as pagan-influenced as their earlier counterparts.

As a small point of correction, Bellini lived before any of the artists we've discussed here.

106 posted on 03/07/2005 5:17:55 PM PST by AAABEST (Kyrie eleison - Christe eleison †)
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