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Smithsonian gives ANWR exhibit cold shoulder
http://www.nandotimes.com ^ | May 2, 2003 | By MATTHEW DALY, Associated Press

Posted on 05/03/2003 6:07:19 AM PDT by ATOMIC_PUNK

WASHINGTON (May 2, 2003 5:48 p.m. EDT) - A photo exhibit showing untouched wilderness in Alaska's Arctic National Wildlife Refuge opened Friday at the Smithsonian Institution - but not exactly as earlier planned.

Instead of the prime exhibit space slated off the spacious, main-floor rotunda of the Smithsonian's National Museum of Natural History, the 48-photo exhibit is being displayed in a basement hallway, behind an escalator.

And instead of expansive descriptions the photographer, Subhankar Banerjee, prepared for captions, the photos have just terse descriptions of each photo's subject and location.

Banerjee, a Calcutta, India-born physicist and freelance photographer who now lives in Bellevue, Wash., is thrilled his pictures are being displayed, but he laments that the exhibit was changed after getting caught up in Washington politics.

During Senate debate on the Bush administration's plan for drilling in the Arctic refuge, Sen. Barbara Boxer, D-Calif., held up one of Banerjee's photos - taken during a 14-month stay there - and referred to the area's beauty in her arguments against drilling. She urged her colleagues to visit the Smithsonian exhibit.

A short time later, Banerjee says he got a call from a senior official at the Smithsonian, saying changes were being made.

"Specifically because it was perceived that my work has become political," he said Friday.

Banerjee, 35, is disappointed at the new location - which he calls a "flat hallway" - and frets that fewer people will see the exhibit. Worse, he says those who do see it may not understand it as well without the extended captions.

A lengthy paean to the beauty and elegance of a snow-covered peak, for instance, now reads, "McCall Glacier, Brooks Range." Another caption that described the migration pattern of a buff-breasted sandpiper, and the risk of habitat destruction, now simply identifies the bird and its location.

Robert Sullivan, associate director of public programs for the Smithsonian, said he made the changes after consulting with the museum's exhibit review committee.

Sullivan was the museum official who first pushed to display Banerjee's photos. He called the photos stunning and said Banerjee's work had "a painterly quality to it. We are privileged to have this work hang in our museum."

The problem, Sullivan said, is that the exhibit "got politicized" when the book on which it is based was used on the Senate floor.

Boxer and Sens. Maria Cantwell, D-Wash., and Dick Durbin, D-Ill., have written letters to Smithsonian Secretary Lawrence Small, expressing dismay at the changes. Durbin said he will ask Smithsonian officials at a Senate hearing next week whether any political pressure was brought.

In a written statement Friday, the Smithsonian denied that. "There was no influence by outside political or governmental representatives to alter the content or location of the exhibition," the statement said.

The captions "reflect the museum's standard practice in presenting fine arts exhibitions," it said.

Sullivan denied a claim by some environmental advocates that Senate Appropriations Committee Chairman Ted Stevens, R-Alaska and a leading proponent of Arctic drilling, had pushed for the change.

"Nobody approached me. There was no outside pressure," Sullivan said. "We felt as a federal institution, we can't be seen as advocating for the passage or defeat of any legislation."

As for the captions, he said the original versions proposed by Banerjee were overly expressive, even "sentimental." Sullivan said, "I told him, 'Let the picture speak for itself.'"

The exhibit will be on display through Sept. 2. A photo essay of Korean immigrants, which had already opened in the downstairs space, is being displayed in the space once slotted for the Arctic refuge exhibit.


TOPICS: Culture/Society; News/Current Events
KEYWORDS: anwr2003; smithsonian
Instead of the prime exhibit space slated off the spacious, main-floor rotunda of the Smithsonian's National Museum of Natural History, the 48-photo exhibit is being displayed in a basement hallway, behind an escalator

Hahahahahahahaha

1 posted on 05/03/2003 6:07:19 AM PDT by ATOMIC_PUNK
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To: ATOMIC_PUNK
Beauty, in all cases, is only one asset.

From the beginning, we looked at this country, not just for it's beauty, but for it's great assets and our abilities to develop them.

2 posted on 05/03/2003 6:22:38 AM PDT by Sacajaweau (God Bless Our Troops!!)
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To: ATOMIC_PUNK
"Nobody approached me. There was no outside pressure," Sullivan said. "We felt as a federal institution, we can't be seen as advocating for the passage or defeat of any legislation."

This is the way it is supposed to work, because if people can use tax money to promote a point of view, then anyone who disagrees with them is at a severe disadvantage, giving unelected officials enourmous power over debate. Just as important, using the money of someone who disagrees with you to promote laws they disagree with is morally repugnant.

The left never sees these two objections, because they believe using someone else's money to control them is the height of morality.....as long as they are the ones doing it !!!

3 posted on 05/03/2003 6:24:43 AM PDT by marktwain
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To: ATOMIC_PUNK
Too bad PBS and NPR don't have people of principle running them.
4 posted on 05/03/2003 6:29:55 AM PDT by Always Right
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To: ATOMIC_PUNK
had "a painterly quality to it.

The dumbing down of America has hit the Smithsonian.

5 posted on 05/03/2003 6:43:38 AM PDT by raybbr
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To: ATOMIC_PUNK
Killdeer - Charadrius vociferus

Spotted Sandpiper - Tringa macularia

Both of these beautiful little birds have the annoying habit of laying their eggs in peculiar albeit, camouflaged, places like the middle of a horse path or just to the side of some foot path. The risk of habitat destruction is a given!

However, drilling for oil in Alaska is not the destructive enterprise it is made out to be. Rather than be slaves to OPEC oil, we should use our own while racing ahead with Fuel Cells, the future for cheap energy, which will please everyone except OPEC.

6 posted on 05/03/2003 6:52:51 AM PDT by yoe
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To: raybbr
Merriam Webster online says that "painterly" is fine and that it dates back to 1586 - similar to something being praised as a "masterly work". Too bad they started now at applying their new "we can't get caught up in politics" attitude - judging from the news articles I recall, that would have changed or scrapped several exhibits they have shown in the last two years.
7 posted on 05/03/2003 6:53:39 AM PDT by Moonmad27 ("Run free, Samurai Jack")
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To: Moonmad27
I would trust Larry Small and his Smithsonian elitists as far as I could throw them.
8 posted on 05/03/2003 7:51:47 AM PDT by Eric in the Ozarks
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To: Moonmad27
I stand corrected.

It sure doesn't sound right, though.

9 posted on 05/03/2003 8:10:53 AM PDT by raybbr
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