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Planned Mini-Series on Hitler's Early Life Brings Criticism
The New York Times ^ | 8/20/02 | Bernard Weinraub

Posted on 08/20/2002 11:05:41 AM PDT by GeneD

HOLLYWOOD, Aug. 18 — Can a four-hour CBS mini-series based on the early life of Hitler accurately depict his monstrousness?

To CBS executives and the producers, Alliance Atlantis, a respected Canadian film and television company, the film is to be an accurate study of Hitler as a youth until his ascension to power in 1933.

To the project's critics — most of whom have not read the script — the very idea of a drama about Hitler's youth is appalling and bound unwittingly to create a sense of sympathy for one of history's great villains. "Why the need or the desire to make this monster human?" asked Abraham H. Foxman, the national director of the Anti-Defamation League. "The judgment of history is that he was evil, that he was responsible for millions of deaths. Why trivialize that judgment of history by focusing on his childhood and adolescence? Have we run out of subjects to focus on?"

Executives at CBS and Alliance Atlantis disclosed the project recently, and filming is set to start in the next few months in Munich and Prague. An international search is under way for a young actor for the title role. The film is based on "Hitler, 1889-1936: Hubris," the first volume of Ian Kershaw's acclaimed biography, and is scheduled to be presented next year.

"I think there is some adverse reaction to it," Leslie Moonves, president and chief executive officer at CBS, told television critics and reporters last month. "I guess I'm a little surprised by it." Mr. Moonves said that the project was brought to CBS by Alliance Atlantis, and that the network was intrigued. "This is a very timely subject about how bad guys get into power and how it affects the rest of the world."

Nancy Tellem, president of CBS Entertainment, said: "I think everyone's so focused on Hitler and the involvement in World War II and the concentration camps. The focus of `Hitler,' this mini-series, when he's 17 to 34, his rise to power, the society that allowed this to happen, how Hitler became Hitler. I think it's unbelievably compelling."

Critics of the project said that whatever its intentions, a movie dealing with a young Hitler is bound to create a certain sense of sympathy, especially among younger viewers for whom World War II seems like ancient history. Even in a film like "Silence of the Lambs," the Oscar-winning performance of Anthony Hopkins as a cannibalistic killer was so captivating that audiences were alternately revolted and charmed by him.

Rabbi Marvin Hier, dean of the Simon Wiesenthal Center in Los Angeles, said that by not dealing with the second part of Hitler's life — and World War II and the Holocaust — CBS and Alliance Atlantis were leaving television viewers without the full implications of Hitler's actions.

"It's telling only half of a terrible story," Rabbi Hier said. "Teenagers may watch the young Hitler and say he just needed more guidance and attention, he wasn't that bad, if he only had a better home life. It creates a kind of sympathy and new attitude toward Hitler."

The script, by G. Ross Parker, has been closely held. But an early draft, dated May 31, offers a portrait of Hitler as an angry and sullen youth who adored his mother and loathed his father (who may have been half-Jewish). Hitler is presented as a struggling bohemian, artist and opportunist with a flare for public speaking.

The script makes clear that Hitler's early relationships with Jews, like a doctor who treated his mother, were friendly. But Germany's loss in World War I and the nation's economic collapse and political chaos, coupled with Hitler's obsessive nationalism, led him to rant publicly against Communists, Social Democrats and Jews.

The script points out that when young Hitler realized that his anti-Jewish remarks especially stirred strong applause among his German audiences, rich and poor, he accelerated his anti-Semitism.

The film concludes with Hitler in power — after ordering the murder of several former associates — watching the documentary film, "Triumph of the Will," the spellbinding propaganda movie that turned Hitler into a godlike figure. The creator of the film, Leni Riefenstahl (who will turn 100 on Thursday), shows him the movie. (Jodie Foster is scheduled to star in a film about Ms. Riefenstahl and help produce it, a project that also dismays Jewish groups.)

Alan Wagner, a CBS executive in the 1970's and 1980's, who was sent the script by a friend, termed the screenplay horrifying. In an e-mail to several reporters, Mr. Wagner said Hitler was merely presented as "idiosyncratic, odd," and there was little sense of the horrors that he would perpetrate. He said the end of the film resembled "Rocky," in which the underdog boxer triumphs. "The underdog has won," Mr. Wagner said.

In a phone interview Mr. Wagner, who is chairman of Boardwalk Entertainment in New York and was once vice president for programming at CBS, said that he was especially concerned that the film did not mention Auschwitz, Gestapo torture, or Hitler's decision to move toward a policy of annihilation of Jews and other groups.

But Peter Sussman, president of the Alliance Atlantis Entertainment Group, said: "It's hard for me to understand how anybody could ever see Hitler as being sympathetic. More important, the devil doesn't always come with horns or spewing fire. Evil isn't always easily recognizable. Sure there were people who believed in Hitler, and thought he was appealing. And that's the worst kind of evil."

Mr. Sussman said he pursued the project because the story of Hitler as a young man had never been done.

"Almost every event that flowed from the behavior and the conduct of the Nazis has been covered extensively by film and TV," Mr. Sussman said. "I realized the seeds from which all this began — how these horrible events happened — has never been done."

He acknowledged, "I didn't realize there would be such a loud concern over a possible negative impact."


TOPICS: Business/Economy; Crime/Corruption; Culture/Society; Foreign Affairs; Germany; News/Current Events
KEYWORDS: abrahamhfoxman; adolfhitler; allianceatlantis; cbs; lesliemoonves; viacom
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I don't know why people are surprised. Hitler's a hero of Sumner Redstone and Mel Karmazin.
1 posted on 08/20/2002 11:05:41 AM PDT by GeneD
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To: GeneD
"Springtime for Hitler and Germany...." (The Producers)
2 posted on 08/20/2002 11:09:27 AM PDT by Ciexyz
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To: GeneD
It seems to me that what's being objected to is, in fact, of great value. When the Devil shows up, or Evil in any form you care to give it, you usually don't smell brimstone and see the fire. The thin edge of the wedge is usually banal, and the decisions to go along or resist are often cloaked in the little things of life, not something that is obviously life-changing from first glance.
3 posted on 08/20/2002 11:11:11 AM PDT by RonF
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To: GeneD
David Letterman mentioned this the other night, I thought he was just joking.

What's next, the life story of Stalin and Mao?

4 posted on 08/20/2002 11:11:47 AM PDT by Ciexyz
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To: GeneD
Much akin to a mini-series outlining HRC's youth, college and Arkansas career...mostly a mystery to the average joe.
5 posted on 08/20/2002 11:13:21 AM PDT by fone
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To: GeneD
If this series goes to Hitler's ascension to power in 1933, he was 44 years old then, not exactly a youngster.
6 posted on 08/20/2002 11:17:59 AM PDT by aristeides
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To: Ciexyz
What's next, the life story of Stalin and Mao?

Since the second volume of the book on which this is based is now out, I imagine what's next is a show on the rest of Hitler's life.

7 posted on 08/20/2002 11:19:19 AM PDT by aristeides
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To: Ciexyz
What's next, the life story of Stalin and Mao?

What the problem, you are not a history buff? I enjoy learning about the "shakers and movers" in history. Perhaps you would prefer to burn the books and forget about the past.

Two of the most fascinating books are "Inside the Third Reich", by Albert Speer and the "Rise and Fall of the Third Reich", by William Shirer.

History is great entertainment. Try it.

8 posted on 08/20/2002 11:21:54 AM PDT by GingisK
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To: GeneD
I didn't see any indication on your link that Sumner Redstone is a Hitler fan. I'm a fan of neither, but that strikes me as unlikely. Do you have evidence?
9 posted on 08/20/2002 11:23:47 AM PDT by aristeides
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To: GeneD
With the current resurgence of anti-semitism, one would think that everyone would understand the importance of a project like this: the very ordinariness of Hitler and the circumstances of his rise to power bring home the seriousness with which we should take those who preach they would destroy our liberties and persecute various peoples, from Muslims who aim to destroy Jews and the rest of the West to the leftists who are out to take our guns and establish a socialist tyranny.

The very liberal Jews quoted above who oppose any treatment of Hitler other than complete demonization are often Democrats who seek to demonize all Republicans and create a climate in which no "reasonable" person holds views inconsistent with their own. They must be resisted as much as anti-semitism and seen for the potential tyrants they are.

10 posted on 08/20/2002 11:33:43 AM PDT by CatoRenasci
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To: GeneD
Any true portrait of Hitler's early life must show his involvement w/ anti-semetic and nationalistic groups at a very early age. These groups were often interwoven w/ occultic influences, particuarly the Thule group.

Hitler was loathsome even in his "tender" years, any attempt to sugar coat that would, IMO, be criminal.

11 posted on 08/20/2002 11:34:38 AM PDT by Pietro
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To: GeneD
A scarier movie would be one depicting Bill Clinton's early life.
12 posted on 08/20/2002 11:35:08 AM PDT by Uncle Hal
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To: Uncle Hal
A scarier movie would be one depicting Bill Clinton's early life.

What would be the difference?

13 posted on 08/20/2002 11:37:39 AM PDT by Euro-American Scum
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To: Euro-American Scum
What would be the difference?

The reign of clinton terror is not yet over.

14 posted on 08/20/2002 11:43:34 AM PDT by mombonn
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To: GingisK
Agree on all points. I wonder if they know why he became anti semitic?
15 posted on 08/20/2002 11:52:23 AM PDT by weikel
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To: Euro-American Scum
I assume that those complaining about Jodie Foster playing Leni Riefenstahl in a movie get just as upset when they see Jane Fonda touted on the screen. At least Riefenstahl had to publicly apologize and was banned from artistic endeavors for life because of her promotional efforts on behalf of the Nazis; Hollywood has done nothing but promote and lavish praise on Fonda after her treasonous efforts on behalf of the Communists.
16 posted on 08/20/2002 11:54:54 AM PDT by laconic
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To: aristeides
Oh well, I should know better than to josh. I won't do that again. But you must agree that today's big media corporations have distinctly totalitarian tendencies, and Sumner and Mel are undisputed megalomaniacs. Given that Viacom runs MTV and employs Opie and Anthony I detect a good bit of my-way-or-the-highway coming from their domain -- a bit more than is healthy in an alleged democracy.
17 posted on 08/20/2002 11:57:07 AM PDT by GeneD
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To: aristeides
And while I will try not to engage in any further ad hominem accusations of Nazi worship, I point out that a) Viacom did $23 billion in business in 2001, b) that A. J. Liebling said, "Freedom of the press belongs to the man who owns one", c) that a Viacom radio employee was recently fired for criticizing his bosses on the Web, and d) I wouldn't hold my breath waiting for Opie and Anthony to play a practical joke on Sumner and Mel.
18 posted on 08/20/2002 12:11:40 PM PDT by GeneD
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To: GeneD
OH ! I thought at first it said HILLARY'S EARLY LIFE!

Never mind.

19 posted on 08/20/2002 12:31:37 PM PDT by genefromjersey
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To: weikel
Apparently when he was down on his luck in Vienna prior to the 1st World War, he tried to sell some personal possessions and sketches to raise cash and got jewed down on the price. He went away mad and later just flipped out.
20 posted on 08/20/2002 12:33:03 PM PDT by Edmund Burke
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