Posted on 06/24/2002 2:17:23 AM PDT by 2Trievers
Edited on 09/03/2002 4:50:41 AM PDT by Jim Robinson. [history]
With often horrific yet eerily beautiful photographic images, Yale University Art Gallery presents a powerful panoramic view of the dark, cancerous, commercially compromised landscape of the contemporary American West.
Before you step from Chapel Street into the New Haven museum, forget all about Ansel Adams and his majestic views of the West. Block all memory of those luminous black-and-white celebrations of a pristine paradise of holy light and transcendent beauty.
(Excerpt) Read more at ctnow.com ...
Sedan Crater
(EMMET GOWIN) ![]()
Aeration Pond
There's so much here to pick apart it could take the better part of the day, so I'll just point out one of the most egregious examples:
In a somewhat similar study of the banality of boomtown growth and its suffocating impact on the environment, Baltz's 102 images, taken in 1978 and 1979, documents the construction of Park City, Utah. A second-home development and ski resort east of Salt Lake City, Park City was the site of the 2002 Winter Olympics and home to the Sundance Film Festival. Baltz, who takes a flat, tongue-in-cheek approach, portrays the city's birth pangs.
So the dirty old construction, with it's big scary trucks, roughneck construction workers, etc, are both banal and terrifying to the artist and the author, sort of like Adolf Eichmann's banality of evil, yet a little more than twenty years later the site is beautiful enough to be the site of the Winter Olympics and to win the approval of small-footed bad actor, environmentalist Redford as the site of his wearisome film festival.
Luddite nitwits.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.