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“Doesn’t the British govt. charge a license fee to watch your own TV in your home?”

Yes. An annual fee. From wiki:

Since April 2021, the annual cost has been £159.00 for a colour licence and £53.50 for a black and white licence. Income from the licence is primarily used to fund the television, radio and online services of the BBC. The total income from licence fees was £3.83 billion in 2017–18,[3] of which £655.3 million or 17.1% was provided by the government through concessions for those over the age of 75 (this subsidy has now been phased out). Thus, the licence fee made up the bulk (75.7%) of the BBC’s total income of £5.0627 billion in 2017–2018.[3]

Thanks.
They say people get the government they deserve.

I saw a movie a few years ago where some guy went on a one man campaign against this TV Fee in England called "The Duke"...he did it by stealing a famous painting...true story!

From Wikipedia: "The Duke" is a 2020 British comedy film directed by Roger Michell, with a screenplay by Richard Bean and Clive Coleman. Dealing with the 1961 theft of the Portrait of the Duke of Wellington, the film stars Jim Broadbent, Helen Mirren, Fionn Whitehead, Anna Maxwell Martin and Matthew Goode. It was Michell's penultimate film before his death on 22 September 2021.

PLOT
Sixty-year-old self-educated working-class Kempton Bunton appears in Court Number 1 at the Old Bailey, pleading not guilty to charges of stealing Goya's portrait of the Duke of Wellington and its frame from the National Gallery in London. Six months earlier, in spring 1961, he had sent a script to the BBC from his native Newcastle upon Tyne. Soon afterwards he is jailed at Durham for 13 days for watching TV without a licence. Although he can afford one, he refuses to do so as he is campaigning against pensioners having to pay it, part of his wider strong beliefs about supporting the common man.

Kempton's son Jackie meets him on his release and on their way home they visit the grave of Marion, Jackie's sister, who had been killed at age 18 in a bicycle accident. Kempton's wife Dorothy works as a housekeeper and babysitter for a local councillor and his wife; Jackie aims to become a boat-builder and move away; and his elder brother Kenny lives in Leeds, working in construction but involved in low-level crime. Kempton himself is sacked from his job as a taxi driver due to being over-talkative to passengers and giving a free ride to an impoverished disabled World War One veteran. He gets Dorothy to allow him a two-day trip to London to drum up press and parliamentary attention for his campaign and BBC interest in his scripts, on condition that if he does not get that attention he will give up writing and campaigning and get a job. An unseen man with a north-east English accent steals the painting, and after Kempton's return to Newcastle, he and Jackie make a false back to a wardrobe to hide it.

Kempton sends a series of ransom notes to the government, saying he will return the painting on condition the elderly be exempted from paying for a TV licence. Kenny and his separated lover Pammy come to visit his parents and she spots the painting in the wardrobe, revealing this to Kempton in hopes of getting half the £5,000 reward offered. Panicked, Kempton abandons a suggested ''Daily Mirror'' plan to raise money for his campaign via an exhibition of the painting and instead walks into the National Gallery to return it and confess to the theft. Though the case seems hopeless, his barrister Jeremy Hutchinson defends him on the grounds that he had no intent to deprive the Gallery of it permanently but instead simply 'borrowed' it to further his campaign, an impression Kempton bolsters by voluble testimony when questioned by Hutchinson.

Back in Newcastle during the early stages of the trial, Jackie reveals to his mother that it had in fact been he who stole the painting for his father to use in his campaign, with his father covering for him and taking the rap. The jury acquits Kempton of all charges except the theft of the £80 picture frame, which Jackie had removed from the painting at his London lodgings and then lost. After his three-month sentence, Kempton and Dorothy forgive each other over how they had mishandled their grief at Marion's death. Their reconciliation is evident when they are sitting together in a cinema watching the James Bond film Dr. No and chuckle when they see the scene that shows Sean Connery spotting the "stolen" Goya painting of the Duke of Wellington.

Four years later, Jackie admits his guilt to the police, but they and the Director of Public Prosecutions fear that a new trial could lead to Kempton being called as a witness and again becoming an embarrassing cause célèbre. They therefore agree that if Jackie does not go public, they will not prosecute. Text at the end of the film states the frame was never recovered and that no plays by Bunton were ever produced, but that, in 2000, TV licences were made free to those over age 75.

It was when my wife was on a Helen Mirren movie kick! He stole the portrait to use as a platform to attack the tax IIRC, but it has been a few years now since I saw it, but I might have it wrong.