Having a relationship with a major studio was an advantage for Harry, thanks to the acquisition of Vitagraph by Warner Brothers. This relationship offered Harry a shot at the big time, but it started in a small way. After “Spooney Melodies” and “Merry Melodies,” the latter of which was a knock-off on Disney’s far superior “Silly Symphonies,” the Warner’s animation division turned its attention to a new product line called “Looney Tunes.” This 1932 entry features no plot but a lot of music, in this case Harry’s new hit song for Ed Wynn’s show.
