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To: Wuli

I haven’t seen this article posted, hope I didn’t miss it, it says the artist’s studio is in Beijing and he uses Chinese employees for a lot of it.
https://nymag.com/arts/art/rules/kehinde-wiley-2012-4/


152 posted on 02/13/2018 6:08:30 PM PST by Old_Grouch (70 and AARP-free. Monthly FR contributor.)
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To: Old_Grouch

Very similar to what Thomas Kinkade’s set up was when he was around & whether China or elsewhere lil’ dabs & do’ya’s are even signed with SIG of artist and many people happily purchase as considered Gen U Whine. Similar to what this Wiley character is pulling off with his other worksits how a lot or artists make their money Its a long story for me to re- invent the wheel for Freepers on provence, documentation and authenticity . I can say this much tho’, the msm claims they are mainstream- ?
but I believe this merely reflects on their cformal degrees obtained from colleges / art school private.
lessons.

I think perhaps these two birds Wiley and Sherald are only Afro Amer mainstream ,exhibited at galleries in and around Oak Bluffs @ Martha’s Vineyard else some other listed galleries around the country e.g. NYC or wash dc where they receive their most lauds by the now moneyed Obamas . Choosing a portrait is quite the heavy deed. I don’t believe these two hamsters made a solo decision on these pics w/ o ValJar’s influence. She keeps stamping their approval tickets for the 10% ‘ers of the afro american community which they have not been accepted into nor embraced from the get go.The Obamas own kind ridiculed by the moneyed Afro Amer comm and name- called the mooch a ghetto girl as she/ he is/ was/ is.

These two birds are so far left the memorable cover of The New Yorker of the two of them fistbumping said it all and many missed it.

That cover of them should have been painted and hung in the Natl Portrait Gallery because it tells everyone who they are , what they stand for and the true intention of a Manchurian candidate in facilitating the social, economic ,political destruction of our country.
I have a lot of random thoughts here and those 2 portraits are insufferable. Perhaps these two knew the predilections of both artists just to get in the last f*cked up word. IMHO this goal was only the known 15 mins of fame take. Maybe these two will hang around on the wall( s) @The National Portrait Gallery for a time and then quietly taken down, put into storage and forgotten about along with both their legacies having fizzled and disappear into the deep archives of American history and my prayer is for the safety and protection of our POTUS to continue in the great job he is doing in not only saving and routing out in our country from the longterm Deep State and The Shadow Govt.

sorry about mispells


157 posted on 02/19/2018 9:03:59 PM PST by thesligoduffyflynns (TRUMP 2016// Gran Torino- get off my lawn)
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To: Old_Grouch

Very similar to what Thomas Kinkade’s set up was when he was around & whether China or elsewhere lil’ dabs & do’ya’s are even signed with SIG of artist and many people happily purchase as considered Gen U Whine. Similar to what this Wiley character is pulling off with his other worksits how a lot or artists make their money Its a long story for me to re- invent the wheel for Freepers on provence, documentation and authenticity . I can say this much tho’, the msm claims they are mainstream- ?
but I believe this merely reflects on their cformal degrees obtained from colleges / art school private.
lessons.

I think perhaps these two birds Wiley and Sherald are only Afro Amer mainstream ,exhibited at galleries in and around Oak Bluffs @ Martha’s Vineyard else some other listed galleries around the country e.g. NYC or wash dc where they receive their most lauds by the now moneyed Obamas . Choosing a portrait is quite the heavy deed. I don’t believe these two hamsters made a solo decision on these pics w/ o ValJar’s influence. She keeps stamping their approval tickets for the 10% ‘ers of the afro american community which they have not been accepted into nor embraced from the get go.The Obamas own kind ridiculed by the moneyed Afro Amer comm and name- called the mooch a ghetto girl as she/ he is/ was/ is.

These two birds are so far left the memorable cover of The New Yorker of the two of them fistbumping said it all and many missed it.

That cover of them should have been painted and hung in the Natl Portrait Gallery because it tells everyone who they are , what they stand for and the true intention of a Manchurian candidate in facilitating the social, economic ,political destruction of our country.
I have a lot of random thoughts here and those 2 portraits are insufferable. Perhaps these two knew the predilections of both artists just to get in the last f*cked up word. IMHO this goal was only the known 15 mins of fame take. Maybe these two will hang around on the wall( s) @The National Portrait Gallery for a time and then quietly taken down, put into storage and forgotten about along with both their legacies having fizzled and disappear into the deep archives of American history and my prayer is for the safety and protection of our POTUS to continue in the great job he is doing in not only saving and routing out in our country from the longterm Deep State and The Shadow Govt.

sorry about mispells


158 posted on 02/19/2018 9:04:02 PM PST by thesligoduffyflynns (TRUMP 2016// Gran Torino- get off my lawn)
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