Hard to find a name here that doesn't belong. I especially like Jeff Lynne of ELO getting recognized.
To: Recovering_Democrat
What about Jimmy Page, whose work as musician and composer may have gone unnoticed without his prowess as producer of the Led Zeppelin sound?
2 posted on
08/03/2008 9:58:59 AM PDT by
I-ambush
To: Recovering_Democrat
Tough to limit to five. These five are good, although I'd replace number five with Alan Parsons, whose signature sound made Pink Floyd.
3 posted on
08/03/2008 10:06:32 AM PDT by
Jokelahoma
(Animal testing is a bad idea. They get all nervous and give wrong answers.)
To: Recovering_Democrat
Even though he's a worthless dirtbag you've gotta admit that Phil Spector did some mighty fine stuff in the day.
To: Recovering_Democrat
I always like the "brown sound" Rick Rubin gave to Danzig, Slayer's "South of Heaven", and the Beastie Boys "Licensed to Ill."
Liked Sandy Pearlman's work with Blue Oyster Cult, which is unfortunately attributed to Bruce Dickinson, thanks to a certain SNL skit. Pearlman screwed up the Clash's sound on "Give 'Em Enough Rope", however.
6 posted on
08/03/2008 10:13:02 AM PDT by
Clemenza
(McCain/Palin; Maverick and the MILF)
To: Recovering_Democrat
I think the civilized world could have done without any one of them. But that’s just me.
8 posted on
08/03/2008 10:15:54 AM PDT by
Mr Ramsbotham
(Barack Obama--the first black Jimmy Carter.)
To: Recovering_Democrat
Mutt Lange
Rick Rubin
Glyn Johns
Brian Wilson
Bob Johnston
To: Recovering_Democrat
Have to consider Bob Rock for his work with Metallica and Motley Crue and others. Even if you're not a fan, those bands had many high impact albums.
Also Mutt Lange for work with Def Leppard, AC/DC, Foreigner and Shania Twain.
To: Recovering_Democrat
Jeffy Lynne did a lot of Roy Orbison’s stuff. I think one of this best efforts was the post-mortem release of Orbison’s “I drove all night”. Roy had cut a scratch track for the composer one day on his way home, and it sat unused until after his death. Lynne managed to hit the exact feel of Roy’s earlier stuff, with a little twist in the hook that makes it special.
To: Recovering_Democrat
Ok, I'll put a vote in for Shel Talmy. Not the greatest, but he was there for some history, and to do some innovations, and produced some hits, notably for the Kinks and the Who, among others...
16 posted on
08/03/2008 10:48:10 AM PDT by
LRS
(NO DRILLING; NO PEACE!)
To: Recovering_Democrat
The late Terry Melcher [Doris Day’s son], who produced te early Byrds’ LPs.
19 posted on
08/03/2008 11:01:03 AM PDT by
PzLdr
("The Emperor is not as forgiving as I am" - Darth Vader)
To: Recovering_Democrat
Buddy Holly [and Norman Petty]
20 posted on
08/03/2008 11:01:32 AM PDT by
PzLdr
("The Emperor is not as forgiving as I am" - Darth Vader)
To: Recovering_Democrat
Except for George Martin, few can come close to the accomplishments in the studio of the Bradley Bros, Owen and Harold, and Chet Atkins. My bets are that the Bradley Bros. and Chet Atkins from the studio orchestrated more hits than #2-5 combined.
To: Recovering_Democrat
Just 5 really is far too limiting. But I would agree with all of these. I would also add Todd Rundgren. While his music is something of an acquired taste, there are few producers with a better ear for "pop" sounds. While he's had a number of hit songs himself and with his bands, as a producer he's really something of a powerhouse. The albums he's produced are pretty staggering, and the list of bands that he's turned into hit makers is amazing.
Just as a hint of some of his production work, there's XTC's "Skylarking," pretty much off of Hall & Oats hits, and Meatloaf's "Bat out of Hell." There are FAR more.
Mark
31 posted on
08/03/2008 12:11:07 PM PDT by
MarkL
(Al Gore: The Greenhouse Gasbag! (heard on Bob Brinker's Money Talk))
FreeRepublic.com is powered by software copyright 2000-2008 John Robinson