Outside of watching Jimmy Stewart's Elwood P. Dowd alley scene from Harvey once again, one rarely heard "My cleaver waits" much anymore...
Let's say it once more...
My cleaver waits...
Ahhhhhhhhh... 
the night is so young!
Posted on 08/19/2007 6:06:46 AM PDT by tpaine
Well, when you get to butchering that next hog, carve me off some nice chops!
Oh most definitely i would like to be on this ping list, thanks.
Good night and good morrow to you.
yeah, but great work if you can stomach it!
My all time favorite RAH quote.
Bump to the book list.
I have read each at least once.
Just the thought of getting rid of Soros and his Liberal Democrat ilk make me almost wish this were true!
Now, notice... I said ‘notice’ I say almost...
Yet, it would be fun to get rid of the scum and then have a nice little bloody revolution to get back on the true course a’la Heinlein, eh?
“Well, when you get to butchering that next hog, carve me off some nice chops!”
Happy to. My cleaver waits in great anticipation.
Outside of watching Jimmy Stewart's Elwood P. Dowd alley scene from Harvey once again, one rarely heard "My cleaver waits" much anymore...
Let's say it once more...
My cleaver waits...
Ahhhhhhhhh... the night is so young!
Seeing that long, long compilation of Bob’s inventive genius is astounding; he threw off brilliant ideas like flares from a never-ending Roman candle. Only one other writer in the genre ever impressed me near as much, and only one story by him: Philip Jose Farmer’s “Riders of the Purple Wage,” published in the first volume of Harlan Ellison’s “Dangerous Visions.” DV is still one of the most powerful collections of stories ever put to paper, the RotPW can still give me chills — Farmer was absolutely profligate with brilliant ideas and flights of imagination, and like Bob did it with a flair that concealed the intense effort and dedication that all good writing requires. If you ever get a chance to pick up Dangerous Visions, I highly recommend that you do — most of the stories, which gathered a passel of Hugos and Nebulas, still make for powerful and challenging reading.
From http://www.imdb.com/title/tt0042546/quotes while I am on a roll...
Harvey and I sit in the bars... have a drink or two... play the juke box. And soon the faces of all the other people they turn toward mine and they smile. And they’re saying, “We don’t know your name, mister, but you’re a very nice fella.” Harvey and I warm ourselves in all these golden moments. We’ve entered as strangers - soon we have friends. And they come over... and they sit with us... and they drink with us... and they talk to us. They tell about the big terrible things they’ve done and the big wonderful things they’ll do. Their hopes, and their regrets, and their loves, and their hates. All very large, because nobody ever brings anything small into a bar. And then I introduce them to Harvey... and he’s bigger and grander than anything they offer me. And when they leave, they leave impressed. The same people seldom come back; but that’s envy, my dear. There’s a little bit of envy in the best of us.
Same here. Larry Niven is probably close. RAH even got me to reading shorts again. Twenty years after I had thought my hi-skruwl teechurs killed the desire.
That has been my observation as well.
From the "Daydream Engineers" exhibit at the US NAval Academy Library.
Harlan Ellison first got my attention when I saw his name on the teleplay for the ‘City on the Edge of Forever’ episode of “Star Trek” first broadcast on April 6, 1967.
I started reading his works, critiques of his work and his sayings in interviews... I was soon of the opinion he was a jerk who happened to write a good sci-fi yarn now and then...
Like Frank Sinatra who was a mega-jerk who sang great, great lounge songs and did passable rat pack films for light guilty pleasure entertainment..
After years of give and take, with all the stories of his and Roddenberry’s saying Ellison made Scotty a drug dealer, I say this. Given a 2 or 4 million dollar budget of 1967 dollars, I do not believe any filming of Ellison’s original script would have been better that the ‘bastardized’ 44 minute version he claims Roddenberry savagely cut, rewrote, filmed and presented for less than $200,000 1967 bucks.
Yet my main opinion of Harlan Ellison is still the same: He is a jerk who happened to write a good sci-fi yarn now and then!
DEFINITION OF AN ENGINEER
"An Engineer is one who passes as an exacting expert on the strength of being able to turn out with prolific fortitude strings of incomprehensible formulae calculated with micrometric precision from extremely vague assumptions which are based on debatable figures acquired from inconclusive tests and quite incomplete experiments carried out with instruments of problematic accuracy by persons of doubtful reliability and rather dubious mentality with particular anticipation of disconcerting and annoying everyone outside of their own fraternity."
I agree
Oh, yeah — Ellison = jerk, period, no excuses. I never found him much of a creative writer, either; workmanlike, yes, good at recycling others’ ideas. But as an editor, I’d put him up there with Campbell, as one who consistently could bring out the magic other writers had within. DV was a milestone; Theodore Sturgeon’s afterword to “If All Men Were Brothers...” is alone worth ten times the price of the book. Enjoy your evening — hope you’re cracking open number seven, in honor of Bob (can’t have an even number of beers for an old Navy man!).
Your I agree
Gadzooks, never, ever agree with my old cuz!
It gives him delusions of grandeur!
And it don't improve his fishing one damned bit!
Hee hee! How is the fishing anyway? :-)
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