Rush Interviews Slyvester Stalone (Great Interview About Men And Rocky Balboa Alert)

RUSH: Welcome to the program, Sylvester Stallone, Rocky Balboa. The movie comes out on the 20th, correct?

RUSH: Thanks for joining us today. They sent me a copy of it, Sly, and I want to be honest with you, I didn't know what was left to tell in the story. I've loved all these other Rocky movies but there's been a long hiatus now, and I put it in, and I was stunned.

RUSH: You cover every demographic in this, I mean, looking at it from a production and marketing point. It looks like the first Rocky movie cinematographically, you haven't gussied it up with a bunch of computer generated fireworks.

RUSH: You've got life messages in this, there's no profanity that I was able to hear.

STALLONE: Right, it's PG. Well, you know, what had happened, a good friend of mine is Susan Faludi who wrote the book Stiffed, which is a couple years ago, it's about the diminishing and kind of like diluting of the American male in the workforce, and after, you know, almost World War II, and every generation it seems to get harder and harder for a man to express himself and we seem to be slowly being moved on this conveyor belt out before we're ready to be moved out. And it was kind of -- I wanted Rocky to show that he still, as he says, has some stuff in the basement, he has a flame in his heart, and I think a lot of the American male feels that way, but society goes, "Nah, sorry, you've had your up at bat and it's time to move on." And I go, "Well, maybe you should move on when you're ready to move on." If you're willing to take the humiliation of sticking your head above the crowd, maybe it's, you know, the pleasure will be worth the pain.

RUSH: Well, it's an interesting thing you brought up here, basically the feminization of the American culture.

RUSH: Not just for men, you know, in their late years toward retirement or middle-age or what have you, but throughout. But, look, I think you highlighted this. One of my favorite scenes, because it's so poignant with the way the culture is today, your son -- I don't want to give too much of this away, but the conversation you have with your son when he begs you not to take this last fight.

RUSH: Because he needs to get out of your shadow. And for him to do that, you need to go away, and what you say to him -- and it's not a long scene -- just had me cheering. I have to be honest, I don't cheer much at movies, but it had me standing up.

STALLONE: Thank you, Rush. Well, you know, I guess a lot of fathers and sons have sort of had this conversation in some incarnation, and I certainly have, and I think it's an ongoing battle. It's almost from biblical times, you know, sharper than a serpent's tooth, and finally the father has to say, "Stop, stop, you have to be accountable, son."

STALLONE: Oh yeah, that's why I used the name Balboa, Rush, I didn't want a number attached because that would imply there was another one. But I felt so bad the way the fifth one turned out. I don't know what happened. I was just off my game, off the mark, maybe it was my lifestyle, but I was not thinking for the audience. I was thinking maybe for myself. And, you know, you have some downturns, careers have peaks and valleys and I had a lot of time to think over the last ten, 12 years, and I thought, "You know, if there's one thing I'd like to remedy was the way that character went out." All the other characters I could deal with, but that one really bothered me. But the opportunity at that time, I was 53, and they said, "It's over, you know, the last one didn't work. Plus you're too old." But this is a movie about being too old but willing to take the humiliation to try to remedy or, you know, right a wrong. They said, "No, you're just talking about yourself."

I said, "No, I think there's a lot of people out there that wish they could go back to that crossroad in their life and change something, and if not that, maybe they just wanted to do something to purge grief or rid themselves of some feelings and you need an outlet," and they said no deal. Luckily after six years, MGM was sold, and Harry Sloan, who came in as the new CEO, said, "You know what, I'll take a gamble with you," and I'm really indebted to him and Joe Roth of Revolution.

RUSH: Now, you wrote and directed this. Is that part and parsel of the problem you had in getting it done?

STALLONE: Yes, that, but more than anything else, it was age. You know, society, especially Hollywood, I think it's about 50% ahead of society in getting rid of its workers, you know what I mean? Because we're so in the limelight, you know, women, men, it just chews you up and spits you out, and now we have so many market outlets, you're really on a fast lane. Before, you know, you had a star like Tyrone Power or, you know, Kirk Douglas, they would have a 50-year career. Now if you have 15, consider yourself lucky.

RUSH: Yeah, everybody's looking for the 18 to 24 demographic or even younger. But, you know, this movie is going to hit that demo. Again, I'm tempted, I'm not a movie critic so I don't want to give too much away here, but it's a love story that women are going to absolutely adore.

RUSH: Fathers and sons are going to learn a lot from watching this. It's a movie about staying true to your desires and going for it when everybody tells you that you can't do it and shouldn't do it. I mean, there's a lot here. I think you're probably going to cover the demographic that they look for that they think you can't get anymore.

STALLONE: Well, actually no, believe it or not, we're testing higher in the younger demographic, and, you know, I'm hoping that the baby boomers, my generation, come out and support the film because, if they do, and the film performs, that will be a message to Hollywood that, you know, there are 70 million of us out there. Let's start making stories about us that are age appropriate and more profound than just us being relegated to, you know, the angry father or the angry mother in movies, and bring our stories up to the forefront.

RUSH: We'll it'll get the baby boomers out because the baby boomers think only about themselves and you've made a movie about them.

RUSH: (Laughing.) We're talking with Sylvester Stallone. Rocky Balboa is out on December 20th, and I was fortunate enough to see a screening of it on Wednesday night. You shot two endings for this.

RUSH: I know how it ended. I know what I saw. What made you decide on this ending?

STALLONE: Because of the budget, we had really one shot at this, and, I didn't want to second-guess myself, but just in case, I shot just the opposite ending to think, "Well, it could possibly be that we should have this ending," which, you know, I'm kind of like not at liberty to say, but that will be in the DVD, the opposite one. But life, kind of like you never know, you never know. And I've done this so many times in films, you think you have it; you think you've nailed it; then you're in the editing room and you go, "Oh, my God." Rush, that's why so many films go over budget, 90% of the time you know what they're re-shooting? The ending.

CALLER: Well, let me ask you something. In my business, I don't listen to consultants because I don't have to. In fact, when I got rid of consultants and bosses is when I began to prosper, just following my instincts and my gut.

RUSH: And you mentioned having to test this movie. How much of your work in your career did you have to be a slave to what consultants and testing and focus groups are saying rather than just following your gut on it?

STALLONE: Well, it's funny, up until like 1980, '82, '83, you had this kind of like pioneer spirit or cowboy mentality or you flew by the seat of your pants and you say, "Ah, you know what, wisdom says I shouldn't do this but I have a gut feeling." That's gone now. Now it really is, believe it or not, 90% of the films are green lit, not by the studio heads, but by the marketing department. You're a slave to them. If they don't think they can sell it or if they don't have a hook then the movie doesn't get green lit no matter how much they say, "I kind of like this film." What's the angle? We're not sure what the angle is. So that thing is thrown to the wolves. So this is the first film I've done just using instinct since, you know, 1990.

RUSH: Wow. Time's dwindling here. Let me ask you a couple more things. You use as your opponent here Antonio Tarver.

RUSH: He plays Mason "The Line" Dixon, right? Love the name. But did you ask Roy Jones, Jr., first?

STALLONE: Uh-oh, you heard that. Believe it or not, I called Roy Jones, Jr. I wasn't sure. I always loved Tarver because he was verbal and he had a certain kind of charisma, there's something about his face I like. Roy Jones is a little more sinister looking, but I said I have to approach both of them in case one of them falls out; one breaks a hand, who knows. I called Roy Jones 31 times. Not one phone call was returned. On the 32nd time I said, "I gotta move on, thanks anyway." I called HBO, who Roy Jones worked for at that time, they said, "Sly, don't feel so bad, we pay him; he still doesn't pick up our phone calls."

STALLONE: Roy Jones? Yeah, I do. It's so odd. He's just one of those kinds of guys. I guess he has a phone phobia.

STALLONE: But it turned it out great. I'm so glad. I think Tarver, because of his fighting ability and his superior height gives a better visual than Roy would.

STALLONE: He does, he does, but he's not so monstrous like some of the guys today, Rush, are literally behemoth. He's more like old school fighters, and he's not playing a villain. This is about the battle that people have within themselves.

RUSH: That's an excellent point. That's true. This is about you. I should point out, for of those curious, the boxing, and I checked the run time on my player, and the boxing seems make up the last 20 minutes of the movie, 20, 25, the rest of the movie is all about the things we've been discussing. Sly, it really is good, and I didn't know what to expect and I thought maybe it was going to be difficult to -- to --

STALLONE: You know what, you're very kind. I appreciate it. Thank you very much.

RUSH: All the best. That's Sylvester Stallone. I don't normally review movies. Passion of the Christ -- what else did I see this week that I talked about? Oh, yeah, I saw Apocalypto. I don't do many of these screenings, but the ones I have seen and watched I liked, and this one was right at the top. The life lessons in this are well worth seeing.

Rush had a special treat for us today: an exclusive interview with Slyvester Stallone about his new movie Rocky Balboa and what it means to be a male in America today. I loved the original Rocky and this one looks like another winner. The subtitle might as well be: Men Are Back! An important message in an increasingly feminized culture.

"Show me just what Mohammed brought that was new, and there you will find things only evil and inhuman, such as his command to spread by the sword the faith he preached." -Manuel II Paleologus

It would be interesting if Stallone reached down inside himself this time and rediscovered the magic of his great boxing film "Rocky"

Stallone is one of those celebrities that I kind of like as a guy, he seems to be OK and he doesn't get sucked into the bash America nonsense.

He sure comes off good in this interview.

2 posted on 12/15/2006 5:47:40 PM PST by ansel12 (America, love it ,or at least give up your home citizenship before accepting ours too.)

I watched the trailer online the other day and I knew it was going to be something special. Then when Rush saw it and raved, I was totally sold...I'm there the first day. My wife can laugh all she wants...

There's NO profanity in this movie. Stallone is 60 years old but he has the fitness of a 40 year old guy. I think it speaks to men wanting to give their best just for themselves and their kids without having to give up their identity as men to please women.

"Show me just what Mohammed brought that was new, and there you will find things only evil and inhuman, such as his command to spread by the sword the faith he preached." -Manuel II Paleologus

I heard the interview. Interesting. Rush is broadening his programming with movie reviews. Kinda like Imus and Oprah with the book stuff. I thought the interview was good, I never liked Rocky. Not so much because I'm a female and only like chick flicks, though I do prefer them, but that I grew up in NJ and that whole machismo joisey guy image is what I ran away from: Bruce Springsteen, too. Hey whaadya, fongool, and all that. The Sopranos...ugh. But I though Sly sounded good. Saw the trailor: I won't be going to see the movie. Maybe Dreamgirls, but the music doesn't sound so hot. Hollywood is a cultural desert. V's wife.

It's trendy to dismiss Stallone as lower than "low brow." However, this is not fair. He has been a success in his genre. How ironic it would be if he "did art" at this point in his carrier and out performed the anointed ones of the leftest entertainment industry. Good for him!

"Men Are Back!"

I never left even though the "View", Oprah told moms otherwise. Those super hair dried talking heads tried to convince all those women that nothing is to be expected from a man other than 15 minutes between the sheets ... and they got what they wanted.

I tell people all the time. You want to really fix this country, place fatherhood as a place of honor. Hold it out as a such in the media and TV. Start talking to young men about the commit they are making when bedding a women.

Most of all I call on all men to re-assert themselves in the childrens lives, there you will change the world!

"Over The Top" had a great spirit too.

The arm-wrestling theme was ridiculous, but the rest of it made for a really great father-son movie.

Nice interview. I saw Rocky the other day, and it's a good movie. I remember when it came out. My friend, Andy, took up boxing in the golden gloves partly because of this movie (I took up some bad driving habits at the same time because of "Smokey and the Bandit"). He did quite well, too. Rocky was inspiring!

I hope that the new movie is equally inspiring. I can't help but think that more than a handful of young men pulled themselves upward because of movies like Rocky.

Sly seems like good people. His brother Frank used to be great on Stern.

Glad to see this installment of Rocky come along and am looking forward to seeing it. Having Rush endorse it is icing on the cake.

You really owe it to yourself to see the original Rocky. It really is a classic. The sequels were more about cashing in. I'm glad Stallone now has the perspective to tie it all up in a way that respects the quality of the first film. Sounds like he has gained some perspective after living the crazy Hollywood life.

Thanks for posting this. It was a fine interview. The trailer is excellent, and I imagine the movie is, too. And, hey -- Burt Young is back, even!

I remember at one time stallone was "quoted" (incorrectly maybe?)as saying that the police in each city should confiscate all personal firearms. never knew if he really felt this way or not. anybody know for sure?

I didn't go to see any of the other Rocky movies...maybe I will see this one.

Wow. At least see the first one. You can't help but root for the underdog....if that movie doesn't get your blood going, then....??

jmo, mind you...

It's trendy to dismiss Stallone as lower than "low brow." However, this is not fair.

Folks tend to forget Stallone was nominated for both Best Actor and Best Screenplay for the original Rocky. The only others who have that distinction -- nominated for acting and writing in the same year -- are Charlie Chaplin and Orson Welles.

Stallone's a smart guy.

I thought Stallone was the 'strong silent type', a man of few words who let out occasional grunts and groans. But he came across quite articulate and thoughtful today. Definitely going to see the movie tomorrow.

V's wife:

Did you see Rocky (the first one)? I think it's a movie for women, too. Rocky falls for a homely girl, Adrienne, and it's just so sweet, the way he treats her. She is socially deficient, sheltered, shy. Her performance was nominated for an Oscar; and unbelievably, she didn't win. Stallone wrote the movie, and I always wondered how he came up with that character. In real life, would a Rocky-type even fall for that kind of girl? But in the movie, he does. So Rocky's not all machismo; he's got his softer side, too. Which, of course, reflects Stallone's softer side. This doesn't sound like it would be one of those "cultural desert" pictures.

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