Posted on 12/05/2006 7:46:14 AM PST by antiRepublicrat
Warner Music CEO Edgar Bronfman made a startling admission when he sat down for a Second Life interview with Reuters: his kids have pirated music. Well, they've probably pirated musicBronfman doesn't sound too sure. "I'm fairly certain that they have, and I'm fairly certain that they've suffered the consequences," he said, though he later confirmed that he had caught at least one Bronfman child using P2P software. Naturally, his kids were forced to cough up thousands of dollars to the RIAA to keep from getting sued. Right?
Of course not; Bronfman told the reporter that he disciplined his child, but that he would prefer to keep the details of the punishment "within the family." He also gave his offending offspring a little talk about morality. "I explained to them what I believe is right, that the principle involved is that stealing music is stealing music. Frankly, right is right and wrong is wrong, particularly when a parent is talking to a child, a bright line around moral responsibility is very important. I can assure you they no longer do that."
It's tempting to label this hypocrisy, which it certainly is in one way (Bronfman is in no danger of getting sued, but he has no problem funding the RIAA's lawsuits of others), but Bronfman's response to his children's file-sharing shows that he lacks the true hypocrite's soul. File-swapping remains verboten in the Bronfman household.
Still, this shows just how normal young people consider file-swapping to be. When your dad runs one of the largest music labels on the planet and you still turn to P2P networks to discover new tunes, it's clear that the issue isn't just lack of access to music. Or money. This is now considered a "normal" way of checking out digital content.
The incident is reminiscent of the MPAA's own decision to copy a movie without permission earlier this year. In both cases, the industry insidersso concerned with stomping out the piracy of otherssuffered no legal consequences for their own dodgy behavior.
Or rather, the RIAA would say that. I couldn't care any less.
True. Now the question is whether they were used to infringe on anyone's copyright. It's likely, but not definite. I've downloaded and uploaded gigabytes of data representing copyrighted works using BitTorrent, but I don't trade in movies, music or software without permission or pretty clear (IMHO) fair use. There's a lot of free stuff out there, like the Knoppix DVD image (4 GB).
Yup. The open source community uses these P2P clients a lot to distribute the load. Thats how I got my latest copy of FC6 a couple of weeks ago.
I never felt guilty when I recorded FM radio onto cassette in the early 1970's.
I feel the same when I use limewire. I'm a musician and play a lot of covers. It is amazingly effective for getting the songs I need to learn.
'Course, I don't break the law by uploading.
I am always amazed when I go into Costco and see CD's for $12 and many movies for $9. I am quite aware of which cost the most to produce.
I honestly can no longer imagine actually paying for pre-recorded music. But I must admit that at 52, prerecorded music, especially new releases, is not a major part of my life.
I am a bass player in a country band and have had to download all the songs from Limewire because I didn't used to be a country fan, I never listened to the radio and I don't have TV. But if I didn't have limewire I would just record off the radio onto cassette as I did in the 1970's.
It's just a tool. And recorded music is just a comodity. It had it's heyday in the last half of the 20th century, pretty much reaching it's zenith just before Christopher Cross' "Sailing" won best song of the year, marking the end of a fairly long run.
Michael Jackson gave it another temporary kickstart but it was ultimately doomed. Technology has been the wooden stake/silver bullet.
My guess is that Bronfman doesn't have a clue as to what his kids are doing much of the time. I would bet $ that nannies are watching the kids in that household.
Ever heard of "fake books"?
Yeah. The guitar player in my old band had a couple. I have always assumed those were for guitar players. I never really looked into it, nor do I understand what function they serve.
My dad (keyboards, jazz accordian) has used them for DECADES going back to the 40's.
I'm gonna need to look into that. Frankly, I am tired of creating my own chord sheets for each song.
Thanks for opening my eyes.
Yeah, I'm singing. It has probably been the biggest challenge of "bass playing". One guy said the reason it is so hard for bass players to sing is that it is the equivalent of a guitar player singing while doing a lead guitar solo.
But ultimately, the secret is that it just takes a lot of practice.
PS I'm a choral music publisher (think 4+ parts a cappella) ... in my spare time, and the daughter of weekend band gig musician. I just did a couple of Christmas music gigs with my own 4-part a cappella group over the weekend. We memorize mostly everything we sing in public in advance, but occasionally hold folders "with the spots".
I often play piano and sing the melody line, but I don't think I could play solely bass and sing any other melody or harmony part at the same time. THAT is like the patting head/rubbing tummy thing ;-).
>>THAT is like the patting head/rubbing tummy thing ;-).<<
That is exactly how I see it. But, I CAN pat/rub at the same time once!
I googled and found the 700 song 4th edition country fake book. I looked up ten songs we do. Only two of them were there. :(
Problem is, we do "new country". A lot of the stuff we do is still on the radio. The books just can't keep up.
This would have been great for my classic rock band though.
It would be cool to be able to get a fake book that included free online updates. Frankly, maybe there needs to be an online equivalent of the fake book concept.
Or is there already?
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.