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"This is mainly because of unattractive movies that don't appeal to young male audiences, the cost of movie tickets, parking, the shrinking window a movie's theatrical and DVD releases.

Hate to break it to you Hollywood, but most of the young male audiences that you seek, are not gonna run out to see two gay cowboys either. No matter how many awards you nominate it for.
1 posted on 12/13/2005 11:34:36 AM PST by Millee
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To: Millee

Exactly. Big Hollywood has been flipping normal America the bird for so long, we're finally flipping it back at them.


154 posted on 12/13/2005 12:24:33 PM PST by jpl
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To: Millee
"There should be more creativity and new ideas, not just sequels and remake. Let's hope Hollywood listens to the audiences," he added.

I saw this article on Drudge. Right above it was a headline reporting that "Brokedick Mountin'" was the leader in Golden Globe nominations.

"Brokedick" was a movie nobody wanted made. There is no audience for it. The movie was made because Hollywood wants to promote homosexuality, and to tarnish a dyed-in-the-wool American tradition.

Does that sound like an industry with "creativity and new ideas" that "listens to its audience"? No, it sounds like a propaganda factory that is completely out of touch with its consumers. Stockholders of these studios need to start housecleaning.

158 posted on 12/13/2005 12:25:53 PM PST by IronJack
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To: Millee
Crappy movies, gay overtones, 30 minutes of bad commercials, gum on your shoe, big fat head in your way, lady behind you talking on her cell phone the whole movie, $15.00-$20.00 Dollars a ticket, $5.00 for a crummy little box of Milk Duds versus a home theater system, Netflix's, Pay Per View, or one of the good channels on TV like Hallmark or the Family Channel and a fridge filled with all the necessities, and a companion to snuggle up with under a blanket and a warm fire in the fireplace. Hmmmmmmmm..
161 posted on 12/13/2005 12:26:23 PM PST by TheForceOfOne
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To: Millee

How come movies like Casablanca, The Big Sleep, Roman Holiday, Sabrina, Public Enemy, Little Ceaser, etc... which had low budgets (not counting the actors salaries) for special effects, were such great hits?

You wanna know why .... IT WAS THE STORY STUPID!!! These movies told a great story, a basic story about people and their wants/needs/desires/ambisions. Not all this fantisy make-believe garbage.

Go rent the Big Sleep or the Maltese Falcon for example ... the plot will have you on the edge of your see the whole movie. These movies make you THINK, not sit there like a bag of you-know-what.

Where are those movies where they said "Yeah, that's me. Sure, I was all of those things. And more! When Rocco talked, everybody listened! What Rocco said, went! Nobody was as big as Rocco!"

Mmyaaa Seee.


168 posted on 12/13/2005 12:29:54 PM PST by MaDeuce (Do it to them, before they do it to you!)
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To: Millee
"American Beauty"; the primary example of why hollywood is in failure mode - worst piece of tripe I've ever sat halfway through and walked out.

Hell! I never even walked out of "Revenge of the Sith" - another collosal waste of time and money.

178 posted on 12/13/2005 12:33:54 PM PST by Logic n' Reason (Don't piss down my back and tell me it's rainin')
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To: Millee
I would think at some point someone, somewhere, would actually do an audit of the books. I am really curious on just how they can spend 100 million dollars. I know they can do it, but how? Who gets the money and more important, how much feather bedding is going on?

Next question, is how they can continue to "lose" money, picture after picture, without going out of business?

182 posted on 12/13/2005 12:37:14 PM PST by CIB-173RDABN
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To: Millee

One thing that is changing is the average moviegoer has much better information than they had only a few years ago. It used to be, you had to rely on the studio hype to determine if a movie is worthwhile. Now your average moviegoer can sit down at a computer and get five independent reviews of any movie they might want to see, complete with trailers and artwork, in less than a minute.

Case in point: The studio hype made Aeonflux look like a pretty cool movie, with lots of cool cult-graphic-novel buzz. Thirty seconds on Google reveals that Aeonflux is the worst movie anybody has ever seen.


186 posted on 12/13/2005 12:39:17 PM PST by gridlock (eliminate perverse incentives)
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To: Millee
Well, when the Hollywood "elite" continue to heap adulation onto such vomitous leftism as "Bareback Mountain", there really isn't much of a mystery left, is there?

Hollywood: Proudly biting the hand that feeds it for over 40 years.

199 posted on 12/13/2005 12:46:05 PM PST by TChris ("Unless you act, you're going to lose your world." - Mark Steyn)
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To: Millee

The Island was a good pro-life movie.


203 posted on 12/13/2005 12:46:33 PM PST by Sybeck1 (Dr. Adrian Rogers, September 12, 1931 - November 15, 2005)
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To: Millee

We need more queer cowboy movies.


205 posted on 12/13/2005 12:47:51 PM PST by zek157
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To: Millee

A quick look:
"Harry Potter and the Goblet of Fire" - Part 4 of what is really a single grand 7-part story; positive & imaginitive take on "good vs. evil" with good winning.
"King Kong" - a classic remade _well_.
"Chronicles of Narnia: The Lion, The Witch and the Wardrobe" - First installment of a single grand 7-part story; positive & imaginative take on "good vs. evil" with good winning; Christian theme.
"Memoirs of a Geisha" - Not out yet (?); presumably a good story told well.
"Star Wars: Episode III -- Revenge of the Sith" - Part 3, last installment, of a single grand 6-part story; positive & imaginitive take on "good vs. evil" with good winning.
"War of the Worlds" - a classic remade well.
"Wedding Crashers" - slapstick.
"Charlie and the Chocolate Factory" - a classic remade well.
"Cinderella Man" - title alone an instant total turn-off, few got past.
"Kingdom of Heaven" - PC historical fiction.
"The Island" - too bizzare.
"Stealth" - too bizzare (intelligent airplane gone bad?).

Funny: grand imaginative good-vs-evil multi-part epics, well-made remakes of classics, positive religious themes, and classic slapstick do well ... but PC, bizzare, and ill-named moves do badly. Now, what did Hollywood make more of? and, oddly, expected people to see?


210 posted on 12/13/2005 12:51:48 PM PST by ctdonath2
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To: Millee
Taking my family of five to an evening movie and purchasing a trough of popcorn and some gigantic sodas costs upwards of $60. Our shoes get stuck to the floor. My five year old daughter skootches around after the first hour. We all have to take "Airborne" and vitamin B12 when we get home because someone is invariably coughing and sneezing behind us.

My local Blockbusters sells current-release but previously viewed DVDs (in fine condition with a 30 day guarantee) at 2 for $20. We've got a nice TV and home theater setup in our very comfy family room, complete with fully stocked fridge, fireplace, pajamas and slippers, bathroom and pause switch.

There is just no comparison. We only go out to the movies when there is something seriously compelling out there.

217 posted on 12/13/2005 12:59:05 PM PST by Ol' Sox
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To: Millee

Where's the Bruce Willis's, Mel Gibsons, and Arnold Schwarzeneggers of our generation? Ben Affleck? Heath Ledger? Give me a break.


218 posted on 12/13/2005 1:00:21 PM PST by loreldan (Lincoln, Reagan, & G. W. Bush - the cure for Democrat lunacy.)
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To: Millee
Plunging movie ticket sales, after a string of uninspiring remakes and movie sequels coupled with an explosion of the DVD and video game markets, are keeping audiences at home and have sent Hollywood into a deep existential crisis.

I hate lazy writing. Six of the top 10 movies so far this year are remakes or sequels. And the 800-pound gorilla is still to come--King Kong. Lazy writers love to say that remakes and sequels are keeping audiences at home, but the truth is that those are frequently the only movies that bring in the big audiences.
225 posted on 12/13/2005 1:11:49 PM PST by drjimmy
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To: Millee

"Plummeting 2005 box office sparks Hollywood crisis"

Boycott Hollywood is working.

Americans: create your own entertainment and recreation.


227 posted on 12/13/2005 1:14:53 PM PST by purpleland (Vigilance and Valor! Socialism is the Opiate of Academia)
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To: Millee

Hey! I have an idea! Hollywood should do a movie about gay cowboys!


232 posted on 12/13/2005 1:17:25 PM PST by manwiththehands ("Have a RamaHanuKwanzMas" - Glenn Beck (And Merry Christmas!) (... and "Happy Holidays!"))
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To: Millee

Dear Hollywood;

We will not pay to watch people whose anti-American views we despise. You keep insisting on shoving your depraved ideologies down our throats so just keep on sinking.


241 posted on 12/13/2005 1:22:23 PM PST by justshutupandtakeit (Public Enemy #1, the RATmedia.)
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To: Millee
"There should be more creativity and new ideas, not just sequels and remake.

Agreed, but Hollywood produces sequels and remakes *because* they are fresh out of creativity and new ideas. Not to mention appealing storylines.

They'd rather bastardize old popular movies than think of anything new or appealing.

245 posted on 12/13/2005 1:24:16 PM PST by Tall_Texan (Santa Claus is an illegal alien.)
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To: Millee
the shrinking window a movie's theatrical and DVD releases.

thisa seems like the stupidest reason ... don't the companies decide when to release on DVD? they otter wait longer

248 posted on 12/13/2005 1:32:06 PM PST by InvisibleChurch (The search for someone to blame is always successful. - Robert Half)
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To: Millee

I think this is more attributable the increase in big screen HDTV screens, higher quality DVDs, and the proliferations of available DVD movies. Lets face it, a movie looks better on a plasma or LCD flat screen, and you can watch in your underwear.


259 posted on 12/13/2005 1:40:40 PM PST by Casloy
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