Posted on 06/24/2005 7:25:30 AM PDT by ConservativeStLouisGuy
Who does Bob Geldof think he is?
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John Derringer
Fri, June 24, 2005
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It's official. Sir Robert Geldof has lost the plot.
In the days running up to the July 2 Live 8 concerts, which as a whole appear to be hurried and ill-conceived, Geldof has dropped any subtlety from his act, and is now appearing as heavy-handed and self-righteous as the tin-pot dictators against whom he's fighting.
His latest salvo was fired against our prime minister. In a taped message played at Tuesday's media conference to promote the Barrie portion of the show, Geldof stated "There's no use in your prime minister coming to Scotland unless he's prepared to do this deal. If he's not prepared, stay at home, just stay at home, don't come."
So, just who does Bob Geldof think he is?
Quite obviously, he believes he's the conscience that we don't collectively possess, and that he and his musician friends are the only people capable of displaying the compassion necessary to change the medical, social and political landscape in the Third World. I, for one, wholeheartedly disagree.
If musicians and music can change the world, then why is Africa in much worse shape than it was before the Live Aid concerts of 1985? Because these types of events keep people's attention for a couple of weeks, and then, like with any other news story or event, we move on.
Sure, a few die-hards may find their calling in foreign service through shows like this, but the majority won't. Take a look at the anti-war movement that swept American youth during Vietnam. The musicians who were at the forefront of the "protest music" movement (Dylan, John Lennon) were far less effective in turning the tide against the war than the mainstream media were. What turned Americans against Vietnam was the barrage of nightly images of carnage and death, bodybags and genocide, that were presented to America by Walter Cronkite, not by Country Joe and the Fish. Musicians reflect public opinion, they don't shape it.
The only exception to that rule, ironically, may have been the original Live Aid shows. Most of the western world was unaware of the plight of the Ethiopian people before Band-Aid's Do They Know It's Christmas? and the ensuing concerts in July 1985. The world was introduced, in many ways, to Ethiopian suffering, but the finances of the show were subjected to cynicism over the role of the local war lords and their use of the money.
Not surprisingly, that same cynicism has pervaded any
African relief since then. Anyone with the slightest grip on world affairs would be hesitant to send money to the corrupt Robert Mugabe-led Zimbabwe or to Olusegun Obasanjo's Nigerian regime. I am certainly not convinced that aid and debt-relief to the Third World will be used to feed, clothe and treat those who really need it, and nothing Bob Geldof or any G8 leader has said in the last while has changed my mind.
Actually, my cynicism is kicking in on many fronts here. Whereas the 1985 concerts in Philadelphia and London showcased members of the Rolling Stones and Led Zeppelin, a very hot Phil Collins, Dire Straits, The Who, Eric Clapton and many others, Live 8's line-up is a hodge-podge of second-rate acts and warmed-over headliners, with the glaring exception of Pink Floyd's reunion. The Canadian line-up for July 2 is weak at best, filled with acts that you could catch at the Kee to Bala on a summer weekend. The only international acts announced this week were Deep Purple and Motley Crue. I can only imagine the insightful conversations in the Motley Crue dressing room about the plight of Third World nations, no doubt led by that intellectual ambassador of goodwill, Tommy Lee. What a joke.
What galls me most about shows like Live 8 is the idea that if you don't support them, or the causes they represent, you're somehow made out to be hard-hearted and lacking compassion. What a load of bunk.
I've always been a believer in charity beginning at home, and of supporting causes that you feel most strongly about. I continue to think that way. We have too many problems in Toronto, in Ontario, and across Canada to be putting all our eggs in the baskets of countries a world away, especially when their political landscapes dictate that we'll never know where the aid, or money will go. I'll leave the politics to the politicians, as suspect as that act may often seem.
The back-patting of musicians like Great Big Sea's Alan Doyle ("The music community's leading the charge, as it always has," he said this week) only turn me off more.
I think this effort is misguided and genuinely faulty. And since I won't be in Barrie on July 2, I won't have to listen to Steven Page or Raine Maida tell me differently.
"I Don't Like Mondays"
by
The Boomtown Rats
The silicon chip inside her head
Gets switched to overload,
And nobody's gonna go to school today,
She's going to make them stay at home,
And daddy doesn't understand it,
He always said she was as good as gold,
And he can see no reason
Cos there are no reasons
What reason do you need to be shown
Tell me why
I Don't like Mondays
I want to shoot
The whole day down
The Telex machine is kept so clean
As it types to a waiting world,
And Mother feels so shocked,
Father's world is rocked,
And their thoughts turn to
Their own little girl
Sweet 16 ain't that peachy clean,
No, it ain't so neat to admit defeat,
They can see no reasons
Cos there are no reasons
What reason do you need to be shown
Tell me why
I Don't like Mondays
I want to shoot
The whole day down
All the playing's stopped in the playground now
She wants to play with her toys a while
And school's out early and soon we'll be learning
And the lesson today is how to die,
And then the bullhorn crackles,
And the captain tackles,
With the problems and the how's and why's
And he can see no reasons
Cos there are no reasons
What reason do you need to die, die, die
The silicon chip inside her head...
Tell me why
I Don't like Mondays
I want to shoot
The whole day down
Tell me why
I Don't like Mondays
I want to shoot
The whole day down
Bob Geldof, Sting, Bono - the whole lot are self-important, self-righteous airbags.
You are correct, sir. And the times, they are a changin.
"There's no use in your prime minister coming to Scotland unless he's prepared to do this deal. If he's not prepared, stay at home, just stay at home, don't come."
Sounds fair to me. It's Bob's event. Don't let politicians get their "feel good" face time in front of the cameras and then "do nothing" when the cameras are turned off, dragging out the inevitable "no" for weeks/months.
This holds whether or not you agree with the notion of cancelling debt.
And at least this writer understood that it was the biased media that provided aid and comfort to the enemy in Vietnam. Wonder if he sees the same thing happening today?
I thought this would be a good article but the premise is wrong. I think musicians can and do shape opinions and behavior, especially in young people.
To me the author sounds like another Canadian trying to premise his thesis on "what Americans think" and getting it only half right which is another way of saying he gets it wrong.
Sir Bob was not talking about his own face time concert. He told the Prime Minister he was not welcome at the G8 summit.
The G8 Summit is most certainly NOT Sir Bob's event.
Neil Peart of Rush on Live Aid, From Metal Hammer, April 25, 1988
"I get so impatient with the pop side of causes, the whole sensibility of, "Let's get together and change things" because these people just do not know what they're talking about and don't take the trouble to find out how they can really change something.
It's a Sixties mentality -- it had no action then, and has no action now. It's just sound and fury. And, let's be honest, how many of these people are only lending their names as a career move?!
Geddy was involved with the 'Northern Lights' charity record here in Canada, although Rush weren't invited to participate in the 'Live Aid' event -- mainly because if you look at the guest list, it was very much and 'in-crowd' situation. We didn't refuse to take part because of any principles.
Mind you, I wouldn't have been happy being part of this scenario. Those stars should have shut up and just given over their money if they were genuine. I recall that 'Tears For Fears,' who made a musical and artistic decision to pull out of the concert, were subsequently accused of killing children in Africa -- what a shockingly irresponsible and stupid attitude to take towards the band. But I have nothing bad whatsoever to say about Bob Geldof; he sacrificed his health, his career, everything for something he believed in.
But others around him got involved for their own reasons. Some of those involved in 'Northern Lights' were actually quoted as saying that their managers told them to get down to the recording sessions because it would be a good career move! What a farce!
I don't believe that all this ballyhoo changed anything. Even now, trucks full of food are blasting through Kenya, Tanzania and Uganda, trying to get to the Sudan and Ethiopia and they're being robbed and shot at and turned back.
I was in East Africa last Autumn, so I got a first-hand insight into what's going on and whilst I was there no less than 55 trucks laden with food were stuck in Uganda, with no was through because of the political situation.
It's not a lack of food, nor a drought that's causing the problems, but civil war! People are starving others deliberately and how do you change that via a rock concert?! I don't decry charity causes, but if someone were to ask me to do a concert in aid of Ethiopia I'd say NO! I would quite happily donate some money or do anything else that might help, but I believe you have to get involved far more then just giving money to salve your conscience... even that type of charity is so negative because it's self-serving and shallow."
But in reference to this article, I know musicians can influence opinion and behavior.
I think Sir Bob is a goof who had one(?) hit record and cannot get his face on TV any other way than these aid concerts.
But music by John Lennon and Bob Dylan (even though his music was often misinterpreted and used by others) was absolutely part of the Vietnam antiwar scene in the USA in the sixties and seventies and had a very big influence on young people there joining the antiwar movement.
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