Posted on 06/08/2005 6:56:56 PM PDT by freedom44
Plus it has the distinction of being the album that had the longest streak in the number one slot. It was there until bumped my MJ's "Thriller".
Actually you're not the only one. I think those 2 bands suck bad. My roommate loves the Doors but I can't stand them and he knows enough not to play them around me. Thankfully AC/DC is his all-time favorite band so it makes up for his Doors thing.
The only time I liked Pink Floyd was the time a friend of mine got me to do about 2854 bong hits and watch "Wizard Of Oz" with the Pink Floyd album playing at the same time. That was pretty cool, I have to admit.
I absolutely agree with that. My favorite cut on the album is Switch 625 which, ironically, is totally instrumental.
Re: AC/DC...if you've never seen Jim Breuer's (ex-SNL comic) tribute to AC/DC where he sings the "Hokey Pokey", you're missing out!
AC/DC was suspicous. Then they thew out lines like
'for a fee, I'm happy to be your back door man'
Haysee Dixie bump
Back when that album was current, there was some sports show I used to watch, and they did a montage of Racing Hydroplanes, using that cut as background.....
Good job. Very cool.
Pink Floyd are geniuses so far as I'm concerned, but they should have retired in 1980. They could have gone out like Led Zeppelin but instead they went out like Willie Mays.
"Mondegreen" ping for archy!
Izzat a pic of Hadrian's Wall?
I'll FReepmail ya sumthin'
LexBaird: No wonder you use a pseudonym.
Unlike most music enthusiasts, I don't feel compelled to suck up to fans of certain genres of music to legitimize myself to them. Throughout my life, I have never been shy to admit I like hard rock to fans of Barry Manilow, or that I like some Barry Manilow songs to classical fans, that I like classical (particularly the underappreciated Ottorino Respighi) to metal fans, or that I like crass, commercial pop music to fans of whatever supposedly non-commercial music they liked (how amusing that my "corporate rock"-bashing friends must come to grips with their precious Clash songs selling automobiles and trendy light alcoholic beverages).
Something awful happened to the music industry in the early eighties: the Top 40 radio station fell out of favor, and broadcasting became "narrowcasting" -- rather than expanding playlists to contain every type of music that was selling, stations owned by monopolistic media giants would cater to one type of fan, and young listeners no longer were exposed to more than one type of music on a regular basis. Thank God I was among the last generation to listen to legendary stations like KFRC in San Francisco, where one could hear Boston, Smokey Robinson & the Miracles, Glen Campbell, Elton John, the Bee Gees, Jackson Browne, AC/DC, the Doors, Joe Tex, Bruce Springsteen, Elvis Presley, Manfred Mann, Billy Joel, The Who, Parliament, Meco, Steve Miller, Maureen McGovern, Neil Young, David Bowie, Frank Sinatra, Meat Loaf, Dolly Parton, the Commodores, the Mamas and The Papas, James Brown, Journey, and the Beach Boys.
I have never heard Puffy AmiYumi on the radio, though. I heard their smooth, sweet phonetic English pop-rocker "Love So Pure" while browsing in Amoeba Music, San Francisco's largest independent record store. It was the first time in years I had heard a pop song like that. Here in America, "Pop" has come to mean over-produced records replete with scratches, thuds, and meaningless white noise (a la *NSYNC). "Love So Pure" sounds like it could have been done by a sixties girl group.
I asked a store employee what record was playing, and she told me, and added that Puffy was playing a week later in the store. I bought the CD, came back a week later to watch them do a three song set, and waited in line behind maybe 200 people (mostly Asian) who wanted an autograph. Yumi and Ami signed my CD cover, we had a nice conversation in broken English, and I saw them live at the legendary Fillmore Auditorium this past April. The joint was packed with fans of all ages, and was the most fun I've had (as a spectator) in years. I can't imagine thrusting my fist in the air to "Teen Titans Theme" and shouting "LET'S GO!" as Yumi and Ami sang it live not twenty feet away could have been more thrilling if I had done it to "Blitzkrieg Bop" in a live Ramones show.
I'm not ashamed to admit that I have a yen for a couple of cute Japanese girls and their kick-A band any more than anyone else on this thread is ashamed of digging a band with a lead guitarist who wears a grade school uniform on stage.
it's a random background of a ruined castle somewhere in Ireland, with a Palestinian protesting the Israeli security wall photoshopped next to a "Dark Side Of The Moon" prism... obviously that guy thinks "Dark Side" was a much better Floyd album than "The Wall" !!!
Well, de gustibus non disputandum. To me they are less smooth english phonetic rock and more fingernails on blackboard. My only exposure, however, has been their cartoon show and Titan's theme.
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